Top 292 Editorial Quotes & Sayings - Page 5

You’re talking about Rwanda or Bangladesh, or Cambodia, or the Philippines. They’ve got democracy, according to Freedom House. But have you got a civilised life to lead? People want economic development first and foremost. The leaders may talk something else. You take a poll of any people. What is it they want? The right to write an editorial as you like? They want homes, medicine, jobs, schools.

For a Nebraska kid in the late 1970s and early 1980s, Nebraska football was a quasi-religion, so I ran out to get The Omaha World-Herald every morning, salivating for the sports page. My dad, however, required that I read one front page story and one editorial before I was allowed to turn to the sports.

Deanell Tacha and I decided to write an editorial, because both of us have had experiences in countries where the rule of law is not strong. Uh, where there is civil war. Where there is disorder. And, it, it seemed to us important to underscore that this is a treasure, our rule of law, our judiciary independent from politics, and it's in jeopardy.

In a way, both the U.S. media and those wacky rioters in the Afghan-Pakistani hinterlands are very similar, two highly parochial and monumentally self-absorbed tribes living in isolation from the rest of the world and prone to fanatical irrational indestructible beliefs — not least the notion that you can flush a 950-page book down one of Al Gore's eco-crazed federally mandated low-flush toilets, a claim no editorial bigfoot thought to test for himself in Newsweek's executive washroom.

Media bias in editorials and columns is one thing. Media fraud in reporting 'facts' in news stories is something else. ...The issue is not what various journalists or news organizations' editorial views are. The issue is the transformation of news reporting into ideological spin, along with self-serving taboos and outright fraud.

As with many teens, my first jobs included babysitting and mopping floors at McDonald's. Since then, I've held jobs a diverse as selling used cars, selling apparel, cosmetics, and real-estate, substitute-teaching six graders, teaching undergraduate creative writing, and working as an editorial assistant for a literary magazine.

If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints.

The Episcopalians don't demand much in the way of actual religious belief. They have girl priests, gay priests, gay bishops, gay marriages? it's much like the New York Times editorial board. They acknowledge the Ten Commandments? or "Moses' talking points"? but hasten to add that they're not exactly "carved in stone."

Editorial pages all say, 'Well, the other guy has a point, too. It remains to be seen how this will come out. We certainly hope it comes out fine; blah, blah.' Cartoonists don't go that way. Our job is to stick out our tongues, to show a big raspberry to whatever pompous jerk happens to be mouthing off.

May I make two citations from the words of a discerning editorial writer, not one of my faith, but one of much faith: "If we neglect the divine . . . and give ourselves over wholly to the human," he said, "we may certainly count upon nothing but the triumph of pessimism. . . . True optimism must rest upon a calm, unshakable faith in eternal life and in the unlimited goodness of him who gives it."

Discover the times when you're most creative - mornings, nights, afternoons - and clear the time to work then. Many writers find the mornings are best, and the afternoons are only good for editorial corrections, or getting the washing done. Others can only work through the night, drunk.

Whether Osama bin Laden is doing it cynically and has no interest in these matters, or whether he's doing it out of genuine conviction, his voice has a tremendous resonance throughout the Arab world. One editorial in a Lebanese paper said it is a matter of great humiliation for the Arabs that the only man who can outline, truthfully, what our humiliations are is an Arab who has to say it from a cave in a foreign country.

Some people call it the 'Al Jazeera spirit' - courage, re-thinking authority, giving a voice to the voiceless. We have never been favored by the authority. The human being is the center of our editorial policy. We are not a TV station that rushes after stars, big names, press conferences, hand-shake journalism.

I was offered a job at the Cincinnati Post as their editorial cartoonist in a trial six month arrangement. The agreement was that they could fire me or I could quit with no questions asked if things didn't work out during the first few months. Sure enough, things didn't work out, and they fired me, no questions asked.

I don't give you editorial control. I want to meet you. I want to interview everybody who's ever known you. I want to see your correspondence. I want to see your bank statements. But you will have no control over what I write. That's why I really believe in the unauthorized biography.

