Top 991 Duct Tape Quotes & Sayings - Page 14

I put myself on tape and the cool thing was that Martin Scorsese had never heard of me. He had never seen [Everybody Loves Raymond]. I was just an unknown actor to him. I don't want to sound conceited, like he has to know who I am, but that seemed a little odd. He's a film genius. He doesn't watch sitcoms.

I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.

A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.

Being able to step away from your work is big. Not even the actual work of sitting down and looking at game tape, but actually putting your job aside and focusing on other things. That's a big part of being successful in this league.

I grew up watching 'Ghostbusters.' I loved that movie before I knew it was a comedy! As a kid, I lived between Ghana and Detroit and in Ghana for, like, first and second grade. And I had a VHS tape of that, and I would watch it every day. It's kind of like why I got into comedy.

Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.

I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.

The only way that we can disincentivize Central American immigrants from illegally entering our country is if we change our policies, tweak our laws, cut the bureaucratic red tape and immediately send them back to their countries of origin. Until then, this self-imposed crisis will continue to worsen.

For every album we worked on, I brought in reels of tape of somewhere between fourteen and eighteen songs - some of them completed, with lyrics and melodies, some of them basic tracks. Things came out of those products. Like, for 'Hotel California', I think I had a reel with sixteen songs on it.

I am all emptiness and futility. I am an empty stranger, a carbon copy of my form. I can no longer find what I'm looking for outside of myself. It doesn't exist out there. Maybe it's only in here, inside my head. But my head is glass and my eyes have stopped being cameras, the tape has run out and nobody's words can touch me.

You might think of a haunting as a loop of video or audio tape playing itself over and over for you to watch. Trying to interact with it would be akin to trying to interact with a show on your TV: sure, you can turn it off or change the channel, but I wouldn't expect the actors to suddenly stop and talk to you directly.

For me, the first thing I fell madly in love with when I was little, was, Gilda Radner had this live performance that she had done at the Met that was on tape, and I could rent it from Video Video in New Jersey where I lived, and so I literally would rent it every two weeks.

On radio, you're in your own little world. Every time I'd be doing a possible no-hitter - I think I've done something like 25 no-hitters and a couple of perfect games - I would always put the date on the tape. Not for me, but for the player, so that 25 or 30 years later when he's playing it for his kids or grandkids, you have that date.

I have a tape recorder, and I just sing into it. I like to write that way. Sometimes I'll just get melodic ideas, and then I'll go home and sit down and add the lyrics. Or sometimes I'll get a lyric idea that I love. Usually it's pretty combined. Usually I get some kind of a lyrical concept and a melody and work with that.

A 66-YEAR-OLD woman has become the oldest new mum in Britain after giving birth to a baby boy. I'm amazed she needed to have a caesarean section though, you'd think at 66 she would have needed some masking tape down there just to stop it falling out.

He [Sir Alex Ferguson] used to play tapes of Bill Shankly talking. I remember that and a singer he liked. I don't know who it was but it was crap. He played it on the team bus too, and all the boys hated it. Until one night it got chucked away. If he's still wondering who threw that tape off the bus, it was me. So maybe he was right and I'm not to be trusted.

I can totally identify with the younger kids. I'll never do what Jon Spencer did to me when I was 16, though. I made a tape with my friends and I put it onstage right near his mic stand by the pedal board and he pulled it out with his foot, kicked it to the center of the stage, looked me in the eye and stomped it to pieces.

We know how to work certain toys, and if you've got something in your head you know how to get in on tape, even if it's got an abstract sound to it. We are kind of producers as well as a band, so we're a self-contained unit. We can produce our own record as well as write it.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.

They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."

The whole tape [Dedication 5] is amazing. It's my favourite accomplishment [working with Lil Wayne] and I say that with thought. It's the biggest accomplishment I've made today, because Lil Wayne is probably the biggest reason why I'm sitting here right now, rapping and doing what I do. I'm a huge Wayne fan forever.

The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.

My first audition as a little girl was 'Interview with the Vampire' for Kirsten Dunst's part. Back then, they were meeting all different kinds of girls, and I was one of them. There's got to be an audition tape somewhere on VHS. Who would have known that many years later I would be on a vampire show?

Both of my books, 'Love Is a Mix Tape' and 'Talking to Girls About Duran Duran,' are about how music gets tangled up with all our other emotional memories. Since I'm an obsessive music fan, I'm always seeking out new sonic thrills.

The new 'Creed 2' movie is coming out, so I was actually going to audition for that. Got a little audition tape, so hopefully that goes through. That would be pretty neat. Being Ivan Drago's son in the movie? That would be pretty fun.

[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.

