Top 1200 Early 20s Quotes & Sayings - Page 19

I am no longer fearful or uncomfortable about showing myself. And I realized I shouldn't get ahead of myself and lock myself in fear and worry even before something happens. I think these thoughts are what make me realize that I am maturing, going from my 20s to a full-fledged adult.

In my 20s, I was leaving university, getting married, or having a baby. And then, in my 30s, I was just keeping my head above water. When I hit 40, I thought, 'I have got to get a grip of my life and really point it in the direction I want it to go rather than just swim hard against the current.'

It is the most powerful submission in the sport. It is a beautiful thing. You're holding them into you, their back is on you, and you are basically choking them gradually like a boa constrictor and once you've got them, the pressure goes on and they have to submit or they are going to stop breathing. It happened to me early in my career, and I panicked, and gave in, I tapped out too early. I learned a lot from that. I learned from it, learned how to do the move better, learned how to avoid it being done to me.

My primary early interest was in marketing and my aim was to improve its theories, methods and tools. Early on I pressed companies to adopt a consumer orientation and to be in the value creation business. I didn't pay much attention to the social responsibilities of business until later. Now I am pressing companies to address the triple bottom line: people, the planet, and profits. I found that companies were too much into short term profit maximization and they needed to invest more in sustainability thinking.

Staying interested in a match is a lot harder than many people think. Throughout my career, I've always had trouble in the early rounds of a tournament mainly because it was hard for me to psychologically get up until I got to the quarters or the semis. What happened a lot of times is that I would fall behind early, maybe even lose the first couple of sets in a five-set match and then begin to concentrate. Still it wasn't something I could control from the start.

I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.

Most of the people at my headline shows are in their 20s, but it varies a ton: like, I've had a six-year-old hug my leg after the show and a 60-year-old shake my hand. It's cool to see people connecting with the music across different generations.

In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'

It's been amazing to play the same character through so many adventures. And it's so strange because my life has changed so much over these years, but 'Twilight' and Edward Cullen will always be a part of me. It's been my whole life. My whole 20s. And I wouldn't have it any other way.

The idea of the western, I believe, as people conceive of it, is really an artifact of the Hays Production Code of the '20s and '30s, and it has really nothing to do with the West and much to do with the influence of middle-European Jews who had come out to Hollywood to present to America a sanitized heroic idea of what America was.

In my 20s, I got into giving people massages and realised I was able to encourage their bodies to heal by passing my hands over them. I'd never describe myself as a faith healer - it's just that if someone believes in this type of healing, I can help release whatever blockage it is that's preventing them healing themselves.

I had my appendix removed in my 20s. I was in the middle of a play with Helen Mirren at the Royal Court Theatre, a fabulous career break. Then two weeks in I began suffering the most horrendous pain and had to pull out. Sadly, by the time I'd recovered, the show's run had ended.

Only to two or three persons in all the world are the reminiscences of a man's early youth interesting: to the parent who nursed him; to the fond wife or child mayhap afterwards who loves him; to himself always and supremely--whatever may be his actual prosperity or ill fortune, his present age, illness, difficulties, renown, or disappointments--the dawn of his life still shines brightly for him, the early griefs and delights and attachments remain with him ever faithful and dear.

That movie [Jawbreaker] was so much fun to shoot. We were all in our mid-20s at the time, playing high school students. Which was the point. It was the point of the film to hire older actors to play high school students. But we had a blast.

Part of me feels like when you had a lot of success in your teens and 20s, it gets harder for you in your 30s because people are so attached to you as this ingenue. So even though you're older, they still think of you as that girl - that waifish young girl. And so it was sort of like a struggle.

The most important difference between these early American families and our own is that early families constituted economic unitsin which all members, from young children on up, played important productive roles within the household. The prosperity of the whole family depended on how well husband, wife, and children could manage and cultivate the land. Children were essential to this family enterprise from age six or so until their twenties, when they left home.

In the 20s, you were a face. And that was enough. In the 30s, you also had to be a voice. And your voice had to match your face, if you can imagine that.

So when people used to call me 'chinki' I thought that okay maybe my mother is Chinese so they are calling me that. It was only in my 20s, when I travelled to the north-east that I realised that it was racist and that the north-easterners were called this and they were not considered Indians just because of the way they look.

