Top 723 Drums Quotes & Sayings - Page 10

The merry-go-round was running, yes, but... It was running backward. The small calliope inside the carousel machinery rattle-snapped its nervous-stallion shivering drums, clashed its harvest-moon cymbals, toothed its castanets, and throatily choked and sobbed its reeds, whistles, and baroque flutes.

There are a lot of great recording artists, like Jack White and Jack Johnson, who stay confined inside a very small box, but I'm more like Bon Iver, who recorded an album with programmed drums, and the next record was totally organic. I get that.

Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head.

He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.

Then the room relaxed in cheers and babbling, and she turned in his arms to kiss him hard and cling to him, and he thought perhaps it didn't matter that they faced in opposite directions - so long as they faced each other.' Roger Wakefield {Drums Of Autumn}

As a drummer, you can't fake the instrument. A trumpet, you could be blowing air; a person who plays the trumpet could still say, "Oh, those aren't the right hand motions." On drums, you have to actually hit them. You can't fake it.

I remember the first time somebody played me Janis Joplin. My friend Donna put on Janis Joplin, and she said, 'You're like her.' At the time, I wasn't even a singer; I was a drummer. I just wanted to play the drums.

One very important side of my playing lies in rhythm; I have a very percussive style. It's one I've developed with Dream Theater over the years, and requires the guitar to be very locked into the rhythm of the drums... way more than what would normally entail.

Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.

It's been years and years and years I've been playing the drums, and they're still a challenge. I still enjoy using drumsticks and a snare drum.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.

The thing about Matt Cameron is he has made us 1000 times a better band than we've ever been. He's such a freight train on drums and such a cool individual as a man that it makes us better as a band, and we are now complete with him.

There was always music in our home. My mom and my dad loved music. I remember when we were kids we would have these great parties at the house with congas and bongos and African drums, and it was amazing. It wasn't until years later that I found out that they were actually Black Panther meetings.

To me, I always felt like drums have to be the support and the driving factor in a song, and there's places where the drummer has to show off and do things and get the spotlight, but not all the time. You've gotta pick and choose. And it's always gotta be about the song. That's really the bottom line.

Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.

I love puppies, and I love animals in general. Besides that, I do martial arts: extreme martial arts. I also play real guitar and drums, and sing. And I'm taking some college classes, hoping to major in English and creative writing.

Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.

I've often thought that my background in rock 'n' roll has gone to waste in film work. My background was that I was a rock 'n' roll drummer and I don't think I used drums in my first ten years of film scoring.

I could always play the drums, so I have some musical talent, but I don't live in Atlanta or LA, so I can't just randomly bump into major artists. So instead, I started building my fan base and my name by networking through the internet. Mostly through Twitter, Youtube, Instagram and Facebook.

White as a winding sheet, Masks blowing down the street: Moscow, Paris London, Vienna - all are undone. The drums of death are mumbling, rumbling, and tumbling, Mumbling, rumbling, and tumbling, The world's floors are quaking, crumbling and breaking.

I took piano lessons when I was younger and I've been trying to learn how to play the guitar recently. I'd really like to learn how to play the drums. They're a lot of fun and they require a lot of focus.

Manhattan streets with their powerful throbs, with beating drums as now, The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded,) Manhattan crowds, with their turbulent musical chorus! Manhattan faces and eyes forever for me.

I was in orchestra in high school, but I really started when a friend of mine who's a drummer showed me some things. I was always just really fascinated with drums, it was the instrument I was always drawn towards. My ear sort of went to rhythmic aspects of music and songs.

When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.

I wanted to hear the songs in the way that I had written them, which was, in a way, very basic. So all I wanted to have was drums and another guitar pretty much playing what I wrote on guitar, and I was just going to sing.

Belief? What do I believe in? I believe in sun. In rock. In the dogma of the sun and the doctrine of the rock. I believe in blood, fire, woman, rivers, eagles, storm, drums, flutes, banjos, and broom-tailed horses.

I think my love of music comes from my dad. I was born with an ear for music, like him, and started with the piano when I was 4 but fell in love with the drums. My dad always has music playing.

