Top 1200 Electric Guitar Quotes & Sayings - Page 4

As a guitarist and a lot of the times as a singer, I don't feel that comfortable and you really feel that when there's not an electric guitar or a nice beat to back it up. But, I enjoy challenges as a rule. I have always felt that what doesn't kill you, will make you stronger. I have learned to love with the rawness a little bit more and I know what I need to work on a little bit more as the tour goes on.

I believe men's faces come in two kinds: Faces that need a blade, and faces that need an electric. I never was happy with an electric. I became pizzaneck.

All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.

When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.

We developed our own type of Igudesman and Joo electric violin, let's say, and funny enough, the shape of it was developed by the head technician of Steinway. It's actually an electric violin, which is made from the stick that holds up the piano lid.

Now, guitar was pretty cool. Everybody knew something on the guitar. So I wanted to play guitar, but I told my dad if he wanted me to keep studying something, Id like to study piano.

1962 to 1965, where suddenly the guitar became this icon of youth culture all over the world, thanks mostly to the Beatles. Add to that, that I saw A Hard Day's Night 12 or 13 times, and that the guitar was the one instrument that my parents absolutely refused to let in the house. So you add it up and see that irresistible forces led me to the guitar.

Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.

I think if you really put your mind to something you can do it. Five and a half years ago I couldn't stand on stage and play guitar. I didn't have enough talent as a kid to play guitar. I started really late. I hired a guitar teacher when I was in Nashville and I applied myself and stayed focused.

Like my best friend, I asked for drums for Christmas, and got them. But when he moved on to guitar, I realized two things: (1) guitar is a much more expressive instrument, (2) way more girls pay attention to guitar players than to drummers.

Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.

The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.

For an electric guitarist to solo effectively on an acoustic guitar you need to develop tricks to avoid the expectation of sustain that comes from playing electrics. Try cascades, for example. Drop arpeggios over open strings, and let the open strings sing as you pick with your fingers. It's kind of a country style of playing, but it works very well in-between heavily strummed parts and fingered lead lines.

The Electric Monk was a labour-saving device, like a dishwasher or a video recorder... Electric Monks believed things for you, thus saving you what was becoming an increasingly onerous task, that of believing all the things the world expected you to believe.

I couldn't sing without a guitar. I like the way it feels to sing and be holding a guitar, even if I'm not playing it that much. All my idols that I grew up liking always had a guitar on them, but they didn't play it - Buddy Holly, John Lennon, Lou Reed, Elvis Costello. It's like having a partner with you.

With regard to electric vehicles, I am all for them because most of the incremental electricity needed to run those vehicles will come from gas-fired electric generation. However, I do not believe it is wise for America to substitute dependence on foreign oil for dependence on Chinese batteries.

People have used my songs and guitar style to teach guitar for a long time.

I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.

I don't have an image of myself, when I'm walking down the street, like I'm a rock star or something. I'm a human being, I'm a friend, I'm a mom, I'm a writer, and I'm an artist. I do play electric guitar and all of that but in the end I'm just a person. I really don't live like a rock star, economically or socially. I still live a pretty simple life beside the traveling aspect of it.

I can play rhythm guitar. I know how to hold a guitar and strum it.

Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.

Most actors, if you ask them if they play guitar, they'll say they played guitar for 20 years, but what they really mean is they've owned a guitar for 20 years.

Now, guitar was pretty cool. Everybody knew something on the guitar. So I wanted to play guitar, but I told my dad if he wanted me to keep studying something, I'd like to study piano.

For the record, Jeff Jarret cannot play guitar. Honky Tonk Man cannot play guitar. Elias? Guitar, piano, harmonica, drums, you name it. I can do anything.

When I write, I use an Underwood #5 made in 1920. Someone gave me an electric typewriter, but there's no use pretending you can use machinery that thinks faster than you do. An electric typewriter is ready to go before I have anything to say.

