Top 443 Edward Quotes & Sayings - Page 6

You don't want romantic advice from me, you want romantic advice from Edward Cullen. I completely understand but he is completely unavailable right now and I'll tell you why. He doesn't exist.

I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, "Why do you keep trying to be a Rolex watch when you're the salt of the earth?" Except he said it much louder.

It was extraordinary 'cause I was 17 years old when I first danced with Edward Villella. And we were both young. But I had seen him dance, and he was already a star. So he was just so gentle and wonderful and kind, and we had a great rapport together. He was one of the most exciting dancers of our day.

I think fans are just obsessed with the 'Twilight' saga and then within it they might have preferences between if they're Team Jacob, Team Edward or Team Jasper. It just comes down to them loving the whole thing, and if they can get any of the boys from the book they are fine with that.

One of the first laws against air pollution came in 1300 when King Edward I decreed the death penalty for burning of coal. At least one execution for that offense is recorded. But economics triumphed over health considerations, and air pollution became an appalling problem in England.

As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.

What we hope for from the artist is help in discovering the significance of a place. In this sense we would choose in most respects for thirty minutes with Edward Hopper’s painting Sunday Morning to thirty minutes on the street that was his subject; with Hopper’s vision we see more.

In a public dialogue with Salman in London he [Edward Said] had once described the Palestinian plight as one where his people, expelled and dispossessed by Jewish victors, were in the unique historical position of being 'the victims of the victims': there was something quasi-Christian, I thought, in the apparent humility of that statement.

Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.

We are slaves in the sense that we depend for our daily survival upon an expand-or-expire agro-industrial empire—a crackpot machine—that the specialists cannot comprehend and the managers cannot manage. Which is, furthermore, devouring world resources at an exponential rate. We are, most of us, dependent employees. …Edward Abbey (1927-1989)

Edward Albee, the premier dark playwright of the American theater, would show up at rehearsal and quote his favorite lines from 'Auntie Mame'. He would stand at the back of the theater, not facing the stage, and sort of conduct the music of his play.

I see Edward Snowden as someone who has chosen, at best, exile from the country he loves-with a serious risk of his assassination by agents of his government or life in prison (in solitary confinement)-to awaken us to the danger of our loss of democracy to a total-surveilla nce state

I love traditional shoes. I have a nice couple of pairs of traditional Oxford-style shoes, a pair of Edward Green shoes, and I aspire to a pair of hand-made George Cleverley shoes. Mark McNairy, all those are amazing.

Some say Edward Snowden is a hero and a patriot. Others say he's a fool and a traitor. The evidence is mounting that the guy who leaked the details about the National Security Agency's Internet-eavesdropping program may be something more sinister - namely, a willing tool in China's ongoing cyberwar against our nation.

I felt excited to go to school, and that scared me. I knew it wasn't the simulating learning environment I was anticipating, or seeing my new set of friends. If I was being honest with myself, I knew I was eager to get to school because I would see Edward Culllen. And that was very, very stupid.

Bad movies: they can be tatty classics of crazed ineptitude, like Edward D. Wood's 'Glen or Glenda' and 'Plan 9 from Outer Space,' or big-budget misfires like the 1987 'Ishtar,' a would-be comedy that sent Warren Beatty and Dustin Hoffman on a Hope-Crosby Road to Dystopia.

Alan Moore's first choice to be the Comedian... was Burt Reynolds. But I never saw myself as Burt Reynolds; I saw myself as Edward Blake.

People always ask me what I think, if Edward Snoden is a hero, if he's a villain. I don't really tend to moralize it so much as I feel like he's a whistleblower. He's someone who saw a wrongdoing and in order to shine a light on that wrongdoing had to bend some rules and break some laws along the way.

For a second I was just a kid – a kid who had lived all of his life in the same tiny town. Just a child. Because I knew I would have to live a lot more, suffer a lot more, to ever understand the searing agony in Edward’s eyes.