I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.

If you go on my Instagram, you're not going to see the same content you'll see on my YouTube. Instagram has become the new magazine. It's much more editorial and about perfect moments that are captured. Snapchats are funny, real moments that you want to share. On YouTube, it's more structured, more storytelling.

I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.

The media didn’t hand it to Obama; after all, the Number One cable news channel, Fox, is right-wing. The Number One newspaper, the Wall Street Journal, also has a right-wing editorial slant (and is owned by the same guy who owns Fox News). The Number One talk radio show is Rush Limbaugh, and Sean Hannity is Number Two, and Glenn Beck is Number Three. When you control all the largest media outlets, it’s time to stop grousing about liberal media bias.

I left my job as an editorial assistant with Katie Couric at CBS to start our company. I think Katie has said being at CBS was the worst time in her career. They were cutting back their news and interactive budget. I just had this very distinct feeling that I wasn't in the spring of something: I was in the late fall.

I am a member of a party of one, and I live in an age of fear. Nothing lately has unsettled my party and raised my fears as much as your editorial, on Thanksgiving Day, suggesting that employees should be required to state their beliefs in order to hold their jobs. The idea is inconsistent with our constitutional theory and has been stubbornly opposed by watchful men since the early days of the Republic.

I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.

Scandal, it bears repeating, undermines monarchies, but rarely ends them. It may be true that, according to a recent editorial in the New York Times, the British monarchy now exists primarily 'for our amusement'. But as long as people find it amusing, and want to be amused by it, they will be happy to see it undermined but uneager to kill it off.

When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.

I don't think I'm an angry person. I think I'm a person who's angry. I'm angry at the Bush administration; I'm angry at the right wing media. And by that I don't mean the media is right wing. I mean, there is a part of the media that's not the mainstream media. That's Fox, that is 'The Wall Street Journal' editorial page.

There is a very deep conviction in the heart of the people who work in al-Jazeera that if it changes its editorial line, it will very quickly lose its audience. Al-Jazeera has its own style; it has more than 3,500 employees, and I don't think anyone will have the attitude of changing it because they will lose.

I moved to London when I was 21 and I needed a job. I'd just done a year working in Waterstones in Manchester and I was looking for any old job. This advertisement came up for an editorial assistant on Dora the Explorer Magazine. Because I'd been working in the Children's Department in a bookshop for a year I just nailed the interview.

Over the years since I became a Christian, I have always deliberately explained that I have 'accepted Jesus Christ.' These words are invariably translated into 'Colson's professed religious experience.' I discovered that one major U.S. daily, as a matter of policy, will not print the two words Jesus Christ together; when combined, the editor says, it represents an editorial judgment.

My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.

I worked at my high school newspaper at Andover, which came out weekly, unusual for a high school paper. Then my first day at Penn I went right to the 'Daily Pennsylvanian' and pretty much spent most of my college career working both as the sports editor and then editor of the editorial page.

What can Americans learn from the Olympics spectacle? According to the IMF, China will succeed America as the dominant economic power in the course of the next presidential term, so Howard Fineman, editorial director of the Huffington Post and MSNBC mainstay, was anxious to pick up tips. 'Brits long ago lost their empire,' he tweeted, 'but overall show us how to lose global power gracefully.' So there's that.

When you get into fashion, when you're not yet working in fashion, you have this idea about what the fashion world is: that it's very glamorous, it's the red carpet, it's very editorial. But really, what you don't understand until you get into it, is what goes on the rest of the time, which is just hard work. Besides passion and dedication, it's the grit. How long are you willing to be in it to become successful?

Over the first two weeks of the Donald Trump administration, Steve Bannon has emerged as one of the most powerful figures in the White House. The New York Times ran an editorial posing the question, "President Bannon?" wrote, quote, "We've never witnessed a political aide move as brazenly to consolidate power as Stephen Bannon - nor have we seen one do quite so much damage so quickly to his putative boss's popular standing or pretenses of competence."

