Top 1200 Dynamic Characters Quotes & Sayings - Page 15

Explore popular Dynamic Characters quotes.
Last updated on December 18, 2024.
Television is a lot more fast-paced, where with films, you really have the ability to get to know your characters. When I was doing guest star roles, I was only one, like, one episode of a thirty minute to an hour show, so you don't really have time to get to know my characters.
I strive to express the spiritual nature of the Universe. Painting for me is a dynamic balance and wholeness of life; it is mysterious and transcending, yet solid and real.
The country's top chefs, designers, media personalities and businesses are part of this dynamic city. We know that Chicagoans are used to the highest standards. — © Ivanka Trump
The country's top chefs, designers, media personalities and businesses are part of this dynamic city. We know that Chicagoans are used to the highest standards.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
In interviews I gave early on in my career, I was quoted as saying it was possible to have it all: a dynamic job, marriage, and children. In some respects, I was a social adolescent.
These superhero movies are starting to give more love to not only black characters but also to more female characters, which is necessary because you have boys and girls of all colors who are looking at these superheroes saying, 'I want to be that. I want to look like that. Show me somebody that I can automatically connect with.'
I look at actors like Johnny Depp, Sean Penn, and Benicio Del Toro, and they play all these different characters. I'm hoping that, in my lifetime, I'll be able to look back and say, 'You know what? I did all these different characters, and I enjoyed every single film I did.'
Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic.
But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended.
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.
In order to fulfill the aspirations of masses, we have to sharpen the tool called the government machinery: we have to make it keen, more dynamic, and it is in this direction that we are working.
I've always liked shows that have a strong cast of secondary characters. One of the greatest examples ever I would say is 'The Simpsons.' If you think about it, you could name 100 characters recognizable from that show. I think 'Scrubs' has done a good job of having a strong team coming off the bench.
I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films.
I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.
I look forward to working alongside Univision's exceptional team as we work to further realize the substantial growth potential of this dynamic organization.
My daughter was a toddler. I had no idea there was anything wrong with kids' media.I started watching little preschool shows with her or G-rated videos or whatever; I couldn't believe what I was seeing, that there seemed to be far more male characters than female characters in what we make for little kids. It was just a shock.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
Like the resource it seeks to protect, wildlife conservation must be dynamic, changing as conditions change, seeking always to become more effective. — © Rachel Carson
Like the resource it seeks to protect, wildlife conservation must be dynamic, changing as conditions change, seeking always to become more effective.
I always notice the dysfunctional dynamic of human relationships because most places where you encounter it, people are trying to pretend it isnt happening.
There's this whole grey area seemingly every time it's talked about animators and who takes ultimate responsibility for the characters [of the Planet of the apes] but without question and I'll go down saying this year after year, these characters are authored by what we do on set. They are not authored by animators.
It is one thing to teach a dynamic Oriental philosophy and religious code; it is quite another to put such a discipline to the test by successfully living it in the face of ridicule.
We're never going to scare people into living more sustainably! We have to be able to demonstrate just how dynamic and aspirational such a world could be
In modern praxis lost positions are salvaged most often when the play is highly complicated with many sharp dynamic variations to be calculated.
[Harriet Tubman] lived such a full, complex, and irrefutably-dynamic life that all the craft in the world would be insufficient in honoring her legacy.
As with most of my work, I started from the abstract, from research, building an intellectual model that slowly became internalized when the characters came alive. It's fascinating what happens to the model you've so assiduously assembled when characters are allowed to run rampant: things you thought essential are broken and other things are vastly improved.
I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal.
It's about the pleasure of being in the mountains, traveling efficiently over the terrain, having that sense of dynamic motion which you don't get when you're on foot.
I feel, in my live shows, I can be as dynamic as I want. It's my comfort zone. When I get in the studio, it's more of a solitary experience, which can be good creatively.
Once you understand what a messy, emotional, and destructive dynamic 'fairness' can be, you can see why 'fair' is a tremendously powerful word that you need to use with care.
Non-figurative art is created by establishing a dynamic rhythm of determinate mutual relations which excludes the formation of any particular form.
There are lots of people in the Silicon Valley who are interested in working at a fast-moving, dynamic company like Google. Not just my family members.
I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
I definitely come from that background of the more subtle shifts, the long build... rather than the quick short-attention span dynamic.
I feel like no one really gets to see, but, people are always talking about how they think our family dynamic is pretty cool.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.
Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.
Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.
The great thing about a culture is that once you really get it going, it evolves on its own. It's self-organizing. It's dynamic. It just feeds on itself. — © John Mackey
The great thing about a culture is that once you really get it going, it evolves on its own. It's self-organizing. It's dynamic. It just feeds on itself.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
The fact that industries wax and wane is a reality of any economic system that wants to remain dynamic and responsive to people's changing tastes.
Madefire is igniting a new era by creating a modern, dynamic reading experience and bringing that to the millions of iPad users around the world.
Cyber security is a dynamic space. The user faces different challenges every year because there are always new applications and data.
If I love the story, and if I really connect with my character, I'm willing to do it. I'm willing to try new characters, to be someone that I'm not like. I like trying new emotions and being new characters. That's the thing about acting: You can be so many things!
It's something I'd find rather distracting in a historical piece, looking at characters that have obviously just gotten off their Ab Blaster. You see a piece set in the 1300s or the 1800s, and you've got characters who have perfect abs and are incredibly well-groomed, not a hair out of place, and it just doesn't make sense.
What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.
That's what I love about the Pleiadians. It allows people to start understanding their own human process and understand the dynamic that is going on on the planet right now.
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
The international limit on mobile texting, or SMS, is 160 characters. We wanted Twitter to be entirely readable and writable on every single one of the over five billion mobile phones on this planet, because they all have SMS built in. So we said it has to be within 160 characters, all the tweets.
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself. — © Carlos Ruiz Zafon
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
I think that no one roiled American politics and sort of scrambled the left/right dynamic more 2015 year than Pope Francis.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
I've always tried to balance things out in life. I think that's important, and obviously kids are going to add a different dynamic that I can't wait for.
In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.
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