Top 1200 Early 20s Quotes & Sayings - Page 18

It took me a while to warm to the '20s costumes on 'Downton.' I love it when women accentuate their curves, and that era was all about hiding them. The shapes they wore then were in tune with female empowerment. Cutting off their hair and hiding their busts was a way of saying, 'We're equal to men!'

Men in their teenage years and even into their mid to late 20s, they're just baboons. They're really not capable of taking account of other people's feelings, being considerate, being intimate. They are essentially high on this drug of testosterone and they have very little experience and intellect. And that's a terrible combination.

Superstitions, and especially the early cultivation of religion, with its "fear of the Lord" and of unknown mysterious agencies, are especially potent in the development of the instinct of fear. Even the early cultivation of morality and conscientiousness, with their fears of right and wrong, often causes psychoneurotic states in later life. Religious, social, and moral taboos and superstitions, associated with apprehension of threatening impending evil, based on the fear instinct, form the germs of psychopathic affections.

Childhood and adolescence are nothing but milestones: You grow taller, advance to new grades, and get your period, your driver's license, and your diploma. Then, in your 20s and 30s, you romance potential partners, find jobs, and learn to support yourself.

I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.

We don't agree with the depiction of buildings in the '20s and 1930s. Things were seen either from above or below which tended to monumentalize the object. This was exploited in terms of a socialistic view - a fresh view of the world, a new man, a new beginning.

What I would love for my 30s is to just not have expectations. I don't want to assume anything about my 30s based on my 20s other than just keeping the lessons I've learned, but in terms of what I think should happen with those lessons, I don't know.

There is no telling what a human character is. Until the test comes. To most of us the test comes early in life. A man is confronted quite soon with the necessity to stand on his own feet, to face dangers and difficulties and to take his own line of dealing with them. It may be the straight way, it may be the crooked way --- whichever it is, a man usually learns early just what he is made of.

I think my very best work came out when I was about 60, not when I was 20. I was publishing all the time when I was in my 20s, and some of those poems I still like. And there were a few after 60, and in my 70s, that I like. But they became fewer and fewer.

I love driving fast. I grew up in Germany; we have the Autobahn here, where we can drive without a speed limit. And throughout my 20s, I always had fast cars, and I always went to the maximum. Like, my average cruising speed was 250 km/hr.

Starting in my 20s, I couldn't wait to look like Anna Magnani or Isabelle Huppert, all these great European actresses - Charlotte Rampling - the cheekbones and the heavy lidded eyes and the dark circles under the eyes, you know. So around 42/44, I started getting a little character on my face, and I was so glad.

When I got out of undergrad, I had a degree in theater and telecommunications. My first job, I was a news reporter for the local stories for NPR. Then I was a country-western DJ. I did data entry for a yearbook company. In my mid-20s I went back to grad school at NYU, and I specialized in playwriting.

My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden, even though they're only, like, 20.

The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.

Be willing to shed parts of your previous life. For example, in our 20s, we wear a mask; we pretend we know more than we do. We must be willing, as we get older, to shed cocktail party phoniness and admit, 'I am who I am.'

Many people in their teens wonder about these big questions - what's the meaning of life, what are we doing here - then somewhere in their 20s, they seem to say, 'I'll just get married. I'll just have kids. I'll get back to that later.' But they never do. For me, it kept boiling.

I thought I knew everything about love and relationships in my 20s, the ignorance of youth is bliss. As you get older, you start to realise that you don't really know anything and life is a great traveling journey. Life is unexpected...you just never know whats going to happen.

My dad's father was a White Star Line trumpet player in the '20s. It shaped the way that I think about music. My grandfather was classically trained, military trained. He was an orphan who ended up in the Military School of Music in Kneller Hall.

My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia.

And I think that a lot of people in their 20s go through that thing of, this life that I think that I was about to lead, is that actually nonsense? Is that actually something I want to do?... And so they go traveling, or they have a mad relationship, or they dye their hair or whatever.

The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one's head and taste its true flavor. [...] It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians.

My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden even though they're only, like, 20. I'm the opposite of that.

Life flies by, and it's easy to get lost in the blur. In adolescence, it's 'How do I fit in?' In your 20s, it's 'What do I want to do?' In your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the grey area - being OK with where you are.

As a child, I had to get up early for school or work. I'd get ready by myself. I'd set my alarm to wake me up very early in the morning, and be off to work, the family driver driving me every morning. I did it alone, my parents never coming in to wake me up.

When you get into the entertainment business, you have to grow up a lot faster, because you're working nine and a half hours a day. I've learned time management at 14-years-old, and I've learned how to do all these different things that some people don't learn until they're in their 20s and 30s.

One thing I've always been taught at the defensive end is you hit first. In life, you throw the first punch; you don't get punched first. It's the same on defense: You've got to hit first. Do your work early. That's what I was always taught. If you don't do your work early, you're done.

When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.

I think that when I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. I kind of backed my way into comedic parts. When you're young, you kind of take yourself seriously, and you think, like, 'People need to see what I can do.' And it's so laughable, especially with actors.

For me, there's a big difference between having a baby in your 20s and having a baby in your 40s.

