Top 723 Drums Quotes & Sayings - Page 9

Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.

I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.

I've been playing with Blackwell over 20 years. We used to play when I first went to Los Angeles. Blackwell plays the drums as if he's playing a wind instrument. Actually, he sounds more like a talking drum.

The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.

I started on drums when I was 13 and played them for two years. Then I went to guitar for a year, played keyboards for a year and a half, and went back to guitar.

All music is what awakes from you when you are reminded by the instruments. It is not the violins and the cornets-it is not the oboe nor the beating drums, nor the score of the baritone singer singing his sweet romanza-nor that of the women's chorus; it is nearer and farther than they.

I wrote 90 percent of the record in prison. A lot of people wonder, "How the hell did you do that?" I just pretty much played drums on my legs with my hands and while I did that, I would hum the guitar parts and sing the melodies of the songs.

I wrote, recorded and produced everything myself. I played the guitars and keyboards while the drums were programmed. As a producer, I think music technology has reached a point, where the results that can be achieved in this way, allows me to create the music and sounds I envision.

I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.

I don't regard myself as a great classical or jazz pianist. I like country music, but I'm not a great player. I just like music. Drums 'n' bass is pretty exciting and I'd love to explore it.

I play guitar a bit. I'm trying to learn drums - I feel like I can play violin. I've never tried, but I just feel like I can.

At fourteen or fifteen, I decided to earn my living when I grew up playing drums made from wooden beer kegs and leading a group called Keg Brando and His Kegliners. We organized a little band, but it didn't last long and didn't make any money.

Always be different; don't follow the rules. Don't do what anyone tells you. Don't use the same sounds as people; don't use the same drums as people.

I used to put the vocals on top and piece it together. Now I start with the vocals and the string parts I write; the drums are kind of an afterthought. And who knows, maybe that will get boring, but right now that's the most interesting way for me.

It was no ape, neither was it a man. It was some shambling horror spawned in the mysterious, nameless jungles of the south, where strange life teemed in the reeking rot without the dominance of man, and drums thundered in temples that had never known the tread of a human foot.

I played some Yamaha drums that I like a lot. And I like the Yamaha people a lot too. They've been really nice to me and The Band.

My mom had to beg the guys to let me play. I couldn't even play the drums right - Brian had to show me.

After the Ed Sullivan Show, Feb. 9, 1964, at approx. 8:04pm [laughs], after that moment every album, every guitar, evey set of drums that was ever sold ... 10% should have gone right into their pocket!

I started drumming around the same time I came across this part of American history. But there seemed to be a way forward playing drums. There didn't seem to be a way forward being fascinated by a piece of history.

I don't take breaks, man. In the past, I used to spend my free time getting in trouble, and now I spend it working on my music. If I'm not playing drums with my cover band, Chevy Metal, I'm working on songs for myself.

I suppose I am a frustrated musician so I annoy my family by playing guitar in the house. I used to be into acoustic stuff but my son Joseph is learning drums, so now I have an electric guitar and we play Metallica. We have an amp and a PA in the garage with his drum kit.

We come from a sensory-overload culture, and so we wonder if one guy on drums and one guy dancing around is enough. Adding guys was something we always were curious about. We decided for this run specifically to stay a two-piece. In the future, we definitely could add members.

I don't recall what the first record I bought was, but I definitely remember hearing Creedence's 'Born on the Bayou' and going out and buying it. The guitar and drums in that band were really good. I loved the words to the title track, and Fogerty's voice sounded just great.

Led Zeppelin was Led Zeppelin when John Bonham was on drums. It's timeless.

Talking about music and talking about drums brings me back to my beginning and the simplicity, and the excitement about trying to play something and see if it works for your band.

Not a lot of hard rock bands are just letting it all be - they're adding a lot of samples on things, or effects or whatever - and we just wanted the drums to be raw so you could really hear what Brooks Wackerman is capable of.

I didn't start playing drums until I was 12, for school band; they didn't have any saxophones left. My step-pops had a kit at the house, and I had never done anything that I understood so quick. It was so natural. It was the most fun and consistent thing in my life.

If I couldn't play drums it would have destroyed me. If you're thrown in the deep end you swim, and that's basically what I did. I had to do it and with the rest of the band behind me and the encouragement I got from people from all over the world, I knew that I was going to play

It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced. The snare drum comes from the military and becomes the core kind of sound of jazz drums.

When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.

I love being in a band. I love playing with other human beings. I've never practiced drums unless there was another human being in the room.

I see a lot of comments on Twitter and stuff about how ugly I am, how bad I am at the drums, how awkward I look, and I'm like, yeah, I agree with most of those things.

When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.

Geopolitical drama lessened but did not die after the Cold War; in 2008, the specter of thousands of seeming automatons banging drums at the opening of the Beijing Games frightened and enthralled the world, reminding us that China was a nation on the rise, a competitor for global dominance.

I actually played guitar before I played drums. And I always play guitar on the Slipknot albums as well, as well as being responsible for a lot of the songwriting.

When I'm playing with my band, I designate different parts to feel different things. The bass pounds in your chest when you go to a concert. It almost replaces your heartbeat. Then the drums you feel on the floor.

I played trumpet in middle school, and then I had to get braces, so I had to stop playing trumpet and start playing drums.

She [Beyonce] is just an energetic performer and she loves drums. She loves edge.

Dude, I love playing drums, and I love being on stage, and I love recording. It's my life... it's been my life, all my life, and I don't think it could ever become boring for me.

Our resistance to this war should be our resistance to profit at the cost of human life. Because that is what these drums beating over Iraq are really about. This is about business.

I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.

The first song I wrote, in fifth grade, was totally ripped from Jeffrey Lewis. My aunt's boyfriend gave me bass lessons, and I played drums for a year in sixth grade. Around seventh grade, I got a guitar and forgot everything else.

I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in.

At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.

I wanna play hard rock. I wanna play loud drums.

What a young musician's dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I'll have those." It was one of those unparalleled exciting days of your life.

I was making all my own beats, and I really liked sampling stuff, like old '50s and '60s pop and soul and doo-wop records. I was chopping those up and putting loops and drums on them and just rapping over them.

Life got very good - we went from living in a one-bedroom apartment to a five-bedroom mansion by the time I was in high school. I had everything I wanted growing up, though all I wanted was music stuff - drums, a PC, turntables.

A basic ingredient in the manufacture of perfume, the attar-a heavy, pale-yellow oil stored in small metal drums-had been put up as collateral by Bulgaria, in lieu of gold, at the Moscow Narodny Bank, a Communist finance house for East-West trade.

I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.

From 13, I wanted to play drums. I wanted to play with good people and I'm still doing it. I still love it so that's why I do it.

I play the piano, drums, little bit of bass, guitar. I can play harmonica, a little bit of the ukulele. Pretty much anything that's a strumming, string type thing.

I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.

Having my son on drums has made a huge difference. I can't stress this strongly enough, in terms of the groove space and style that Joachim gave me to instinctively play what I felt in a more free way, rather than feeling constricted. That's true on record and on stage.

We've been appropriating in art since Duchamp, and we've been appropriating in music since the first person was banging on drums.

You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.

Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.

I was kind of bored playing drums in a band. Which was depressing, because playing in the band was kind of a golden ticket.

I really enjoyed playing drums on 'Born Again.' It was a good feeling about being alive. There was a good energy there about being sober.

My favorite moments are when the bass falls in the pocket with the drums, the guitar is on top just slicing it, and the melody is scraping across like a sidewinder shattering through the monitor. It's just, ahhh, I love it! That's the jones, the hit, the buzz right there. It gets me off.