Top 1200 Early 20s Quotes & Sayings - Page 17

Here's my theory: If a person gets worldwide fame at a young age, they're emotionally frozen at that moment. For me, that's 15 to 18, so you find yourself in your mid-20s being a glorified 15-year-old. What could possibly go wrong?

The first person who ever told me that happiness was work was this manic-depressive artist I knew when I was in my 20s. I was like, 'What are you talking about? Happiness just happens. That's even the root of that word. How could it be work?

I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.

I certainly have opportunities many can only dream of - but in most ways I'm a typical girl in her 20s trying to forge a career and represent herself in what can sometimes seem rather strange circumstances. One of the most attractive has been the chance to publish 'Celebrate.'

The first person who ever told me that happiness was work was this manic-depressive artist I knew when I was in my 20s. I was like, 'What are you talking about? Happiness just happens. That's even the root of that word. How could it be work?'

I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.

I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.

I was diagnosed with an early, early stage of prostate cancer. I was almost a vegetarian then. I was heading that direction. What pushed me over the edge, was the doctor who did the diagnosis. He said in a discussion about prostate cancer that he had never seen a vegetarian with prostate cancer. And this is not a holistic doctor, this is a regular, mainstream doctor. And I was just blown away.

I'm a practicing Catholic. And faith is very, very important to me. It was pounded in my head as a kid, and I hated it. And I sort of lost my way in my 20s and part of my 30s and then found my way back. And I don't know what I'd do without it. It's huge in my life.

Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things.

Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season.

My family came to Newark in the '20s. We've been there a long, long time. My father's name was LeRoi, the French-ified aspect of it, because his first name was Coyette, you see. They come from South Carolina.

Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.

Starting in my late 20s, I would go on one fishing trip a year to an exotic location. I went to India and caught what was essentially a giant carp. I went to Thailand and got myself arrested as a suspected spy. I went to the Congo and got malaria. But even the bad stuff is material.

You're full of insecurities in your 20s - most of the time your heart's being broken, you're having a difficult time finding out who the hell you are, and I was trying to do that in the full glare of the public.

My personal feeling about reboots is - I'm very against it. I feel bad for the pop culture of this generation because I feel like they're getting a lot of retread... a lot of digested and vomited stuff from our teens and 20s and all of that.

Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.

Becoming a parent has changed the risk calculus for me. But it might be age, too, and seeing a lot of friends die in the mountains. Will I take the same risks I took in my 20s? Probably not, but I will always push myself in the mountains.

The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.

I go to bed late, and I wake up early; in this game, to win it, you have to do that. The military prepared me to do that: you go to bed late and wake up early.

I can't tell you how much debt I took on to attend New York University because, at the time, I didn't care to notice. And besides, what teenager has a clue about interest rates? What I can tell you is that by my mid-20s, I owed somewhere around $50,000.

I read [The Women's Room] in my 20s, and I was like, "I understand this now." And now I've become a mom and read it again and truly understand on a different level what one of the main characters goes through as a mother.

It took me at least all my 20s and some of my 30s to get the confidence to realise I could just write about what I wanted to write about without having to pass a test or look super clever.

'Boardwalk' begins literally on the first day of Prohibition, which I think was a wonderful way to start - to have the story kind of come out of this massive historical phenomenon. And the more I researched the '20s, the more I discovered just how interesting it was.

When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.

Majorca is this destination where, you know, you have a lot of money, but you want to go somewhere quite exclusive. And the culture of the island is still traditionally Spanish. It hasn't been infested by tourists. I think, in the '20s or something, an extremely wealthy person built this little kingdom of villas.

I found that the artist market was expanding in comics. Marvel was going from something like eight books a month to somewhere in the 20s. As a result of this expansion, Marvel, in particular, was hiring anyone who could hold a pencil. That's how I got my first job there.

When I look back and think about how I played when I was 16, and moving on to my 20s, 30s, 40s and now 50s - to me, it seems like you gain more experience, you gain more technique, you get better.

In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.

And I can't tell you how many women from a certain age group - they would be in their 30s now, 20s and 30s - tell me about how I was their role model when they were young girls.

What I was being told in my 20s in the close-quartered, male-ego-infused work space, was that I had to stop reacting with my emotions to sexual desire towards me. The change, in other words, had to be made in me.