For the record, Jeff Jarret cannot play guitar. Honky Tonk Man cannot play guitar. Elias? Guitar, piano, harmonica, drums, you name it. I can do anything.

If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.

I have never been one for musicians. I know girls are supposed to go crazy for frontmen who close their eyes when they sing and nod their heads when the drums kick in, but I'm like Shania Twain with that stuff: That don't impress me much. I'll take wit and brains over the ability to carry a tune any day.

I have to say, our kind of music was always a struggle live. Quiet vocals and really loud drums and guitars, it was quite tricky. It still can be. I'm slightly amazed that other bands say that, because I'm still like, "Oh God, what am I doing?"

I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.

Like my best friend, I asked for drums for Christmas, and got them. But when he moved on to guitar, I realized two things: (1) guitar is a much more expressive instrument, (2) way more girls pay attention to guitar players than to drummers.

I'm a dude who likes to create music with good feeling. I live like a chameleon through music. It all depends on what the beat tells me to do; that's why you're always gonna get passionate hooks, because I'm feeling the beats and the emotion behind the drums and melodies.

I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.

I worked with Jack Nitzsche for 'One Flew Over the Cuckoo's Nest,' and we'd booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that - with some Indian flutes and some drums.

It was actually drumming that gave me the stamina to get into sports later. I started playing drums at 13, and when I got to the international touring level... I got interested in cross-country skiing, long-distance swimming, bicycling... things that require stamina, not finesse.

I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.

My father had a perfectly good drummer who he had an argument with. So one day, on a Tuesday, my father came in with a cheap pawn shop set of drums and said, 'Put your foot here, and you kick there, and you play this, and this is the high hat.' And Friday night, I was playing in a honky-tonk.

It's really not a stretch. The checks and balances are the same. The drums are the executive branch. The jazz orchestra is the legislative branch. Logic and reason are like jazz solos. The bass player is the judicial branch. One our greatest ever is Milt Hinton, and his nickname is "The Judge."

I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.

You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.

I felt like onstage I have to have a certain amount of anonymity, like, personal anonymity, to feel loose and free. When you're up there with people who've known you for a decade, and you make a bad joke and you hear the cackling behind the drums, it's hard to get lost in the moment.

I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.

My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.

I found it easy to produce. I'm not the musical guy. I can't read and play music like that, but put some drums and a sample in front of me and I can whip it up nice, and I'll work out some keys and find some interesting instruments to put under it.

I don't like pre-written raps; I think it makes the song better if you listen to the beat first. In a sense, you have to make a marriage with the beat. I ride the beat, hear the flow of the drums, get the melody of my flow, and then from that point, it's a process of what I want to say.

I trained for the drums for about two weeks, and then rocking out in front of an entire crowd was sort of like a dream come true. And now, Guitar Hero, I can't do that anymore. It's nothing like doing it on stage. I kinda wish I had a fake band, and we could go on tour.

I play drums, and I'd recommend it to anyone, except maybe your neighbors. It's great exercise - physical, mental, emotional, and social. It takes deep concentration but also activates concentration. If you're doing it right, it's always just a little harder than what you can actually pull off.

I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.

Ye living soldiers of the mighty war, Once more from roaring cannon and the drums And bugles blown at morn, the summons comes; Forget the halting limb, each wound and scar: Once more your Captain calls to you; Come to his last review!

I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.

I love the sound of '70s glam records. I love that snare sound. The recordings I like, it's all based on if the snare sounds good. The drums have to sound great.

I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.

I remember when I would write a song as a kid, I would also write out on paper what the drums would do, what the bass would do, and what the vocals would be doing.

People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.

I don't want to preach, but I really think the rudiments are very important to developing your drumming skills. Many of the patterns I've recorded came from things like paradiddles, flam paradiddles, flam triplets... They might be boring to sit down and practice, but not when you apply them to the drums.

I play a little bit of everything. I beat on the walls. I whistle. I scream. I go outside and scream because it sounds cool when it's recorded. I play drums on a chair. I snap, clap... just anything to build the track and make it feel like I want it to.

Musicians play music because you love... I loved to play drums since I was five. It's all I ever wanted to do. Rock stars, or as we call them, posers, guys who want to just look great, dress great. They're not musicians; they're looking for the fame.