Top 292 Editorial Quotes & Sayings - Page 4

I really do think we're going through a period of concentration of ownership of media, and we're starting to see the effects at the editorial level, and it's all bad. This increased pressure for profits every quarter, smaller news hole, less coverage of important stuff - the extent that it's become one giant infotainment industry.

As an editorial cartoonist now, I live for those moments of inspiration, and it is exhilarating to be inspired by a topic, have an opinion on the topic, come up with a good cartoon on the topic, and to draw it and get it in the paper the next day. That is what I live for.

If I feel that I'm not able to do my best work - whether that's my own fault or as a result of an editorial situation - then I need to stop doing it. I would rather not do something than do it badly or ineffectively. It's the only way I can live with myself and do right by the fans in the long haul.

Political poetry is the hardest thing to write because you cannot preach to the converted, and if you're only seeking to convert, then write an editorial. I hope I can write about Trump; he's too major a force not to be written about.

[Addressed to Berlusconi who wanted to impose himself on the editorial style of "Il Giornale"] In the art of entrepeneurship, you are certainly a genius, and I an asshole. But in the art of argument the genius is me, and you the asshole.

Security, for me, took a tumble not when I read that there were Communists in Hollywood but when I read your editorial in praise of loyalty testing and thought control. If a man is in health, he doesn't need to take anybody else's temperature to know where he is going.

I do believe life begins at conception. The very first time I ran for election, I took out an editorial in the local newspaper and said 'look I am a democrat. (But) on this issue, because I see it as a human rights issue, if you wanted me to vote to promote that I wouldn't be able to do that.

When I first started as an editorial cartoonist, I was terrified on a daily basis. Filling that hole the next day, knowing that tens of thousands of people were going to expect something funny. There is still that pressure, but you kind of learn how to cope with it a little better.

Relationships with the media are really important. The media has a more important voice today than it has ever had. We don't advertise. We only have one marketing vehicle, which is editorial, and our ability to get our message out and communicate it effectively.

The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.

It occurred to me that nothing is more interesting than opinion when opinion is interesting, so I devised a method of cleaning off the page opposite the editorial, which became the most important in America and thereon I decided to print opinions, ignoring facts.

What I object to is tricking the reader and blurring the lines so that unsuspecting readers, thinking that they are getting something that is assigned and edited by the editorial side, are getting something quite different. They are getting an advertisement.

You turn on the news, there're no facts anymore. 'Here's what's happening today,' and then you cut to thirty minutes of people in little boxes, little windows, telling you their opinions on it. It seems like all the news is going on in the ticker-tape on the bottom of the news. It's all opinion, it's all editorial.

When you receive national recognition for leading the nation's toughest crackdown on illegal immigration and serving as Donald Trump's Virginia State Chairman, you get used to being falsely labeled as racist and xenophobic by the mainstream media, especially by 'The Washington Post''s editorial board, which has labeled me as such things for years.

I have really been fortunate, incredibly privileged, to have done so much editorial work, and I would love to do more. But just as my editions have tried to balance the familiar with the new, the commercial with the scholarly, so too I have to admit that I don't want to do editing for the sake of it, and some possible projects would be of uncertain value to me.

I photograph only something that has to do with me, and I never did anything that I did not want to do. I do not do editorial and I never do advertising. No, my freedom is something I do not give away easily.

I don't watch the nightly newscasts on TV . . . nor do I watch the endless hours of people giving their opinion about things. I don't read the editorial pages; I don't read the columnists. It can be a frustrating experience to pay attention to somebody's false opinion.

There is a growing literature about the multitude of journalism's problems, but most of it is concerned with the editorial side of the business, possibly because most people competent to write about journalism are not comfortable writing about finance.

It has been found that the less an advertisement looks like an advertisement and the more it looks like an editorial, the more readers stop, look, and read.