He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite. - Edward George Earle Lytton Bulwer-Lytton, first Baron Lytton

Seeing, say, 'My Left Foot,' and 'The Last of the Mohicans.' How is that the same person? Or people like Johnny Depp, who can play Jack Sparrow and Edward Scissorhands. I am so interested in the transformation, in not knowing anything about them and watching somebody create a character. I'm not really interested in personalities.

This year, 1996, has been designated the 'Year of the Vaccine,' commemorating the 200th anniversary of Edward Jenner's vaccination of James Phipps with cowpox virus and subsequent challenge with smallpox virus. Insight into the nature of viruses, and how viruses interact with mammalian cells, has evolved since the turn of the century.

The book Manufacturing Consent, which I co-authored with Edward Herman, begins with a description of the structure and institutional setting of the commercial media, and then draws some rather simple-minded conclusions about what we would expect the media product to be, given these (not particularly controversial) conditions.

In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'

They're mounting a campaign right now with the ACLU and a lot of different organizations advocating for [Edward Snoden] pardoning before [Barack] Obama leaves office. Wouldn't it be incredible to see something like that happen? I don't know what we can expect. I am interested in the different points and perspectives that people have.

There was an author who titled his books by days of the weeks and another one that used colors. Then there was Edward Gorey who wrote the book The Gashlycrumb Tinies, about the untimely death of 26 Victorian children, each representing a letter of the alphabet. I thought what a great way to link the titles.

Tell me." Edward had to raise his voice a little. "Do you live by the principle that what people don't know can't hurt them?" "No," Harper replied. "What people don't know can't hurt me.

Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.

In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.

Edward knew what it was like to say over and over again the names of those you had left behind. He knew what it was like to miss someone. And so he listened. And in his listening, his heart opened wide and then wider still. (page 103)

I was obsessed with theatre and loving the work of Caryl Churchill, Edward Bond, Howard Brenton, and Howard Barker, people doing real formal experimentation. But 'Road' was the first time I'd read a play written in a very true Northern dialect that seemed to have that excitement running through it.

I wasn't terribly familiar. I had read some of the headlines but didn't quite understand difference between WikiLeaks...[Edward] Snowden. And then watching the documentary, working on the film, you got to see his personal journey through this and sort of understand more about what he went through.

It didn't really change my opinion about [Edward] Snowden all that much, but I definitely feel like as a culture, it gave us information that generated a responsibility to protect ourselves as much as we can and also a responsibility to hold our government accountable to honoring our constitutional rights.

I named all my sons George Edward Foreman. And I tell people, 'If you're going to get hit as many times as I've been hit by Mohammad Ali, Joe Frazier, Ken Norton, Evander Holyfield - you're not going to remember many names.'

I went to the William Penn Charter School in Philadelphia, where I had a teacher really named Edward Shakespeare. He was a very influential figure in my childhood - I acted in high school a few times, but Mr. Shakespeare got me to lead in 'The Crucible.' I played John Proctor.

I'm still watching all those old-timers really going along, and I'm enjoying it so much, not just looking at the pictures, but looking at the acting. Paul Muni. Beautiful character. Edward G. Robinson. Jimmy Cagney. All those old boys. You don't find those characters anymore.

The truth is that 'Twilight' is not a story about Bella and Jacob. It's a story about Bella and Edward. That was the story this writer wanted to tell.

I wondered to myself why no one else had seen him standing so far away, before he was suddenly, impossibly saving my life. With chagrin, I realized the probable cause - no one else was as aware of Edward as I always was. No one else watched him the way I did. How pitiful.

I set a discipline for myself to return every afternoon and take photographs like Edward Weston: f22, full sun, big set squares, big circles. I would smoke a joint with some hippies on the grass, then go do some more pictures.

I marketed pens - on the phone. But the beauty of the gig was that you had to call these strangers and say, 'Hi, how ya doing?' You made up a name, like, 'Hey, it's Edward Quartermaine from California. You're eligible to receive this grandfather clock or a trip to Tahiti.' You promise them all these things if they buy a gross of pens.

