Top 1200 Emotional Experiences Quotes & Sayings - Page 3

When black Britons draw parallels between their experiences and those of African Americans, they are not suggesting that those experiences are identical.

Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression.

Emotional intelligence begins to develop in the earliest years. All the small exchanges children have with their parents, teachers, and with each other carry emotional messages.

All experiences, what does not kill you makes you stronger and tougher I think. Life's experiences, whether they be pleasant, unpleasant, torturous or excruciatingly wonderful and blissful, season you somehow and you learn from them.

There is also evidence from epidemiological studies that psychotic-like experiences are much more common than has hitherto been thought (with about 10% of the population affected) and that these experiences exist on continua with healthy or 'normal' functioning: instead of the world falling into two groups (the psychotic and the non-psychotic) people vary in their disposition to psychosis and only a minority of people who have these experiences require or seek help.

I realised one day that men are emotional cripples. We can't express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.

No individual can be in full control of his fate-our strengths come significantly from our history, our experiences largely from the vagaries of chance. But by seizing the opportunity to leverage and frame these experiences, we gain agency over them. And this heightened agency, in turn, places us in a stronger position to deal with future experiences, even as it may alter our own sense of strengths and possibilities.

Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.

Because I grew up in Chicago, I didn't have an emotional relationship to segregation. I understood the facts and stories, but there was not an emotional relationship.

'ABCD...' was a dance movie, but it had an emotional story, and now 'ABCD 2' is a very emotional film, too.

It's so easy to get caught up in your own experiences. They can seem so important. But there are billions and billions of other experiences going on.

I realised one day that men are emotional cripples. We cant express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.

Our limbic system sets the mind's emotional tone and stores our highly charged emotional memories.

Human beings are emotional amoral egoists, driven above all by emotional self-interest. All of our thoughts, beliefs and motivations are neurochemically mediated, some predetermined for survival, others alterable.

I think there's a misconception that all Asian-American experiences are the same. My experiences with my family and the way they wanted me to know my culture are not the same as others.

I'm very interested in cinema that explores emotional journeys and where you can use everything at your disposal cinematically to locate you inside someone's head and their emotional landscape.

Novels may have taken care of the emotional business for me, which has allowed music to be more emotional for me.

The songs in 'Wonderland' don't have a melodic life for me - I'm not a musical person - but they have an emotional life, an emotional echo perhaps.

Great companies that build an enduring brand have an emotional relationship with customers that has no barrier. And that emotional relationship is on the most important characteristic, which is trust.

When you're feeling joyful, you are giving joy, and you'll receive back joyful experiences, joyful situations, and joyful people, wherever you go. From the smallest experience of your favorite song playing on the radio to bigger experiences of receiving a pay raise -- all of the circumstances you experiences are the law of attraction responding to your feeling of joy.

If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.

Do not take life's experiences too seriously. For in reality they are nothing but dream experiences. Play your part in life, but never forget that it is only a role.

Junk love are relationships in which you know you're not getting the emotional nutrition that you need. You're probably wasting emotional calories on people who aren't giving you enough back.

Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.

You're not insensitive or indifferent, but you're also not vulnerable to the upheavals that cause emotional stress because you can buffer that... So that's the result of meditation; you could call that emotional balance.

What I found was an emotional consistency with him. The words, the scenes, the situations - I wasn't mimicking what I thought Branch Rickey's emotional reality would have been.

The critic is a prisoner to his own experiences and perspectives, erroneously believing his limited experiences are the sum of all truth

As an actor, you're afforded these experiences that are once-in-a-lifetime for so many people. More often than not, you can't tell the seasons based on the changing of the leaves, but on the experiences you've had.

A lot of my writing is basically about observation, and things that I've seen, either through personal experiences or the experiences of people around me, or society at large.

Think of a single word. We'll use soul as our example. How do you define soul? Is it the same definition I use? Can it ever be it? My soul is not your soul. Our souls, our definitions, are shaped by the singular and cumulative experiences in our lives, the emotional weight we attach to a concept forever locked in the space behind our own eyes.

But synthesizer music has been accepted as emotional for long enough that it isn't a huge reach, conceptually, to think of a fake voice as 'emotional', especially since there's a human composing it.

Teenagers have a natural curiosity and are keen to clock up experiences. What they need to be wary of is that some experiences may erode their sense of self and lead to a fragmentation of morals.

I'm listening to a lot of John Mayer again. I stopped listening to emotional music because I was in a really emotional place in my life.

If the experiences in my childhood have helped me become strong, then I can articulate those experiences and perhaps tell people out there that have gone through the same thing that they're not alone.

Emo always meant emotional. Any kind of art or music should be emotional. If its not, than it's pretty much just a jingle selling bleach or pizza.

You don't want to get rid of your experiences, because they're your experiences - good or bad - and you need them, but it would be great if they weren't on the video shelf!

I wouldn't be a CEO today if I didn't do different things to build capabilities and build experiences because to come a leader, you need varied experiences.

Horrible experiences lead us to wonder whether the person who experiences them might not be something horrible.

I enjoy making films and some experiences are better than others. Most of the time they're great experiences... but turning up to go to work on this every day was an absolute pleasure and that comes from the top.

Through writing, one experiences something different to what one experiences with the five senses one has because language is a different metier.

I'm not an emotional player, an emotional person.

Everyone has their own different life experiences which make them who they are. No two people's life experiences are the same. And mine are just unique to me.

Well, my opinion is that real change occurs through deep interpersonal experiences. Others will also say deep spiritual experiences.

The fact that man produces a concept "I" besides the totality of his mental and emotional experiences or perceptions does not prove that there must be any specific existence behind such a concept. We are succumbing to illusions produced by our self-created language, without reaching a better understanding of anything. Most of so-called philosophy is due to this kind of fallacy.

By choosing your thoughts, and by selecting which emotional currents you will release and which you will reinforce, you determine the quality of your Light. You determine the effects that you will have upon others, and the nature of the experiences of your life.

I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.

I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.

I'm quite an emotional person. I cry a lot. I do not like conflict, so if I have an argument with my parents, I'll often cry. I become too emotional.

The language can be different, but the emotional lives are the same no matter whether you're doing Shakespeare or Stoppard or something else... The emotional life is all the same.

A lot of our happiness is derived from experiences, not from buying products. People are twice as happy buying experiences as products. People are happy buying experiences. They don't want something that's commoditised.

When I'm out having the experiences, that's exactly what I'm doing: having the experiences. Then I can later reflect and write.

I can hear my brother's voice in my head. Your problem is that you're too emotional. But how can I not be emotional, Rowan? How can I not care?

I would like to think that as a result of not just my own experiences, but at least being empathetic and compassionate about other people's experiences and plights and tragedies, that I am affected by it and learn from it.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

When you make the connection between your choices and your experiences, you do not have to create the same experiences again.

Emotional self-awareness is the building block of the next fundamental emotional intelligence: being able to shake off a bad mood.

I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering, and vice versa - how that material sometimes colors their own lives.

That I am not my experiences is very obvious. I am the one who is having those experiences. Spirituality has nothing to do with experience.

Groups do not have experiences except insofar as all their members do. And there are no experiences... that all the members of a scientific community must share in the course of a [scientific] revolution. Revolutions should be described not in terms of group experience but in terms of the varied experiences of individual group members. Indeed, that variety itself turns out to play an essential role in the evolution of scientific knowledge.

Passion is something that's hard to discover purely through introspection. You have to have experiences - you have to learn real-time and through experiences what makes you tick.