I cannot sufficiently celebrate the glorious liberty that reigns in the public libraries of the twentieth century as compared with the intolerable management of those of the nineteenth century, in which the books were jealously railed away from the people, and obtainable only at an expenditure of time and red tape calculated to discourage any ordinary taste for literature.

I'll never forget when me and Jason Matthews wrote the line, 'Don't be a tape player hater,' in 'Country Man,' I don't think I ever laughed harder. We didn't know where we were gonna put that in a song, but we knew we had to make it into a song. I just remember laughing and being so proud of such a goofy little line.

Scales lie! You lose thirty pounds of muscle and you gain thirty pounds of fat and you weigh the same, right? Take that tape measure out. That won't lie. Your waistline is your lifeline. It should be the same as it was when you were a young person.

During the whole 'Jeopardy' experience, I felt like I was living a bit of a double life, I would be secretly flying out to L.A. to tape new shows, hoping that none of my coworkers would notice the absence and figure out what was going on. 'Jeopardy' tries very hard to keep their secrets.

I'm definitely not grateful [for the sex tape]. If I had one regret, that would be it. If I were to do it again and live my life again, I wouldn't do that again. If I had the information and known better, I would have done better.

A good compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You've got to kick off with a killer, to grab the attention. Then you've got to take it up a notch, or cool it off a notch…oh, there are a lot of rules.

Mike Webster lost all his money or, maybe, gave it away. He forgot. A lot of lawsuits. Mike Webster forgot how to eat, too. Soon, Mike Webster was homeless, living in a truck, one of its windows replaced with a garbage bag and tape.

My dad had records, but only one deck, so Skep used to try and play a song on one deck - the Music Centre we used to call it, a cabinet with a glass door - he would play one tune on the record and then mix the tape to it, that's what he used to like doing. He became a DJ.

I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.

I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.

I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.

Halloween is huge in my house and we really get into the 'spirits' of things. A few years back, my wife was frustrated with the same old stupid sound effects tape we would play, which ends with the theme from 'Ghostbusters' and 'Monster Mash'. I told her that Halloween is way too cool a holiday to suffer through this every year.

Because America doesn't have a strong textile industry anymore, we have to bring things like fabrics, zippers, and color tape into the U.S., and having so many elements involved in production adds to the amount of waste. You might have some things coming from Italy, a button coming from China, or lining coming from Korea; it's just endless.

You had to have two VCRs, and you had to tape everything, and you had to make a choice - you either watch WWF or you watch WCW, or you watch one half of one show and the last half of the second show or whatever the case was back then.

I think I've thrown enough balls and put it on tape where I don't think arm strength is an issue. I wouldn't be a starting quarterback if my arm strength was such an issue. People are making it seem like I can't throw the ball 30 yards. People are getting out of hand with it.

Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?

The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.

There were illegal poets like Muzaffar al-Nawab, this is the thing - Muzaffar was widely known and he didn't really have books. He would deliver these readings on cassette tape. Go on YouTube and listen to him. He's like a preacher. He's a really interesting figure in modern Iraqi life.

You know, we were outdoorsy types, my folks, and one of the first tapes I got, a friend gave me a cassette tape of Ella Fitzgerald singing with the Count Basie orchestra. And it was the first time, really, that someone's voice had really spoken to me, and it was just so pure.

I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.

I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."

I really focus on process as much as anything else: process for how we evaluate players, process for how we make decisions, process even for how we hire people internally, process for how we go about integrating our scouting reports with guys watching tape in the office.

I am designating a new Director of Recovery for Auto Communities and Workers to cut through red tape and ensure that the full resources of our federal government are leveraged to assist the workers, communities, and regions that rely on our auto industry.

I could always hit. I learned to hit with a broomstick and a ball of tape and I could always get that bat on the ball.

For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"

My job is to support businesses, that means promoting British commerce in the big emerging markets that have been neglected in the past. It means keeping Britain open to inward investors, trade and skilled workers. It means cutting red tape which is suffocating growing companies which create jobs.

I get nostalgic for things that didn't really exist. I might have a cassette from the first time a Melle Mel track, say, got played on radio in Manchester. And it might be a copy of a copy of a copy of a tape and there's all these weird nuances and distortions that have affected what I know as the truth, if you like, of that track.

I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.

I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.

But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.

In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.

Truman Capote famously claimed to have nearly absolute recall of dialogue and used his prodigious memory as an excuse never to take notes or use a tape recorder, but I suspect his memory claims were just a useful cover to invent dialogue whole cloth.

Every song on '10 Day' is a completely different sound - the cadence, the flow, even the production - because I like so many different types of music and because my taste is so refined. 'Acid Rap' is another tape where every song sounds different.