Top 1200 Dynamic Characters Quotes & Sayings - Page 13

Banking's a sexy industry! Creative - it's dynamic, it's global, it's fast-moving, you bring a lot of talented people together!

Nintendo has paid a great deal of attention to the dynamic of people playing video games together in the same room.

I don't really like simple characters too much; it's too easy. I like a challenge, and I like characters you connect with on screen.

It's a weird dynamic - I guess there is a fine line between hope and sadness. Sometimes you can be feeling both at the same time.

Well, for Earth, Wind & Fire, we would often say that the band was more dynamic live than on record.

In every soap, at the end of the season, relationships end and people leave the show. You look at characters and evaluate whether they're great characters or not, and whether they have a future in the show. And we did all of that.

Robin [Williams], he's pretty dynamic. I had a lot of fun but I also felt like there was no onus on me to be funny.

I know the relationships, and I already know my characters and how I'm going to reveal my characters to my readers - how I'm going to feed them information about that character. That stuff doesn't have to be in my outline.

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors.

he beauty of this world [of comics] is there are so many stories to tell, and there's so many wonderful characters. Wonderful characters we haven't even begun to introduce - it's a world that is infinitely expandable.

My father has passed away. He was African-American. My mother is white. So I was adopted by a couple that was of a similar dynamic as my biological parents.

What attracts me to material are characters that I know - characters that I know people don't know but I know - and bringing them to the screen. Spotlighting voices that have not been heard before on screen.

I had been thinking for a while about how bored and tired I was of playing straight-down-the-middle everymanish characters that have what I call white guy problems. And I missed playing characters who lacked dignity and more importantly, lacked social skills.

'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.

It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago, we could write our male characters funny and flawed, but not the women. And now, thankfully, it's completely different.

The speeding toy cars produce in the viewer the stress of living in a dynamic, active and bustling 21st-century city.

In Hollywood, the guy who plays Batman and Spiderman also plays normal characters. The biggest stars in the world want to play different characters. We can't give the excuse that because an actor played a superhero in his previous film, his next one won't work.

People who are well-known, famous people, I think, make very poor characters for fiction. They make good characters for gossip columns. But not for fiction.

Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.

Actors are the most important. Performance is what matters. Nothing matters more than the actors; they have to perform. No one else can give life to the characters. Audiences must believe the characters as real and the moments as real.

Physical fitness is not only one of the most important keys to a healthy body, it is the basis of dynamic and creative intellectual activity.

Some people see me as dissecting my characters in some kind of heartless, coldblooded, analytical way, when in truth making these movies is a passionate, intensely emotional experience for me. I'm detached from the characters only to the degree that I have to be in order to write honestly about them.

Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.

For whatever reason, gay characters, or characters that deal with sexuality issues, who are black, in 'black films'... are typically not dealt with with any sort of complexity. They're exoticized: their being gay is sort of the point.

I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.

Playing dysfunctional characters or crazy characters is only fun if they're well written. So I have been lucky enough to be asked to play crazy people who are very well written.

America already suffers from a uniformed and increasingly polarized citizenry. FOX seems to eagerly exploit this dynamic, and in so doing, accentuate it.

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.

I love my job. It's such a privilege to be able to play such complicated characters. Growing up, I wanted to be a billion different things. I realized in order for that to happen, I don't have to be them all because the characters I want to play require such research and such a transformation to make that work - that's something that I love doing.

The mind-brain is lived only from a first-person perspective, and it is a dynamic, plastic organ that changes in relation to the environment.

Portable designs have the power to transform unused public spaces into dynamic environments that build and invite communal experiences.

I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story.

The dynamic range of a digital camera is not that much greater than film, particularly if you push the ASA a little bit.

In modern physics, the universe is experienced as a dynamic inseparable whole which always includes the observer in an essential way.

I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.

As soon as we stop trying to put boxes and labels to every relationship and dynamic, we'll be so much more liberated and at peace.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.

Le'Veon Bell, as we have seen through the years when healthy, is such a dynamic player not just out of the backfield, but as a receiver.

You don't meet computer game characters when you use a controller. You control computer game characters.

I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.

I'm attracted to films that have strong female characters because there are strong female characters in my life.

To the image of the characters, I do change my appearance. For example, I gain weight and I lose weight sometimes, and I grow my hair and cut it. Acting is all about physical expression, so I need to change my appearance for all the characters.

What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.

I always play outsiders. I think I'm carrying a lot of those characters and I wonder if I play them because those characters need an extra element of thought to bring them to life.

Shirley Chisholm is another one [political hero]. She was a dynamic speaker, and the first black woman to run for President.

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors

You never want to be in a position where your reader feels like you're passing judgment on your own characters. Any novel where you feel like the author is talking to the reader over the characters' heads is in a bad place.

I love playing women, and I think that this is a throughline to a lot of the characters I've played - they all have this aspect of being wronged. And I think, a lot of the time, the characters are actually wronged by themselves, and they find someone else to blame it on.

Moby Dick - that book is so amazing. I just realized that it starts with two characters meeting in bed; that's how my book begins, too, but I hadn't noticed the parallel before, two characters forced to share a bed, reluctantly.

With every episodic, there's a learning curve where writers try to find the voice of the characters by way of the actors. Many details are found along the way. On 'Caprica,' although the franchise already existed, we were creating an entirely new world full of new characters.

Uriah Hall is just a dynamic striker. He mixes it up well on his feet, that's where I expect him to be good at.

We live in a very modern age and the dynamic of raising kids and being a professional are intersecting a lot more - especially for women.

I think people are excited because, even watching 'Boy Meets World,' you can tell that those characters are going to do something when they get older. I think people are excited to see characters they grew up with continue.

I don't really compare any of the characters I play; I try to go into them being very open to what the characters can offer and what I can bring to them and then bring a being to life.

Ultimately, all characters have some negative and positive energies. That's just how I see it. I didn't go out looking for negative characters; I went out looking for people who have a struggle and a fight to tackle. That's what interests me.

I love playing different characters, and I would love to be playing different characters in movies or TV shows, instead of continuing my career with the WWE.

I think it's important when you're acting to be as relaxed as possible even if you're doing something intense. You're basically in a state of dynamic relaxation.

When I was asked to compose a score for... 'Palo Alto,' I first thought to myself, 'What is the house that these characters would want to live in?' I wanted to paint a picture and color scheme that I could work around. I gently apply different daubs to see what fits to match the color I have in mind with these characters.