Top 1200 Electronic Music Quotes & Sayings - Page 19

Explore popular Electronic Music quotes.
Last updated on December 21, 2024.
Music copyright and licensing laws haven't kept up with technology or the times. The Music Modernization Act fixes that with a comprehensive set of reforms that will help musicians receive royalties they are owed while ensuring the public has access to that music.
We're always trying to elevate the platform of Christian and gospel music, church music, worship music and not just elevate it to our comfortable corner of the earth that we maintain an international and global mindset for what we're doing.
Music is my expression. Music is my release. Music is my therapy. — © Young M.A
Music is my expression. Music is my release. Music is my therapy.
In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.
Music is sunshine. Like sunshine, music is a powerful force that can instantly and almost chemically change your entire mood. Music gives us new energy and a stronger sense of purpose.
I love Sylvan Esso. I want to bring in more electronic elements, but also some analogue stuff. Stuff like '70s drum machines really fascinates me.
I don't like the idea that in music, clothes, taste or anything, we are limited to a certain style, because we need to maintain an identity, maybe between some subculture group. Hopefully, all those walls break down, and music is just music.
A lot of the stuff I listen to is glitchy electronic stuff and stuff with beats.
I consider myself a general practitioner. I do electronic things. I do toys and water things, mechanical stuff. I'm very, very flexible.
I think what electronic culture permits is incredible diversity, and what the print-created world demanded and created was tremendous suppression of diversity.
And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.
If we taught music the way we try to teach engineering, in an unbroken four year course, we could end up with all theory and no music. When we study music, we start to practice from the beginning, and we practice for the entire time.
If I like dubstep and electronic, why don't I make the violin fit me rather than making myself fit the violin? — © Lindsey Stirling
If I like dubstep and electronic, why don't I make the violin fit me rather than making myself fit the violin?
I think music is a big, big wide world, and I am voyager on this particular ship in this sea of wild music, and I'm gonna dive in and find as many fish as I can and catch them all. I love music.
Maybe one day music will just be music, and there won't be these categories; it'll just be different shades of music.
An electronic instrument is just harboring a natural element the same way that a guitar is harboring an acoustic element. It's all nature, really.
Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.
The devil ain't got no music. All music is God's music.
Call it whatever you want, whether it's hip-hop or cult music or pop music, but to me, it's all pretty disposable. I don't think that the music of Nikki Minaj or Justin Beiber is going to be played on the radio twenty-five years from now.
There's a value in used electronic equipment, and currently, there are small, domestic recyclers that process this equipment safely. But they have a hard time competing with facilities overseas that have few, if any, environmental and safety standards.
We have to be very cognizant of the fact that 90 percent of the electronic media in this country is owned, operated, programmed, and controlled by conservatives. They made a concerted effort during and before the Reagan years that they were going to get the microphone.
The competitions between fiction and nonfiction, short and long, electronic and paper, are not battles in which there can be only one victor. After all, we exist in a world where more kinds of writing than ever are greeted with interest and enthusiasm.
As president of the American Historical Association, I started a programme to make dissertations into e-books in 1999. Before I knew it, I was involved in other electronic projects. Harvard invited me to become director of the libraries in 2007.
Television [is] a high-impact medium. It does some things no other force can do-transmitting electronic pictures through the air. Still, as an explored, comprehensive medium, it is not a substitute for print.
If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.
I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.
There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.
The whole thing of moving the currency through currency sorting and detection machines and so on that was the whole process actually encouraging electronic transactions.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
I mean, I wasn't the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
God told me, 'I gave you the music, Al. Sing the music I gave you - all the music.' So I did.
The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.
There are a lot of options when it comes between music and acting. For me, because I'm so passionate about my music career, you have to be extremely passionate when you have opportunities like films and real money actually coming to you compared to with music.
I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.
The only place where any artist feels liberated is doing independent music. I have had great experience making music for The Dewarists and Coke Studio. No actor, producer or label is telling me what to do with my music. I'm the boss. It is my life, my expression.
I just wanted to do a music show, with the whole realm of music from Ella Fitzgerald to rock bands like Cream to Kenny Rogers. We had a lot of country, but we did every kind of music. The Monkees were on, and so was Johnny Cash.
When the violation of parity was discovered I began a series of electronic experiments to investigate parity violation in hyperon decays. — © James Cronin
When the violation of parity was discovered I began a series of electronic experiments to investigate parity violation in hyperon decays.
I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
We [with Cisco Adler] came back to the concept that our music, our lifestyle, and what we stood for was dope. So whoever the show brought to the music, they would stick. It was a way to bring people to the music, and I'm still doing that.
There's not a single business model, and there's not a single type of electronic content. There are really a lot of opportunities and a lot of options and we just have to discover all of them.
Music, for me, is the most sacred of the arts. I say that because music communicates in a way that no other art form can. All great art has a spirit that we recognize and appreciate, but music goes directly to your heart.
Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
The EU Kids Online project is the most theoretically informed and methodologically sophisticated study we have on the issue of risks in the new electronic environment. This book is rich in details and insights that greatly advance our understanding.
I think the focus of the media changes. At the moment the more electronic stuff like trip-hop was the flavor of the month, just a little while ago. It all depends on the angle, from which point of view you see it.
I screwed up at a young age with my parents. They were very religious and they didn't really understand music. They didn't really listen to music. I went through a series of battles with them about why I loved music.
Music, music, music. It doesn't get much better than that! It pretty much consumes my life.
I like to listen to Congolese music because when I was a kid with my father, he took me to play some tournaments in the car and always put on this music. I always fell asleep with this music so it's good things that I remember.
I think the world is very much embracing this whole concept of musicians going out and playing their instruments and playing music for music as opposed to music that has something to do with some form of image or imagery.
It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.
I'm not a story; I'm a person, and my passion is music. And I want your passion to be my music - so, judge me on my music. — © Mandy Harvey
I'm not a story; I'm a person, and my passion is music. And I want your passion to be my music - so, judge me on my music.
We have a lot of people onstage. We have a live violin, live cello, live drums played on this kind of massive electronic kit with some acoustic elements built in.
I'm like a little kid when it comes to music. I mean, the music is always blasting wherever I am that people always knock on my door and say, 'It's too loud!' But I think music gives so much inspiration.
However, I have a lot of greed. The types of music I want to show are on this side and on that side. Conclusively, if I'm able to make good music and people continue to look for my music, won't this kind of controversy get better... is my thought.
We have never really had absolute privacy with our records or our electronic communications - government agencies have always been able to gain access with appropriate court orders.
Music first, music last, music always
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
One thing about skating that I don't think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it's not the right music it can ruin a performance.
I can't really walk well. The muscles don't get the electronic signals from my brain, not that there's anything wrong with the muscles themselves. It's just my brain.
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