Top 1200 Dynamic Characters Quotes & Sayings - Page 18
Explore popular Dynamic Characters quotes.
Last updated on November 15, 2024.
With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.
My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.
'Brooklyn Nine-Nine' is an idealized, fun comedy world in which feminism is an underlying value that all the characters have. Equality is a value all the characters have. I mean, I want to live in that world. I'd like to make the world feel more like that, but I understand that it's a fantasy.
You can love more than one person in your life, but things will be different. There'll be a different dynamic. Needs and desires change.
Sen. McCain isn't someone who strikes you as a particularly dynamic speaker. He doesn't seem to like the formality of giving speeches. He clearly isn't too comfortable reading off a TelePrompter.
Being an author means, almost by definition, that you make up characters and then complicate their lives. That's it, really. You make up characters and give them problem after problem after problem.
I think it's human nature to go and to watch things that are done, and see the flaws, but I cannot think of anything that we would want to go so far as to completely change or redo to be honest with you. I think there are characters, you look at the Thor: Ragnarok trailer, there are characters that can evolve and can continue to change and grow throughout.
I get a lot of satisfaction from crafting and shaping mixes. I love finding the right balance, the right dynamic. It's an emotional interaction with the music.
Of all the public services, education is the one I'm most interested in. You get a more dynamic economy, you deal with most social problems, and it's morally right.
I'd love to play characters that are so similar to me that it would be crossing limits, and then at the same time I would love to play characters that are so different from me that it would be that kind of challenge as well.
I think it gets really dangerous, though, to do it on the show. I think that the writers and producers are very much aware of that and the dangers of putting characters together and what that can mean for the show. You know, it's possible it could kill the thing that holds the show together, the chemistry, sexual tension between the two characters.
I never try and do the same show, ever. The audience controls the dynamic of the shows. Sometimes they listen, and sometimes they ask a million questions.
CDK has a leadership position in a dynamic and rapidly evolving automotive technology market, and I am energized by the chance to help grow this unique company and take it to the next level.
I really love that dynamic between beauty and sadness...theres always these moments of quiet alienation, the sense of disconnect, but also, these moments of possibility.
I write easily, let's put it that way. And in a novel particularly, the characters take over. And they tell me what to say and they tell me what they're doing. And I'm a third of the way into a novel and then I just let the characters finish it for me.
During my 8 years as chairman, I had the privilege to peer into the future to see dynamic citizen astronauts returning to and from the heavens which we can expect in the future.
My government is working for the common man. Our priority is the poor of the country. We want good governance through a dynamic and seamless government.
Every decade, we get a stunning collection of dynamic, heartbreaking short stories. In the past, those collections came from Barry Hannah, Mark Richard, and Thom Jones.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female’s psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what’s central to the success of PRETTY LITTLE LIARS.
Since the universe is in constant and dynamic exchange, we need to both give and receive to keep abundance, love and anything else we want circulating in our lives.
Hong Kong has always been a dynamic and exciting and high-energy city, and it has that New York thing going on, and people here care about how they look.
My whole life, I have listened to people like Neil Young, or Crosby, Stills & Nash, and artists that have made a career out of the mellow, folky, acoustic dynamic.
I experienced Hip-Hop first-hand in the Bronx with the boys in New York; people like the Rock Steady Crew and The Dynamic Rockers, I looked at it for what it really was.
I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?
Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.
In our society, most of us wear protective masks of various kinds and for various reasons. Very often the end result is that the masks grow to us, displacing our original characters with our assumed characters.
When you write a book, you want to have fidelity to the character. Characters and their emotions guide the structure of the novel. The author is aware that there's a certain amount of information she/he has to provide in order to satisfy the reader, knowing that she/he has set something up that must be paid off, but this payment must be made while maintaining fidelity to the characters.
Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
The more dynamic the capitalistic expansion, the greater the disparity. It is from the disparity that we are going to get all the political upheaval for the next few years.
There is no room for dictating taste in the diverse and dynamic world of media. To limit taste only limits the role we play for people of all kinds.
Mariota is special in a lot of ways. He's a dynamic dual threat on the field, and he is humble - no-nonsense, full of character - off the field.
Diversity in the world is a basic characteristic of human society, and also the key condition for a lively and dynamic world as we see today.
Prayer is the greatest power God has put into our hands for service - praying is harder than doing, at least I find it so, but the dynamic lies that way to advance the Kingdom.
Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way.
I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.
Prospecting for oil is a dynamic art... The greatest single element in all prospecting, past, present and future, is the man willing to take a chance
I like stories that begin with characters. I like to be engaged and moved by the characters in the story. I want to be moved. I want to leave the cinema and think about what I've seen. My sensibility is quite eclectic and it doesn't matter if they are small or large films, I just want to make good films.
The world is sagging, snagging, scaling, spalling, pilling, pinging, pitting, warping, checking, fading, chipping, cracking, yellowing, leaking, stalling, shrinking, and in dynamic unbalance.
I think, when I'm writing, I have a more clinical view than I do when I'm reading. I like pretending to be God and basically determining the fate of my characters. But as a reader, I'm a sucker. I'm very sentimental. I get upset when people that I like die. And yet I have killed off characters in my books quite heartlessly, and sometimes found that readers were very upset by it.
In a nation as dynamic and diverse as the United States, what makes us great is that our founding principles are rooted in the bedrock principle of freedom, including the right to free expression.
The quest for stability or homeostasis is silly. We should accept that we live on an incredibly dynamic planet in a rapidly changing environment, and do our best to have the most amazing experiences we can.
Disco is a major influence in the world of fashion. It is a dynamic factor in contemporary advertising. It is a message from every consumer that there has been a rediscovery of America's greatest by-product: fun.
While ice is not really alive, it is certainly animate. It exists in an dynamic state of perpetual vibration, flux and movement. Enjoy its existence, and its safe passage in the mountains.
You are going to love some of your characters because they are you or some facet of you, and you are going to hate some of your characters for the same reason.
My family is really supportive. We fight, and we talk, and we lie, and we tell the truth - not usually in that order - and I really enjoy growing with them and fostering that dynamic.
Knowledge about life is one thing; effective occupation of a place in life, with its dynamic currents passing through your being, is another.
Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters.
Contrary to what we've been taught, genes do not determine physical and character traits on their own. Rather, they interact with the environment in a dynamic, ongoing process that produces and continually refines an individual
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
The only characters I ever don't like are ones that leave no impression on me. And I don't write characters that leave no impression on me.
Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
My own path towards wellness has been a long and dynamic one. It's taught me that healing from the inside out takes time and there can be great value in various sources of guidance.
Mobile has created a totally different dynamic for discovering apps. You're sitting in a bar, and your friend is taking some pictures, and then you ask what app they're using.
Now we really like to put people in boxes. As men, we do it because we don't understand characters that aren't ourselves and we aren't willing to put ourselves in the skin of those characters and women, I think, terrify us. We tend not to write women as human beings. It's cartoons we're making now. And that's a shame.
I was interested in the questions that come up when the Internet gives you access not just to JSTOR libraries and to digital information, but also to things that are live and dynamic and organic in some way.
I like to keep the big dynamic changes between my songs, so that album songs feel radically different from each other.
Some of my earliest work was in comics. I tend to think in pictures and always like to write scenes possessing the dynamic you find in comics.
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