I think he [King Edward] was a modernizer who was a new thinker. The things he intended to do - unify the country, expand it all from coast to coast - were very modern and radical in those days. Also, the fact that he married who he did and that he managed to deal with the consequences and ramifications of that marriage and stay on the throne until the day he died, that shows skill.

Even my wife and two of my children are in "Leaves of Grass". Because I love the source material so much, it was really easy to write and an utter delight to get to direct because I had people like Edward [Norton] elevating the material and surprising me in their interpretations of all of this stuff that's so close to me.

You're trying to play someone [Edward Cullen] who's seen by a lot of people as being this perfect thing, but what is that? That doesn't really mean anything. You're trying to play an archetype on one hand and then a character on the other, so I felt insanely frustrated right up until the last shot, and then it ended.

Pardoning Snowden would be a powerful way for the president to acknowledge that the government did wrong, kept us in the dark, acted unconstitutionally. And but for the actions of Edward Snowden, we would still be in a very dark place.

Well, when I came to Hollywood, there were three names really of Latin actors, three or four names, maybe five. There was Raul Julia, Edward James Olmos, Andy Garcia, Antonio Banderas, Jimmy Smits. Now there's a lot.

I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'

Maine likes to call itself 'America's Vacationland.' For many artists, though, it's the office. Since the 19th century, painters from all over the country - including Edward Hopper, Alex Katz, John Marin, Fairfield Porter, Neil Welliver and Andrew Wyeth - have spent large chunks of time there.

With "Good Night, and Good Luck," I think it's kind of obvious what [Truman Capote]'s getting at there, and the importance of how it's playing out today, that is journalism doing, are the journalists doing their job, are they being the other checks and balances in our country that the way that obviously Edward R. Murrow was back then.

I have no idea, actually, where I fit in, in terms of poetry camps. At AWP conferences, I have been on panels about humor, collaboration, visual poetry, confessional poetry, gender, and the body, as well as tributes to Edward Field and Albert Goldbarth. I felt at home on all of them - most poets straddle more than one school.

Of course, I started as a collector. A true collector. I can remember as if it were only yesterday the heart-pounding excitement as I spread out upon the floor of my bedroom The Edward G. Robinson Collection of Rare Cigar Bands. I didn't play at collecting. No cigar anywhere was safe from me.

I had traveled to Russia and met with Snowden, which was a pretty involved meeting that required encrypted communication and the like. And it was fascinating because of who he is and what he's done. And more so because what's going on between our two countries, Russia and the U.S., and to meet Edward Snowden in Russia was unforgettable.

I live in a wonderful world of make-believe. A world of Ginger Rogers and Fred Astaire. A world of Winnie the Pooh and Edward Bear. Things like that. Wonderful things. Funny things.

Edward Eager wrote a series of children's books that are in danger of being forgotten. But they're divine: stories about ordinary kids who stumble on magical things - a coin, a lake, a book, a thyme garden, a well. The magic changes them, they try to change the magic, the magic moves on.

Normally, Edward would have found intrusive, clingy behavior of this sort very annoying, but there was something about Sarah Ruth. He wanted to take care of her. He wanted to protect her. He wanted to do more for her. (page 135)

I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.

It's been almost a century that Edward's been alone. Now he's found you. You can't see the changes we see, we who have been with him for so long. Do you think any of us want to look into his eyes for the next hundred years if he loses you?

I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.

To some, incredibly, Russia has become a human rights leader. Edward Snowden, the American whistleblower, has succeeded in his asylum application in Russia, and White House spokesman Jay Carney appears flummoxed and wrong-footed as the mantle of free speech and liberty appears to pass from West to East.

It is important to note that Edward Snowden was labeled as a spy not a whistle-blower - even though he exposed the reach of the spy services into the lives of most Americans. More importantly, he was denounced as being part of a generation that unfortunately combined being educated with a distrust of authority.

It's been amazing to play the same character through so many adventures. And it's so strange because my life has changed so much over these years, but 'Twilight' and Edward Cullen will always be a part of me. It's been my whole life. My whole 20s. And I wouldn't have it any other way.