Top 60 Dub Quotes & Sayings

I'm always willing to dub myself in all the five languages that I speak for the international market, because I think it's better when our audience hears the real voice of the actor that is acting.

I like those guys who brought dub into live band context too, Peaking Lights. Joe Gibbs & The Professionals!

I am learning Bengali because I want to dub for myself.

I'm into a lot of different types of music - pretty much everything from blue grass to jazz to dub step to metal to indie experimental and progressive.

I have decided to dub on my own for my role in Vazhipokkan. It is an interesting storyline and hence I accepted the offer.

Rub-a-dub-dub. Cerebrum in a tub.

When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.

Dub and reggae... I play that a lot around the house.

P.I.L. has been a favorite of mine since high school especially there metal box album. The guitarist Keith Levine gets some of the best sounds ever to come out of a guitar. The songs are really free form and experimental and have a heavy dub influence.

My mom listened to a lot of house music. My dad listened to a lot of roots and dub. I've got a lot of bass. It's been in my whole life.

In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.

I do almost all my movies in French. I dub them.

I wish that I spoke more languages. I speak a couple languages, but not well enough to really dub myself. French is really the only one, and it's a difficult thing.

My dad is an art director for BBC TV shows, and my mum does screen printing workshops. Both of my parents played instruments, too, and my mum used to have crazy house parties when me and my brother were young - dub and garage would be banging through my house.

All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.

If the character you play on screen has to have life, you should dub in your own voice.

'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.

We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.

I enjoy creating all types of music and I take inspiration from everything around me. Its not about trends or what’s fashionably popular, its about creative expression, quality, emotion and artistic integrity. I love and listen to all styles of music and try to blend the influences together into my songs. Including elements of funk, soul, dub, disco, ‘80s sounds and rock

I will try to dub for myself in as many languages as possible.

When I dub for my films, I have my scenes already in place and I just have to work on my voice and deliver the same emotions. I have to recreate those emotions.

Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer.

No one can dub you with dignity. That's yours to claim.

I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.

You know what's funny is that I have this ongoing relationship with the city of Washington D.C. I went to George Washington University, and my nickname was K-Dub - based on G-Dub - and I'm now on the board of trustees at George Washington University.

Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)

I dub only four hours a day for a Tamil film because my voice doesn't stay strong for long hours.

I am also a voice over artist, so I always like to dub myself.

An audience is so important. I would never have had the guts to dub in that big a laugh.

Her hand fluttered over her heart. "Did you just say the word shopping without flinching?" "I did. So?" "So, that's gotta be a record. It's a worldwide fact men hate shopping." "How can I hate it when I've never done it?" Her lips curled into a slow, beautiful smile. "If you weren't already an angel, I'd dub you a saint. Poor guy. You have no idea what you're in for.

When you dub for your own character, it is the last chance to play the part again.

Dub music is like a long echo delay, looping through time...turning the rational musical order into an ocean of sensation.

Fezzik's in trouble, bubble bubble, His brain is just not in the pink, His mind is rubble, rub-a-dub double, Because everyone needs him to think.

I decided to dub the room with the good chairs my lutery. Or perhaps my performatory. I would need a while to come up with something suitably pretentious.

Of course I knew disco and dub from years before but I never heard such a radical new sound like house. It blew my mind!

We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.

We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.

Dub Nation has been everything to me... Just the way that Warriors fans have embraced me - I want to send a thank you to all you out there for all the support, for real.

It's so funny when people who are not used to making movies get into it. You just can't believe how insufferably boring it is. Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.

To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.

We may first observe that communism and socialism - which we shall hereafter group together and dub Statism - cannot live with Christianity nor with any religion that postulates a Creator such as the Declaration of Independence recognizes. The slaves of Statism must know no power, no authority, no source of blessing, no God, but the State.

Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.

I was getting really influenced by some darker, heavier electro stuff, like Crystal Castles. And I was listening to some dub-step elements, so I thought this was going to be the natural progression, taking my soft melodies and my soft voice and marrying it with something a little heavier.

A lot of people dub our work as New Age. But for some reason, they don't dub Stan Lee's work that way.

I am taking my production style more into the world of dub. I mean true dub production techniques but in house music.

I'm going down the apples and pears, into the jam jar, down the frog and toad into the rub-da-dub-dub, and I'm going to have pig's ear.

While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.

In Sweden, they broadcast the American shows in English with Swedish subtitles, whereas in many European countries they dub them. Watching those shows in English was big for me.

I learned English at school, or at least that's how it started. Also, in Holland - as opposed to some other European countries - we don't dub anything, so as a kid growing up, always watching English and American movies in their original language really helped.

I want to learn Kannada and maybe even dub for myself in the future.

You hear about players like Jamal Crawford who's constantly giving back. Isaiah Thomas, even though he's from Tacoma, he went to U-Dub, and he's constantly giving back to the community.

I like when I have to act and direct; then, when you have to dub, you're by yourself in front of the wall, and I'm always scared that you're not good like when you are in real when you act.

I am getting good roles in the Telugu film industry. And people are also liking my work. I dub the films myself and this makes a huge difference.

If what charms you is nothing but abstract principles, sit down and turn them over quietly in your mind: but never dub yourself a Philosopher.

If anyone decided to call the sea Neptune, and corn Ceres, and to misapply the name of Bacchus rather than to give liquor its right name, so be it; and let him dub the round world "Mother of the Gods" so long as he is careful not really to infest his mind with base superstitions.

Definitely dub is in my body forever. I think I hear everything through a dub filter. Even when I play rock music, I play through a dub filter.

I'm really into Steve O'Sullivan and Mosaic/Sushitech with that dub sound.

I learn tons of John Frusciante's licks from the Red Hot Chili Peppers. I'm never going to play like the Chili Peppers, but I might use that if I've got a dub beat or reggae thing mixed with a soul thing.

Fossils have richer stories to tell - about the lub-dub of dinosaur life - than we have been willing to listen to.

Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.