Official opposition to overall economic planning and planning controls has been characterized in a recent editorial as "Papa knows best." But it is precisely because Papa does not know best that I believe that Government should not presume to tell any businessman or industrialist what he should or should not do, far less what he may or not do; and no matter how it may be dressed up that is what planning is.

For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.

I got a job in the tear-sheets department, ripping up magazines like People, Fortune, Sports Illustrated, and Time, and delivering the editorial pages.... So I began to use a camera to make fake photographs of the ads. By re-photographing a magazine page and then developing the film in a cheap lab, the photos came out very strange.

My younger daughter really loves makeup. She's quite good artistically. I could see her going into something possibly behind the camera - whether it's in film or still camera for editorial stuff - but she's very taken with makeup, and she's really quite talented for as young as she is.

I suppose I like certainty as much as anyone else, but I also feel that the hidden costs are high, that we pay a heavy price for our convictions. This is a human issue as well as a writing issue - at least in the personal essay as I practice it. Any real essayist knows that certainty is an editorial decision, arrived at not through conviction but through suppression, the denial of a whole range of possibilities, of alternatives that we jettison, sometimes necessarily, in order to steady the ship.

Someone said to me that we have to encourage more young women to want top-level editing jobs. I think that will happen naturally as we have more role models, more examples of boss ladies who aren't sad and cruel and overworked and undersexed like in DevilWearsPrada, but who are straight-up owning it and notable not for their gender but for their editorial savvy.

Identity means "how do I get known? How do I expressmyself?" and that's generally what I'm helping somebody do. It may be three dimensional, it may be a public space, it may involve government,it may involve cultural institutions, it may involve corporations, it may involve editorial publications - it can be anything, really.

There were always plenty of newspapers in the house. 'The Times', 'Guardian', 'Daily Telegraph' and 'Daily Mail' were all regular fixtures on the coffee table. I used to enjoy reading 'The Times' editorial pages and the 'Daily Mail' sports pages.

The media uses polls to create news stories. I think polls are just an extension of the editorial page, an excuse to get them on the front page. You can ask any question you want, get any answer you want, and then run around with that as a news story.

There were always plenty of newspapers in the house. The Times, Guardian, Daily Telegraph and Daily Mail were all regular fixtures on the coffee table. I used to enjoy reading The Times editorial pages and the Daily Mail sports pages.

Cincinnati at that time was also beginning to realize it had major cartooning talent in Jim Borgman, at the city's other paper, and I didn't benefit from the comparison.His footsteps seemed like good ones to follow, so I cultivated an interest in politics, and Borgman helped me a lot in learning how to construct an editorial cartoon. Neither of us dreamed I'd end up in the same town on the opposite paper.

We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.

Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story.

There's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.

I was going to be a storybook illustrator or an editorial illustrator. I ended up in a comics class by mistake because all the others were full, so I was like 'I'll stay for one class, and then I'll go take something else, because I don't care about comics.' I got pulled in really fast; I discovered I had a voice in comics that I didn't know I had.

'Ms.' always flouted the rules of the ad world that say, especially for products directed at women, that the ad must be connected to the editorial. You don't have food ads unless you have recipes. You don't get clothing ads unless you have lavish fashion coverage. We never did that; every other women's magazine does.

Heinlein's Rules for Writers Rule One: You Must Write Rule Two: Finish What Your Start Rule Three: You Must Refrain From Rewriting, Except to Editorial Order Rule Four: You Must Put Your Story on the Market Rule Five: You Must Keep it on the Market until it has Sold

There was no real strategic decision about editorial tone. It was kind of a write whatever you want to write, and we'll see how it goes. I think that we lucked out in that all of the women who started writing at Feministing.com were really funny, and I don't think that's something people are used to seeing or hearing when they read feminism. You know, you think feminism and you kind of think academic, women's studies, dry, humorless; there are all of these stereotypes that go along with what feminist thought is and what feminist writing is.

For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know.