When building a complex system, having crackerjack programmers (who can make any design work, even a bad one) can be a liability. The result, after lots of effort, is a working system that cannot be easily maintained or upgraded. Good -but not great- programmers would fail early, causing a realization that the system must be redesigned, and then reimplemented. The extra cost is paid once, early in the system's cycle (when it is cheap), instead of repeatedly paid late in the system's cycle (when it is more expensive).

Throughout my 20s it was all about achieving and working as hard as possible. To the point that you don't think twice about working in a music studio with no windows from 11 to 11. And you don't bat an eyelid if you fly four times a week and do promo in a different city each time.

I was in my 20s when I started writing my goals down, assigning each a date that I would achieve them by. I was amazed when I started reaching these goals by the date I had listed on them. It was a daily visualization exercise, and it almost always works.

We have had examples in our industry of people working for 30-40 years because of their ability to act. Your looks leave you after a point, you don't look the same way you did when you were in your 20s or 30s. After that you have only your ability to show.

Having gone through the civil rights struggle, having gone through the anti-Vietnam War struggle, by the time I was in my 20s, I had something that the current generation doesnt have. And that is a sense of efficacy.

Alcohol didn't cause the high crime rates of the '20s and '30s, Prohibition did. And drugs do not cause today's alarming crime rates, but drug prohibition does.

I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.

I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.

My family was musical on both sides. My father’s family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple’s double — she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the ‘20s, ‘30s and ‘40s in the kitchen for my grandmother.

I look at it this way: How much of the day are you awake? You think, "I've gotta get that dry cleaning, I gotta get this going, and this, and this, and this." And all of a sudden it's dinnertime. And then there's a moment of connection with your spouse or your friends. Then you read and go to bed. Wake up and then it's the same all over. You're not awake, you're not living, you're not experiencing. We start early medicating ourselves. We start kids early, on TV and video games and so on.

When I was young and crazy, I was young and crazy. It can be hard enough just to BE in your teens and 20s. Then add fame, money, access, and every single person telling you that you're the greatest person who ever was, and it can be a recipe for disaster. Some people literally don't survive it.

People comment on the way that I phrase. And in my 20s, I realized, my phrasing is jazz phrasing. I don't comply strictly with musical theater phrasing. Musical theater tends to be very one and three, and jazz is definitely two and four.

My dad, a mathematician, raised me to believe that mathematics is beautiful, so math is a part of my imaginative terrain. In my late 20s I wrote several 11-line poems because I wanted to create poems that couldn't be uniformly divided into couplets, tercets, or quatrains, 11 being a prime number.

Germany's hierarchical reverence for seniority may have something to do with the fact that everything here happens relatively late. Germans start school at six, graduate in their late 20s, and get their first proper jobs in their 30s. Adolescence can go on a long time. It is rare for anyone to achieve responsibility before their 50s.

In your 20s - and these are generalizations of course - I feel like I didn't care about as many things or as many people, or even myself, as much. There's more recklessness and more ruthlessness; you're not as considerate of how things land with other people I think.

I look back on my 20s. It's supposed to be the prime of your life, the most vital, the most beautiful. But you're making your critical decisions and sometimes your most critical mistakes.

I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.

I don't think rock 'n roll is necessarily a young man's game. I think Neil Young is just as rock'n'roll now as he was in his 20s. I'd like to think we can still be edgy and challenging.

My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double - she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother.

I've been on television since I was about 17. I had opportunities - one major opportunity I blew in my 20s. Once I started down this pathway, it was a case of not letting anyone stop me. Not my wife, not my family. It was getting too late to give it a small percentage. I had to give it one hundred percent.

Since my mid-20s I have put more time than I would like to admit into keeping a youthful appearance. Most of that time was spent just buying random products, hoping some of them might actually work! Sadly that method resulted in a huge amount of time and money wasted.

When you look at every studio in the '20s or '30s, from Louis B. Mayer to Jack Warner, you see people who started with one plan and quickly shifted gears to adapt to a changing world. One of my favorite stories is that Walt Disney mortgaged his house to make 'Snow White.' He saw there was a real opportunity to change the world.

I think way back, the '20s or the '30s, when Kodak came out with the Brownie and they put a list of instructions on the box, like how to use this thing, I think someone arbitrarily said, 'Make sure the person in the photograph is smiling.' And we went from that one sort of set of industrial instructions to this whole culture of perkiness.

