Formerly known as The Muslims, The Soft Pack brings a lot of swagger to its garage-rock sound. There's a load of gimmick-free confidence in the band's hooks, as its distorted guitars and driving drums demonstrate that less can be more.
I've got my ideal job. I like to sing, I like to dance, I like to bang drums and dress up, and someone pays me - it's incredible.
I hate it when Chuck Schumer and Nancy Pelosi get to beat their drums and talk about what a great day it is for America that President Trump failed - when even they know ObamaCare is a total disaster.
I started playing drums at three, then piano at five, then clarinet. But it wasn't till I picked up a saxophone aged 13 that I really got serious about music.
I spent a lot of time lifting my drums into a van, playing to ten people night after night. I can't complain about anything now. That stuff was heavy.
We had a bunch of instruments around the house. Like, I played different instruments, trumpet, bass, drums, piano, all that, but whatever I could get my hands on.
I always thought it would be really cool to be playing the drums in the show and then have your astral body or whatever travel all through the audience and dig whatever it's like out there.
There was always a guitar hanging around the house when I was a kid. It was a much lower impact instrument than me playing the drums, which is what I really wanted to do. My mother put a stop to the drumming.
It's harder to play drums than guitar, physically. I'm always kind of on the edge. I guess that's how I play everything: on the edge of my ability.
For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.
I like being in the back. I've done that for so many years, I'm really comfortable doing it. I don't like the solo thing as much as I like playing drums behind someone.
You want the personality of each performer - whether it's singing or bass or drums or piano - to be intact. In some ways it's much more challenging to preserve that and to also make music that sounds modern.
Vocally, I don't think analogue makes that much difference, but with guitars, it definitely makes some difference. With drums and bass, absolutely.
The bass and drums are the engine, and the key to good bass playing is it's not what you play, it's what you DON'T play that counts. You leave the spaces, they're more important than anything.
I was very shy when I was younger. But I did have a terrible temperament. I would get angry very quickly, but the rest of the time I was this big goofball, playing the drums in a band and making out with girls.
When I was much younger I tried to play guitar and bass first. Drums were just the easiest thing for me to play. I picked it up really quickly.
I started playing music when I was around 10. I always wanted to be in a band, so I started out by playing drums.
From the first album I'm playing bass on a lot of the tunes, and piano on a lot of 'em, and drums, and guitars. I did that on almost every album.
First Moloch, horrid king, besmirched in blood, Of Human sacrifice, and parent's tears, Though, for the noise of drums and timbrels loud, Their childrens' cries unheard, that passed through fire, To his grim idol.
The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the
psyche and society into a single echo chamber.
Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely?
Once the song is done and recorded, I like to go back and then cut the drums, because then I know exactly what the song needs, and what it doesn't need.
O it's Tommy this, and Tommy that, and Tommy 'ow's your soul/But it's thin red line of heroes when the drums begin to roll.
I'm more of a whiz on the guitar and drums. I hear certain sounds in my head, and I find it easy to translate them into synth sounds, but I'm not really technically-minded.
If I don't channel pain into a song, I play my guitar or play the piano or play my drums, or go swimming.
Probably for drums, a guy I really enjoyed watching is Simon Phillips. I've seen him play with The Who and with Pete Townshend on his own - a really great drummer.
Well, I was very lucky. I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
I started playing the drums at five years old and used to listen to a lot of screamo bands like Asking Alexandria, Dream Theater, and Attack Attack!
I got my first set of drums when I was around 3. I went from band to marching band to Latin jazz band - it's like riding a bike.
I played in a punk rock band in high school called the High Heel Flip Flops. I was the drummer. I played drums for, like, four years.
On the records that I grew up with and loved, every song was unique - it's almost as if you had a different journey every time - and the drums were big part of that story.
We fill the hands and nurseries of our children with all manner of dolls, drums and horses, withdrawing their eyes from the plain face and... Nature, the sun and moon, the animals, the water and stones, which should be their toys.
I can play anything - piano, drums, guitar, harp - I can even play a trumpet through another trumpet.
I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?"
I love to write and have the basic foundation of what the song's all about. Then once the drums are done it's time for fun for me, because I don't know what I'm going to sing yet, and melody-wise I don't even have my lyrics written.
Clipping is a very specific, concept-y thing. We have all these rules: we don't sample drums. We create all our own sounds. I don't speak in the first person. We come from a background of experimental music like John Cage... Philip Glass.
We have a lot of people onstage. We have a live violin, live cello, live drums played on this kind of massive electronic kit with some acoustic elements built in.
To play the drums, you have to spread your legs and use your arms. It's a very physical instrument to play. It's not feminine.
I think it's really important these days to be able to relate to how the music flows and be able to speak the same language as your bandmates and the producer, rather than just talking drums.
The moon gives you light, and the bugles and the drums give you music, and my heart, O my soldiers, my veterans, my heart gives you love.
As Buddy Rich, for instance, broke into the business at the age of three, I think it was, on drums, so indeed did I break into the business at the age of four as a singer.
My first instrument was the drums. Not quite sure why I quit and changed to guitar, but I'm sure my parents might have convinced me that the guitar was way better.
Any show that has 'party non-invite' as its central conflict drums up the operatic high drama of a good Russian novel. It's the 'Real Housewives' Crime and Punishment:' first the horror of a non-invitation, and then the shattering aftermath.
I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
I started playing piano; I picked up a ukulele, and I loved it and kept playing that. I play a bit of guitar, and some African drums from back in the day.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything.
I learned how to play the drums. When we were in pre-production, when we were still in LA, I had a couple of drum lessons and then some in Toronto. I got the one beat down and that was it.
My first real experience with worship, I was 19. I was playing drums in the church band at a church in Phoenix, and they asked me to be the worship leader.
We have yet to beat our drums for birth control in the way we beat them for polio vaccine. We are still unable to put babies in the class of dangerous epidemics, even though this is the exact truth.
I play the piano and that's how I learned about music. I then taught myself the guitar, drums, percussion and various other things, such as the bazooka, the mandolin, the Theremin, the alpine horn, the didgeridoo.
I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.
I pretty much isolated myself away from drums. I stopped looking at Modern Drummer, I stopped looking at websites.
I'm quite honored by it. They [people] tell me that , 'If it hadn't of been for you, I wouldn't have played drums.' Hey, don't blame me, I was just up there doing my stuff. So no, I never take it as any real pressure.
In the studio, we sometimes will add bass or some other stuff, like more layers of the same guitar part that's already there, but ultimately, the sound is about guitar and drums.
A friend of mine took me to Memphis advised me that I should get in the musicians' union. He gave me a set of drums and said, Stay on the job, son.
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
While I absolutely love a great drummer and get tunnel vision listening to drums at a show, a lot of the time I feel like drum machine-driven music tethers you to a genre.
Like, back in Albania, all my cousins sing, they play the drums, they play guitar, it's like... a thing!
A nice definition of an awakened person: a person who no longer marches to the drums of society, a person who dances to the tune of the music that springs up from within.
I come from hip hop for sure, and there are basic elements of that, but then I'll take from somewhere else, like samba, and do it with trap drums. I like going places other people haven't gone before.
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