Top 1200 Electric Guitar Quotes & Sayings - Page 3

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.

If I apply a magnetic pulse on salt water - that's your brains by the way - it'll generate electric currents, and the electric current in the brain can erase a migraine headache.

My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.

I got a toy guitar at a fundraiser and was trying to write songs with it that were ridiculous. After a week, my parents bought me a real acoustic guitar, and I started taking guitar lessons.

They make this drink in Brazil Called cachaca. It's sugar can alcholho. Costs 35 cents a quart. One quart of that stuff and you see God. Two quarts and you graow a pair of tight pants and an electric guitar.

My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.

First of all, who's your A&R? A mountain climber who plays an electric guitar? But he don't know the meaning of dope, When he's lookin for a suit and tie rap That's cleaner than a bar of soap! And I'm the dirtiest thing in sight, Matter of fact, bring out the girls and let's have a mud fight.

The Majesty guitar symbolizes the very reason why I am so proud to be a Music Man artist. I had the idea for this guitar a couple of years ago but it is because of their innovative spirit and dedication to the art of guitar building that it is now a reality. I am so grateful that I am able to collaborate with the best guitar company on the planet and so incredibly proud that together we have created what is to me, the perfect musical instrument for guitar players. I really hope you get a chance to play one and am confident that you will feel the same!

When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.

I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.

I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.

Yes, there were piano bands and great rock pianists, from Jerry Lee Lewis and Little Richard to Keith Emerson, Rick Wakeman, and Elton John. But something about the electric guitar speaks of more than music - it epitomizes and gives voice to the rebellion, power, and sexuality of rock.

I just want to play like Jimi Hendrix. I love other forms of music and wish I could play classical piano, or saxophone like John Coltrane, but that will never happen. Because my nature is to play electric guitar really well and to emulate my heroes from the late 1960s.

I tried playing electric for awhile and it just didn't work out. My reflexes are centered on the six string acoustic. I just played the electric too hard and it sounded awful, so I gave it up.

After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'

My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.

My aunt Maxie had a plastic guitar in her closet, and I started playing that, going nuts on it. I went to stay with my dad, and he saw how much I was into it, and I put my first guitar on layaway. It was a Kay Starter Series guitar and Gorilla amplifier.

My father had played the guitar when he was young, and my uncle Jack had worked for Kalamazoo, before the war, developing guitar pickups. So there was a kind of family thing about the guitar, although it was considered something of an anomaly then.

As soon as you pick up a guitar, you're up against the legends of rock. The same goes with stadium drum kits and electric bass. Essentially, you're already in a soundscape that's very familiar and has a lot of established legendary material recorded using those instruments.

All gut strings. That's just the first kind of guitar I played, it was a nylon string guitar. And to me, it's the purest form of guitar making, and I just enjoy doing it.

For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.

I consider the electric guitar to be like a drum with strings. It became the drum of the Baby Boom generation. And the drum has always been the center of the tribe, a new electronic tribe.

Yes, my grandfather worked with Thomas Edison on the electric car, and he sold electric cars at the 1900 World's Fair in Paris.

The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.

I love five-string banjo. On an electric guitar, let's say a two-hour show, it starts getting heavy right across the neck and shoulders. And I like to be able to flip it off and grab the fiddle, and that's just the way I do it.

All gut strings. Thats just the first kind of guitar I played, it was a nylon string guitar. And to me, its the purest form of guitar making, and I just enjoy doing it.

I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'

If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.

Charlie Christian played amplified guitar with Benny Goodman's quartet. He was the greatest guitar player that ever was. But he never looked up from the guitar. But I put a little dance to it. They appreciate seein' something along with hearin' something.

I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.

Nobody wants to buy a $60,000 electric Civic. But people will pay $90,000 for an electric sports car.

When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.

Man's brain may be compared to an electric battery...a group of electric batteries will provide more energy than a single battery.

Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.

Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages.

I knew absolutely nothing about recording. I had this four-track recorder, and I'd plug my electric guitar right into it, which sounded real bad. I moved any fader that made a drastic change in sound. I thought that was cool - that it was communicating something. I didn't have the skills to do anything subtle. It was just like screaming.

My first guitar was like a campfire guitar. And it was left at a house that my family had moved into... and the guitar was at the house. It was all strung up. It's normally something that would be beyond a bit of rubbish.

My guitar is a 1934 National Trojan. They call it a resonator, which is the guitar guys played in the honky-tonks before amplification. It's very loud. It's the type of guitar that Son House and Robert Johnson played.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

Just imagine how many more cyclists could help save our cities and prevent further global warming by adopting electric bikes, if they received strategic and financial support similar to electric car drivers.

The guitar player that I'm doing my solo tour with, Angel Vivaldi, he's been releasing incredible guitar albums and people just don't really know about them because instrumental guitar isn't really at the forefront of music these days.

One of the chief peculiarities of this treatise is the doctrine that the true electric current, on which the electromagnetic phenomena depend, is not the same thing as the current of conduction, but that the time-variation of the electric displacement must [also] be taken into account.

I was doing someones hair the day I first saw my guitar ... a guy was walking down the street with it, and knew that guitar was mine (a 1953 weathered Fender Telecaster) .. I said I'll get you the most beautiful guitar you've ever seen and I'll trade you straight across ... I found him a purple Telecaster and said here's your guitar ... that was it, it was like he knew that guitar belonged to me.

I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.

I heard the Beatles and the Stones, and Mom bought me an electric guitar. I played lead for four years and then switched to bass. One day someone suggested that I should sing, so I sheepishly stepped up to the microphone and the rest is rock history.

I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.

My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.

I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.

Some people train for certain sports and I want to train to be able to hold a super heavy electric guitar and carry luggage around myself because I always have to have 7,000 pairs of shoes. Who cares about sports?

The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.

I got my first guitar when I was 11. It was an electric, and I can remember just wanting to be Avril Lavigne! But I got annoyed with having to plug it in and play with amps and pedals and stuff. Then I got given a cheap acoustic, a Tanglewood, and I thought it was awesome because I could play it anywhere!

Capital punishment, that thing scares me, it really does. I was talking to my friend about the electric chair, and he starts freakin' out. He's like 'the electric chair? That's too good for these people. That's too good for them'. Alright, how do we make the electric chair worse? How about this? They have to pedal a car battery to their own head. Is that ok? Is that enough, Mr. Hitler?

Technological breakthroughs in energy storage will make renewable power cheap enough to use in more places and accelerate the move to electric cars and other electric transportation systems.

I never actually had a guitar lesson. I taught myself the guitar from piano exercise books, which led me to have a pretty good technique on the guitar and allowed me to find different ways to do things.

What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.

EverTune is, without a doubt, the most important advance in guitar playing since the electric tuner. Using the EverTune, both onstage and in the studio, has completely changed the game. It's almost impossible to explain how amazing this innovation is. Pure magic!

Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.

I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13.

If I sit down with an electric guitar, what's going to come out are Sabbath/Zeppelin type riffs, but if I'm sitting behind a piano late at night, I might write something like 'Desperado.' You're not going to write 'Desperado' between a wall of Marshalls and thumping, crushing volume.