For the first time in my life, in my mid-20s, I started to question things. Had I been deceived? I thought I had been destined for something great - to be Whitney Houston or Jennifer Holliday or Phylicia Rashad. I started to realize that a lot of people think that, and it doesn't happen for almost everyone.

In early psychoanalytic thought, narcissism was - and still, of course, is - self-love. The early psychoanalysts used to talk of libido directed at the self. That now feels a little quaint, that kind of language. But it does include the most fierce and self-displaying form of one's individual self. And in this way, it can be dangerous. When you look at Donald Trump, you can really see someone who's destructive to any form of life enhancement in virtually every area. And if that's what Fromm means by malignant narcissism, then it definitely applies.

For most of my life - well, maybe half of my life, but basically until I was in my mid-20s - I wrote stories. From the time I was 5 or 6 until I was 25. And I read a lot of stories during that time.

I think a lot of your 20s is trying to figure out who you are - you're on your own; you've got you first job. You've got your first apartment. You're living away from your parents. You're just discovering who you are.

Becoming emancipated at 14, my life wasn't normal. I didn't have to go to school, so I didn't. I was rebellious by nature. I spent my 20s focusing on my company, Flower Films, and producing movies. Now that I'm almost 30, I would like to try other things in lie. I'm crazy about photography, and I want to take an art history class.

In my 20s I used to cry about why I wasn’t thinner or prettier, but I want to add that I also used to cry about things like: ‘I wish my hair would grow faster. I wish I had different shoes …

If the goal is to dramatically improve college completion rates, not college-going rates by itself but college completion, it's not just a college problem. We need a big focus on early childhood education. Our early childhood education system is pretty good in this country. Not enough students have opportunity. And, very discouragingly, they lose their advantage because they go to poor schools after that. So, let's focus on our babies.

Sometimes I train in the middle of the night, all on my own. Can't sleep, don't want to sleep, get up, go to the gym, work. This is early for me, being here at half ten in the morning, this is really early, and I'm only here because I screwed up yesterday and kept you hanging around. Other times I'll call up my wrestling coach, or my jiu jitsu coach, or my deep-tissue guy, and want to really focus on one part of what I do. I train in all these different disciplines.

I lived my teenage years in my 20s when I sort of left home and became Elton John success, then it became Elton John excess... Everything I couldn't do when I was younger I did 10 times over. I was having the time of my life. I was becoming the person that I wanted to be.

Some sleep too much...there must be an excellent reason for the injunction to retire and arise early. ...You will profit by this counsel if you heed it...The world is a more beautiful place early in the morning. Life is so much more calm. Much more can be accomplished in a shorter amount of time... Some are habituated to going to bed late and sleeping much longer than your system really needs and thus missing out on some of the personal inspiration you could be receiving.

My former agent introduced me to darts by saying it was a game that would be a lot of fun. He knew I had to concentrate on hitting three 20s or a double or a treble - as this is a target you must achieve. Your mind is focused on accuracy. And it's the same in football, where I must strike the ball just to the right or left of a post.

The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married.

My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.

You must wake and call me early, call me early, mother dear; To-morrow'll be the happiest time of all the glad New Year,- Of all the glad New Year, mother, the maddest, merriest day; For I'm to be Queen o' the May, mother, I'm to be queen o' the May.

I feel great. I feel like I'm in my 20s. I did have a lot of injuries, yes, but I feel great now. I think the path that I had did good things to my body and also my mind. I came back very motivated.

In my 20s I was such a serious, boring-looking person. I would never do my nails. I never even danced. But I was taught by the women. They had gone through hell, but they would dance and sing. I came to realise I can't argue for a happy world if I am not happy myself.

In my 20s, I used to cry about why I wasn't thinner or prettier, but I want to add that I also used to cry about things like, 'I wish my hair would grow faster. I wish I had different shoes...' I was an idiot... It's a decade of tears.

It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.

I moved to Chicago in the early 1990s and I studied improvisation there. I learned some rules that I try to apply still today: Listen. Say yes. Live in the moment. Make sure you play with people who have your back. Make big choices early and often. Don't start a scene where two people are talking about jumping out of a plane. Start the scene having already jumped. If you're scared, look into your partner's eyes — you will feel better.