I do use an electric violin. Actually, my regular electric violin, which I sometimes use, is by Ned Steinburger.

I grew up with rock and pop music from the 70s and 80s. I had to play guitar in school - it was a music college and we had to take instrument classes there - so I think guitar playing and guitar sounds have always been an influence.

Chromamatic' is actually about changing the strings on my guitar and tuning my guitar.

When I was a kid. I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13. Crappy rock bands, avant-garde things where we'd, like, 'wanna go against the norm, man.'

It's hilarious, because my guitar has what's known as a tremolo bar or a whammy bar. And the whammy bar is probably the most alien thing on my guitar that could possibly relate to a classical guitar.

I think my best advice for young guitar players is that it's not an easy road - definitely not; female guitar player or male guitar player, it's not an easy road at all.

I didn't decide to play guitar, but that was the instrument which I was offered. I've always been interested in horn-type instruments, such as a saxophone; but those instruments are very expensive, so my dad bought me a guitar instead. I didn't like the guitar at first, but after noodling on it for several months, I developed a feel for it.

At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'

You shouldn't hear the guitar by itself. It should be part of the drums... You only notice the guitar when it's not there.

I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. As my skill and knowledge of the instrument grew, I found lead started to come naturally. Sometimes I play guitar like a frustrated drummer. Ha ha!

To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.

So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.

I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter. I thought that this electric typewriter was about the most fascinating toy in the world - I liked the little bell and the sounds and the feel of the keys and especially the erase key.

My father started me off on the guitar, and we learned classical guitar together.

Psychology Today is probably one of my favorite magazines, Guitar, Guitar World. People.

Most people can do what I do - they can do guitar solos - but they can't do a good, hard rhythm guitar and be dedicated to it.

I dreamed you were standing in this dark place and you touched these dead flowers and they lit up like they were electric or something. Electric lilies. Lighting up the Valley.

I've actually made a prediction that within 30 years a majority of new cars made in the United States will be electric. And I don't mean hybrid, I mean fully electric.

What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.

Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.

I believe I love my guitar more than the others love theirs. For John and Paul, songwriting is pretty important and guitar playing is a means to an end. While they're making up new tunes I can thoroughly enjoy myself just doodling around with a guitar for a whole evening. I'm fascinated by new sounds I can get from different instruments I try out. I'm not sure that makes me particularly musical. Just call me a guitar fanatic instead, and I'll be satisfied.

I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.

I played guitar all my life, all the way through the Yardbirds, but I knew that for me, this was going to be a guitar vehicle, because that's what I wanted it to be. There is no way I would play guitar like a tour de force like I did in Led Zeppelin.

Obviously, a bass sounds like a bass and a guitar sounds like a guitar, but the way you play the guitar reflects your personality.

This whole electric universe is a complex maze of similar tensions. Every particle of matter in the universe is separated from its condition of oneness, just as the return ball is separated from the hand, and each is connected with the other one by an electric thread of light which measures the tension of that separateness.

My guitar heroes are Eric Clapton and Jeff Beck and people like that - so I've tried to make an album of Robert Johnson covers that, well, while not totally faithful for blues purists, is faithful for people like me that grew up with the '60s and the electric blues-rock versions of Johnson's songs.

At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'

There are some superficial things that connect me to the stream. There's instrumentation, there's timbre, use of electronics, the way that samples are used, the way the electric guitar is used. I'm thinking of things that are particular to this era. But I don't always feel particularly close to the music of my peers. I often feel that I have more in common with writers and visual artists. I try to connect to people in an emotional kind of way.

In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.

It is definitely true that the fundamental enabling technology for electric cars is lithium-ion as a cell chemistry technology. In the absence of that, I don't think it's possible to make an electric car that is competitive with a gasoline car.

At nine or ten, I was playing guitar in music class in my elementary school in Jackson, Michigan. They had a guitar class, and I played with ten of my classmates, and we did a little guitar orchestra for a school music.

My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.

I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.