Top 81 Edm Quotes & Sayings

I saw the EDM world and wanted to be in that more than the hip-hop world.

I think people were looking for something new in the EDM scene and found it in my music.

I'm really into EDM music and the culture of that. I just love all that stuff.

I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.

I just loved EDM because I felt like it inspired dance and movement.

The way Electronic Dance Music [EDM] is manipulated and exported to the world is a very strong, and "total" concept. But it's not that interesting artistically. EDM is seen by some media as a kickstarter for kids who have no idea how deep dance music can go.

Nothing wrong about EDM. Great songs came out of it, but there was a period when everything had to have a pace of 128 bpm and be DJ-related.

Being in the EDM world taught me that nothing's impossible.

I used to follow artistes like David Guetta and Swedish House Mafia a lot before making a full fledged career in EDM... their music inspired me too much.

I don't care what you're playing. You can be playing EDM music. Well, guess what? That came out in the early '80s. There's no way to be original. All you can do is put yourself into it and do the best you can.

Even though 'Turn Down For What' is considered an EDM song, it's really a rap song.

Honestly, so much of that EDM stuff is just so disposable.

I write all of my songs from scratch, so the one thing I love about EDM is the way a song transforms into a piece of art, and how the different sounds can change the feel of the record.

DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that Id like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.

The industry has always had a problem with the 18-to-25 market, but EDM is perfect - a unique identifier for a group in that mental and fiscal state; in their youth, but free to do whatever they want. We filled that void.

I have a lot of friends who do EDM music; they had to tell me what a 'drop' was.

I think EDM and metal and rock have been together already for a long time. Bands like Nine Inch Nails, Linkin Park, the Prodigy - they all have influences from both.

And I'm interested in writing music that takes risks. My point is that maybe the term EDM is pinned on me and my buddies, but maybe it'll be less so if I experiment.

There are not necessarily a lot of DJs are coming to Israel, so the moment an EDM DJ is coming to Israel, you can tell that people are way more excited and are looking forward... to the show.

I am very fond of western genres, including EDM.

Simian Mobile Disco changed my life. They put me onto the EDM world. Although they would hate that term, they're more techno.

First of all, I'm a performer, so people really want to see my performance in different styles and genres. We tried to do hip-hop and EDM, and very energetic performances through 'Camo,' 'Nega Dola,' and 'One Shot, Two Shot.'

I would love to do a complete EDM album.

I embraced EDM from the beginning.

EDM is energy only. It lacks depth.

There have been a lot of people involved in the growth of EDM's support in the U.S., from DJ/producers like David Guetta, Deadmau5 and Skrillex, to major festival organisers and pop artists of EDM integrating elements of dance music into their music.

Disco evolved into Chicago warehouse. Then there was techno; eventually, it evolved into EDM.

My music is a little bit of everything - R&B, hip-hop, EDM.

The world likes trap and EDM unless it's a fire melody.

A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.

EDM is here to stay. If you're 19 years old, this is your rock 'n' roll.

The sound system influence is undeniable in hip-hop, in jungle, drum and bass, now EDM.

My whole thing with EDM is, if you have integrity and yet you regress in how you've been as an artist, there's something not quite right there. If you're just here to get paid, I find that very culturally indifferent.

CNTRL is about letting people know that not everyone fits under the 'EDM' umbrella; not creatively or even personally.

Oddly, I think that a lot of the haters of EDM and DJs are actually within the world of electronic music.

EDM is very functional. It's meant to make people jump up and down and go crazy and it's real good at that. I just think in terms of expression, it's very very limiting.

I produce electronic kind of music, like EDM kind of stuff.

My song 'Saved:' that's EDM-vibes with some L.A. vibes.

DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.

I'm doing bass trap; I'm doing EDM songs.

My EDM outings 'Sooraj Dooba Hain,' 'Zindagi Aa Raha Hoon Main,' 'Chal Wahan Jaate Hain' are melodically very different songs. I have mixed up the genres.

Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?

The best music to dance to is my music! Haha! I say anything that speaks to you. I personally enjoy dancing to hip-hop, R&B music, EDM/trap music.

I'm a producer and not a rapper. So I can make any style of music I want. I can make an EDM beat. I can put an EDM track out one day and I can put a grungy hip-hop track out the next day, like, it doesn't matter.

EDM has trained a new generation of listeners' ears to accept a much broader range of what equals a song. EDM has become top 40 stuff: those sounds, those styles, those ways of thinking about song structure - even thinking that vocals aren't necessarily the central element - those ideas have made their way into popular culture.

I'm crossing the EDM barrier.

We Can't Stop' - everyone said that it wasn't going to work on pop radio, because it didn't have an EDM-type beat. But it went to No. 2 on Billboard and No. 1 on iTunes.

And EDM music grabbed my ear and got my attention and I started realizing that the computer was, in the same way that the saxophone was invented in the late 1800s and guitar in the 1930s, an instrument.

When I met Zaeden, I bonded well with him he had an instrumental piece ready so we worked on it, composed, and added lyrics. Then we came up up with this EDM-Bollywood fusion.

Compared to EDM, I feel like there are a lot of girls at my shows.

Lensko is a friend of mine with a great talent! The way he progresses his tracks is so unique, just the way he puts everything together is so different from what I usually hear nowadays in the EDM-world.

Where once they used to say, 'Cocaine is God's way of saying you have too much money' - now, maybe EDM is. Come ye lords and princelings of douchedom.

When I'm writing good music and I'm caffeinated, I attribute all my success to the coffee, get really sentimental about the EDM scene and tweet a lot.

The way I see EDM right now, it's a healthy industry for sure - minimal work for maximum profit.

A lot of people always see the EDM DJs as button pushers, especially when deadmau5 came up with that term. Well actually I started out as a hip-hop DJ and I won several awards in Holland for my skills.

I don't know EDM artists or the albums. At first I thought it was all just one guy, some DJ called EDM.

I think my set is more so mixed in everything. It's not just EDM.

Everybody's all up on the EDM bandwagon now, because it's, like, another viable conduit for traditional pop music to ride for a bit so they can get out of their little stagnant pool and make a dance hit.

I grew up with dance music and all of the sudden people started calling it EDM.

I think K-Pop is something that sucks people in because it's open. I can do pop, EDM, rock, R&B and it doesn't matter, K-Pop embraces them all.