Top 976 Editor Quotes & Sayings - Page 2

Andrea Schulz became my editor in 2009.

In the long run, the quality of your work is all that matters. That is your only resumé. Be professional. Make sure your editor or publisher can always reach you. Do what's asked of you if your conscience can bear it. But know that, five years from now, as fans or prospective employers are looking over your published pages, no one will care that this story sucks because the publisher moved the deadline up or because the editor made you work an android cow into the story. All they will care about is what they see in front of them, and they will hold you responsible for it, no one else.

I was once referred to in a Kirkus review as a "northern Michigan version of Andre Dubus." My editor called me after the review came out and asked if I was okay with that. What part? I wondered. Finding myself in the same sentence with Andre Dubus? What could be better than that? Or perhaps - and more likely, my editor meant being pigeonholed as a writer of this remote region "mostly ignored by the rest of the world," as Jim Harrison says.

An editor is like a painter. There is a magic in that.

Everyone needs an editor.

Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.

There was a part of me that always wanted to be an editor.

Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.

The great film editor is not a cutter, he's a storyteller, right?

My daughter writes and is the editor of her school magazine.

An editor is the uncrowned king of an educated democracy.

I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.

My dad was an editor and a writer, and that's actually what I aspired to be.

Anyone who edits their own copy has a fool for an editor.

I always figured that I was one new editor away from unemployment.

As an editor, I have to be tactful, of course.

As CEO, my main job is editor-in-chief.

The job of an editor is to ensure a consistent voice.

My wife is my in-home editor and reads everything I write.

Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication.... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done.

I tend to overwrite; I need a good editor.

I miss particularly the managing editor role on the 'Evening News.'

I wasn't a fashion editor. I was the one and only fashion editor.

In terms of my career, it began in earnest when I was living in Boston. I started doing my own films, working initially as an editor and editing assistant - briefly - at WGBH, as an editor on other people's movies, trying to get some experience under my belt, but eventually just doing my own short films, doing them my way.

As we've grown 'The Daily Muse' and met contacts who want to collaborate with us, knowing who does what has helped us be clear on who we want our partners to connect with - and makes us look buttoned up, too. SEO firm? Talk to our COO. An editor from the 'Huffington Post?' Meet our Editor-in-Chief.

That name was a kind of joke, and not a very good one. An author, Leon Lederman, wanted to call it 'that goddamn particle' because it was clear it was going to be a tough job finding it experimentally. His editor wouldn't have that, and he said 'okay, call it the God particle', and the editor accepted it. I don't think he should've have done, because it's so misleading.

I leave my editor to put the periods and commas in.

Everybody needs an editor.

I was spoiled by theater, where there is no editor.

An editor should have a pimp for a brother so he'd have someone to look up to.

Movies are an editor's medium.

At the time, liberals didn't understand that they had First Amendment rights. So, I was doing cartoons in this narrative cartoon form about subject surrounding that and as I was turned down by editor after editor at each publishing house, I began to notice on their desks this new newspaper called The Village Voice, which I then went and picked up and thought, well my god, these editors that were turning me down all, whom tell me how much they like my stuff, but they don't know how to market it because nobody knows who I am. If I got into this paper, they would know who I am.

An editor has to be selfless, and yet has also to be strong-minded.

Never throw up on an editor.

I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. How do I know, but I think I'm quite good at saying, "That's no good. That's no good. That's it. That's it. That's good." And I'm with the editor who goes, "No, I think you're wrong. That's not your best." There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.

Every editor of newspapers pays tribute to the devil.

A very good editor is almost a collaborator.

You've got to be an editor in order to be a good composer.

Be your own editor/critic. Sympathetic but merciless!

You have to live and breathe Scotland if you're 'Scotsman' editor.

The smartest thing a filmmaker can do is to become a good editor.

We just have to come in every morning and somehow, launch the editor.

I started out working as a script editor and storyliner.

I worked at my high school newspaper at Andover, which came out weekly, unusual for a high school paper. Then my first day at Penn I went right to the 'Daily Pennsylvanian' and pretty much spent most of my college career working both as the sports editor and then editor of the editorial page.

This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address.

I once had an editor advise me, as I was revising one of my early novels, to add more characters. I played around with the idea. As soon as I'd decided a few fresh faces and give them something to do, I realized that what my editor had really asked for was more plot. Ding. More characters equals more action.

A good novel editor is invisible.

Not too many people know who the editor is.

I'm a big fan of political editor Allegra Stratton.

Procrustes was an editor.

An editor is someone dedicated to destroying the work of a creator.

I'm totally against the idea of a celebrity editor.

My aspiration was always to be a fashion editor.

My only claim to fame, if I have one, is that I'm an editor.

I probably don't conform to most people's idea of a fashion editor.

It is important to have a woman editor. Movie is an industry where it is predominantly women. Male editors might cut out pauses that are interesting, while a woman might not be afraid of that pause. Trying to do a movie with an editor who is not funny is impossible. There are certain talents that go with certain genders.

Bob Wallace was my editor at Rolling Stone when I first started writing there, and he's a wonderful editor. I was in the Philippines during the Marcos overthrow, and I was up on what was called Smokey Mountain. I think it's gone now, but it was a garbage dump with a bunch of people living on it. I was talking to Bob on the phone, and I told him, "I'm a humorist. I can't write about this." And Bob told me to let my style be dictated by the subject, to take what I saw and write about it in the tone that it requires.

The relationship between a director and an editor in documentaries is so important.

"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall."

[Margot Hentoff] was an editor there for a time as well as a writer.