Google (and pretty much every other major search engine) uses hyperlinks to help determine reputation. Links are usually editorial votes given by choice, and link-based analysis has greatly improved the quality of web search.

One question about a joke is, how well is the strangeness of the situation resolved? At 'The New Yorker', we retain a lot of incongruity, tapping the playful part of the mind - Monty Python-type stuff. We also try to use humor as a vehicle for communicating ideas. Not editorial comment, but observation.

If we ever head down the American path of banning certain books or turning the editorial process into one of censorship, we will risk turning teens off books and sending them elsewhere - to their X-Boxes, for instance. To the Internet. And they won't ever come back to books.

All I can do is advocate changes at the BBC while respecting editorial independence upon which the success of the BBC rests. I can't do anything that requires the BBC to pay certain people certain amounts.

There is, as yet, no sense of pride in the husbandry of wild plants and animals, no sense of shame in the proprietorship of a sick landscape. We tilt windmills in behalf of conservation in convention halls and editorial offices, but on the back forty we disclaim even owning a lance.

If I'm doing an editorial or if I'm doing a shoot, I will wear anything, and I'll do anything.

The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it.

Broadly speaking, in the past few years, we've more than doubled the editorial staff [in Mother Jones], as part of ramping up daily operations that have resulted in huge gains in audience, a slew of awards, new multimedia endeavors, and of course scoops like the 47 percent.

Reddit strives to be a community-oriented link-sharing and news site, which means that all our content is submitted and voted on by members of our community. We don't interfere with that process at all, either in an editorial or curation capacity.

I know real people, whose names I could tell you, people I know who have said "I’ve stopped buying the New York Times." Why? Because their editorial position has filtered, has leached into the news pages.

In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted.

'The Observer's Very Short List' is another example of how the Observer Media Group offers its readers the most cutting-edge information, available in a variety of platforms and written by an editorial staff known for its distinctive and discerning style and wit.

The hip hop industry is most likely owned by gays. I happen to think there's a gay mafia in hip hop. Not rappers - the editorial presidents of magazines, the PDs at radio stations, the people who give you awards at award shows.

I remember I took an editorial, and I was so excited. I got the pictures back, and I looked in the magazine, and I was like, 'Oh my gosh!' My arms were half their size, and I had a thigh gap magically, and all these crazy things. My family went out and tried to find my pictures in the magazines, but no one could recognize me.

Much of the big media outlets in North America are owned by arms manufacturers, like Westinghouse, or G.E. [General Electric]. That's unacceptable. So we're not getting editorial policy, we're not getting a vision of truth. People just don't know what is going on anymore, and that's really dangerous stuff.

I grew up at NBC and started there right out of college. I learned producing and booking. I was on MSNBC, 'Today' and 'Nightly.' I knew everyone from every level of the company. That was a comfort level. I had a personal relationship with a lot of the editorial leadership there. It wasn't easy to leave.

When I first started submitting my work professionally - and we're talking years and years ago - I had no patience for editorial response times. I hated waiting to hear back from people, hated waiting to see my work in print.

People sort of take it for granted, but the more you see of the media world the more you appreciate a paper like the Times where its family continues to invest in editorial quality and I think it's the truly is the best paper in the world.

It used to be that what was going to be written on my tombstone was 'Benjamin Wittes, former 'Washington Post' editorial writer,' or 'Benjamin Wittes, who wasn't even a lawyer.' Now it's just, like, 'Benjamin Wittes, who's a friend of Jim Comey's.'

Of course it's contrived, but once you know how its contrived, you can understand the editorial viewpoint. CNN, for example, when you see where they're really coming from, you can subtract their bias, and get some sort of facts. Sometimes the amount of bias that is imposed in these things is so laughable that it gives you an extra layer of entertainment.

Your spouse, a sibling, a friend need to read your drafts. They have to be people unafraid to tell you what sucks. For early feedback, that's more important than professional editorial skill. Most people know what sucks.