It's so funny the world we live in now. The years where you are most fertile, those are also the fertile years for career and personal growth. And so you're not encouraged to get pregnant in your 20s. But the 30s are when the biology kind of has you by the ovaries, so to speak.

Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My whole M.O. in my 20s was being in as many different types of films as you can. Working with as many different types of directors as you can. I think, in part, that's what I wanted to do as an actor.

Francisco Garcia could have been a high draft choice last year, probably in the 20s. He's the best wing player I've ever coached. But he's done it the right way. He knew he had to work on his body to become a good pro. When he goes into the pros, he'll be physically ready.

The men who have done the most for God in this world have been early on their knees. He who fritters away the early morning, its opportunity and freshness, in other pursuits than seeking God will make poor headway seeking Him the rest of the day. If God is not first in our thoughts and efforts in the morning, He will be in the last place the remainder of the day.

I am so far more secure and more grounded and more know who I am than when I was in my 20s.

I certainly have opportunities many can only dream of - but in most ways Im a typical girl in her 20s trying to forge a career and represent herself in what can sometimes seem rather strange circumstances. One of the most attractive has been the chance to publish Celebrate.

I think, you know, when you're a teenager, sometimes your emotions are a little bit more drastic than maybe when you're in your 20s. You sort of level out a little bit.

When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.

Albert Einstein is reported to have said compounding is the eighth wonder of the world. Obviously, a dollar invested in your 20s is worth so much more than a dollar invested in your 60s.

The truth of the matter is, beauty is a specific thing, rare and fleeting. Some of us have it in our teens, 20s and 30s and then lose it; most of us have it not at all. And that's perfectly okay. But lying to yourself that you have it when you don't seems to me simple-minded at best and psychotic at worst.

My beliefs and my faith are part of who I am, and I'm so grateful that I had the foundation laid early on. My mom took me to church from my earliest memories, so I'm grateful to have had that foundation laid early, and it's just part of who I am.

In my 20s, life seemed endless. At 49, I've had a chance to see how dark life can be, and I am far more aware of the constraints of time than when I wrote 'The Kite Runner.' I realise there is only a limited number of things I can do.

Young adults in their late 20s are confronted by so many choices - there are so many different paths to choose. Sometimes I think we just fill our lives with stuff so we don't really make any choice at all, which is certainly incredibly luxurious.

Writing fiction is the 'job' I try to keep at the center of things. The movie stuff has been a wonderful accident, though not entirely bizarre, either, as I have done some work in film before, and even directed a ridiculous, cable-access feature back in my 20s.

If you see films which have been successful over the last 10 years, the women in them have been in their 20s. 'The Dirty Picture' and 'English Vinglish' are two I can think of. But there are very few good roles for women in their 30s.

The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it.

I know there is poor and hideous suffering, and I've seen the hungry and the guns that go to war. I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.

I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.

Books have survived television, radio, talking pictures, circulars (early magazines), dailies (early newspapers), Punch and Judy shows, and Shakespeare's plays. They have survived World War II, the Hundred Years' War, the Black Death, and the fall of the Roman Empire. They even survived the Dark Ages, when almost no one could read and each book had to be copied by hand. They aren't going to be killed off by the Internet.

When you're in your 20s, your 30s, even, you have - at least, I had - vast ambitions, and you sit around mooning about these things, and you're depressed, because you haven't done them. And it takes you a long time to come to the realization that if you can't be John Updike, well, then, you can't.

In your 20s, you are worried about body issues, your weight, how you are dressed. In your 30s, you're like, 'Oh my God, I am getting old. I am going to enjoy everything.'

In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.

I haven't ever really been close to retiring. I've threatened myself, that kind of thing. There were moments where I'm struggling or not healthy: It's like, OK, is this the best way I can spend my 20s? Is this something that's going to help me in the future, or I might as well be fishing or gaming.

Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'

I spent my 20s earning minimum wage decorating cakes for a living. But one day, I looked in the mirror and realized I wanted more, for me and my people. I saw too many Native Americans struggling, and I realized we should have a voice in who our elected officials are.

I got a few marriage proposals in my 20s. I just wasn't ready. I just knew if I committed, I would've wound up doing something wrong, messing it up. I still felt like I had some living to do.

We're both getting older, our children are starting to leave home. But I can say that I'm just as passionate a songwriter now in my 50s as I was in my 20s. But instead of talking about the general kind of angst that I felt as a teenager, I'm writing about more specific issues.