In my 20s I was so ignorant about drugs, and so naive. I mean, my band was smoking marijuana for years; I didn't even know what a joint was. And I'd never seen a line of cocaine in my life. And I don't know whether it was bravado or - OK, I'll join in. But my stupidity, I had a line of coke, and that started the whole process.

My father is from Copenhagen and he lived there until he was in his late 20s. We always grew up with a lot of Danish culture at home. My mother is Jewish but we always celebrated Christmas because we loved the traditions of Danish Christmas.

I wish all high schools could offer students the outside activities that were available at the old Harrison High on Chicago's West Side in the late '20s. They enabled me to become part of a school newspaper, drama group, football team and student government.

I grew up on network sitcoms. If those are gone when I'm 65 years old, I would never forgive myself for not stepping up to that plate, as often as possible. I'm already bummed out that DVDs are dying off because, in my 20s, those were a huge thing.

Back in my mid-20s I was told I'd never be able to have children as I wasn't having periods. Doctors tried to start up my monthly cycles, but when nothing worked, they actually offered me a hysterectomy. Without it, they said I might get ovarian cancer in the future. I chose not to have the operation, and am so glad I didn't.

I was writing blogs before work, then I was writing at work, and then I started writing books on the weekend because you just have that sort of energy in your 20s; it's wonderful.

The thing with playing live is, most of the audience is in their 20s and 30s. If you're older than that, you don't tend to go out to shows anymore. So it's good if you can attract a younger audience because they've got the energy to get up off the sofa and go out.

I was writing fiction in my 20s but in a pretty undisciplined way - late at night, maybe, after I'd peeled myself from the walls of a nightclub and crawled home along the gutters. But I slowly became more serious and more devout in my work, and I fell seriously in love with the short story form.

Nearly everyone says New York is their number one city in the world, don't they? It certainly is mine. But I feel like the ship sailed for me in terms of living in New York because I think you need to live there when you're in your 20s - when you can be poor and energetic and just don't care.

At any age, you are growing up at some level, but as far as maturing and growing up, a lot of that happens in your 20s: a lot of mistakes still to make and insecurities. But at around 27, I started to come into my own as a real adult.

In general, I think we're more or less shaped and formed by our late 20s. Things come along during that time that make us cynical. By the time you're in your 30s, it's hard to unpick those mindsets that have formed. It takes years of therapy to undo them.

If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.

The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.

I am in touch with a company that hopes to replicate my voice. However, they are not replicating my original voice - if they did that, I would sound like a man in his 20s, which would be very strange! They are actually trying to replicate the synthesizer that sits on my wheelchair.

I've been dating younger men since my 20s, When I was 29, I dated someone 21... younger men are just more fun. I like their energy. I've always been kind of young for my age.

When you are in your 20s and you're not married with kids, you're having fun. But when you're in your 30s and you're not married and don't have kids, you begin to develop a Peter Pan complex. As you grow older, you have more responsibilities and you have to step up to them.

I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night.

I used to be in my 20s, be single, and work way less. This was conducive to way more hours on the mat and a super fit physique. I'm now 31, engaged, and travel every single week, which puts a major damper on any sort of routine.

I see my whole 20s as a massive experiment. So were my teens. I think the problem is that we're not encouraged to experiment; we're encouraged to decide and choose, be singular and focused. You can't be that until you experiment. You don't know what's going to work until you try it.

The fear of the never-ending onslaught of gizmos and gadgets is nothing new. The radio, the telephone, Facebook - each of these inventions changed the world. Each of them scared the heck out of an older generation. And each of them was invented by people who were in their 20s.

I hear people in their 20s describe the 40s as a far-off decade of too-late, when they'll regret things that they haven't done. But for older people I meet, the 40s are the decade that they would most like to travel back to.

My parents put me in the water very early, and also had me skiing at a very early age. They put me on skis when I was one and a half. I was fortunate to have parents who understood the importance of exposing their kids to different sports, different cultures and different activities in order to discover what we liked and what we didn't like. They didn't push us, they just gave us many things to choose from.

I was in my 30s when I quit my job and ran for Congress. So often, we're told it's OK to take these big career leaps when we're in our 20s, but we cast such an unfavorable light on those who take big risks later on in their careers or when they start families. There's enormous pressure to have it all figured out.

J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.

You know it's said that you make your own face. So you don't really have a face until you are 30 or your mid-20s. When you are starting to grow up and show your character in your face.

Our target customers are people in their 20s. Old people wanted to be 21 again, and young people wanted to be 21 forever.

With 'SNL,' it's such an iconic institution. Throughout my 20s or maybe even in middle school or high school, it never felt like a real thing. It felt so distant, and I never imagined I could do that.

But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes.

I went public with the alcoholism, very early on... the early '70s. Mercedes McCambridge, the actress, I think was the first recognizable person that went before Congress and talked about it, and I thought that was a good idea, to take some of the stigma away from it and say "Normal, average people can fall prey to it." So it's been public for me. I did a movie about an alcoholic. And today, you're nobody unless you've been to rehab. It seems like everybody has some kind of an addiction.

I guess I must just be obsessed with death. Apparently you think about it a lot more as you get older. Maybe you could chart how when I was in my 20s I talked about sex all the time, and in my 40s it's just death.

There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.