I believe "human sexuality" is one of the most ridiculous aspects of being a human, and here I was, facing publications whose prevailing editorial slant sought to portray our basic rutting instincts as something "ennobling" and "empowering," to depict women who were fundamentally whores and predominantly unstable as "sex workers" and "goddesses."

Understanding how the media actually works is critical. Because editors depend on ignorance and media illiteracy to ply their trade. The fact that many readers expect fact checking, editorial oversight, and ethics actually makes it easier for the media to be lazy.

I joke that I've always had this sort of insatiable 'big sis' complex - which is odd given that I am the baby of the family with no sisters! It's the reason I have such a powerful desire to connect with girls and encourage them. So, it's a natural fit for me to have a job that's like the editorial version of an older sister to a million girls.

In the beginning, editorial always inspired my beauty looks, but we're living in a primarily digital age, and Instagram is a great source - as is Pinterest - to find brilliant ideas that spark new ideas in me and the talented makeup artists I work with.

And the big issue here, I think, is that the publisher took over the editorial pages, a guy named Jeff Johnson. He's an accountant from Chicago, doesn't know anything about what newspapers are supposed to be about, and he made a decision to get rid of the column.

The publisher has told - you know, if these editors, Andres Martinez and Nick Goldberg, were the least bit honest about this, they would tell you the publisher has told them he wants the editorial page to be conservative.

The wisdom of the crowds has peaked. Web 3.0 is taking what we've built in Web 2.0 - the wisdom of the crowds - and putting an editorial layer on it of truly talented, compensated people to make the product more trusted and refined.

I think barefaced, minimal makeup happens mostly on editorial shoots. And I've taken a swing at minimal makeup here and there, but I think a lot of what drag celebrates is the opposite of that. I think the inauthenticity and the hyperfemininity is part of why it's so celebrated.

The media is tremendously important for all governments that are able to communicate through the it. It doesn't mean there is a balance of editorial opinion that favors what you are doing or that the opposition doesn't have its voice, but you have to be able to effectively communicate your story through the media.

I know real people, whose names I could tell you, people I know who have said 'I've stopped buying the New York Times.' Why? Because their editorial position has filtered, has leached into the news pages.

So for a long time, I did a lot of freelance writing in addition to writing fiction and such - I was a food critic for a magazine for a bit, I did writing for nonprofits and political things, I was the editorial consultant for another magazine for a couple years, all sorts of jobs.

... we shall never become an immense power in the world until we concentrate all our money and editorial forces upon one great national daily newspaper, so we can sauce back our opponents every day in the year; once a month or once a week is not enough.

The more I hear of ban-the-gun legislation forming in Washington, and the more I hear it advocated from the editorial pulpit of the New York Times, the more I want my own .45 holstered within easy reach of this typewriter.

the fashion pages of magazines such as Cosmopolitan now seem to specialize in telling the career girl what to wear to charm the particular wrong type of man who reads Playboy, while the editorial pages tell her how to cope with the resulting psychic damage.

We never make editorial decisions with people who are working closely with Vladimir Putin, unless you consider myself a person who is working closely with Vladimir Putin.

Babelgum has no ties to individual content owners and distributors, and as a result our editorial strategy is primarily 'user-centric.' That strategy ensures the platform satisfies the needs of a potentially infinite number of niche audiences around the world.

I just lead my life as naturally, as normally as I possibly can. But I can't help it if controversy is hounding me day in and day out. I'm quite amazed sometimes by the way they go about it. I grow a beard and it lands up in the editorial in The Times of India.

Once a paper admits any principle of censorship for survival, the we-don't-want-to-do-it-but-we-don't-want-to-lose-the-printer kind of censorship, it jeopardizes the integrity of its editorial principle. It's better to print and be damned, because you'll be damned anyway.

There is no need for advertisements to look like advertisements. If you make them look like editorial pages, you will attract about 50 per cent more readers.

When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.