Top 1200 English Grammar Quotes & Sayings - Page 14

The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward choose for more particular application. The power of drawing, modeling, and using colors, is very properly called the language of the art.

He who writes must master the rules of grammar. He who shoots photographs needs only to follow the instructions as given by the camera.... This leads to the paradox that the more people shoot photographs, the less they are capable of deciphering them.

I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.

I was a cheerleader in grammar school. There were no cheerleaders in that school I made them have them.

Kim was more than a little inclined to snarl at him, but in the past few days she had learned that snarling at Mairelon did little good. He simply smiled and corrected her grammar.

Dawkins considers that all faith is blind faith, and that Christian and Muslim children are brought up to believe unquestioningly. Not even the dim-witted clerics who knocked me about at grammar school thought that.

It may be a mere patriotic bias, though I do not think so, but it seems to me that the English aristocracy is not only the type, but is the crown and flower of all actual aristocracies; it has all the oligarchical virtues as well as all the defects. It is casual, it is kind, it is courageous in obvious matters; but it has one great merit that overlaps even these. The great and very obvious merit of the English aristocracy is that nobody could possibly take it seriously.

Nearly all monster stories depend for their success on Jack killing the Giant, Beowulf or St. George slaying the Dragon, Harry Potter triumphing over the basilisk. That is their inner grammar, and the whole shape of the story leads towards it.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

Trevor realized that the odd thing about English is that no matter how much you screw sequences word up up, you understood, still, like Yoda, will be. Other languages don't work that way. French? Dieu! Misplace a single le or la and an idea vaporizes into a sonic puff. English is flexible: you can jam it into a Cuisinart for an hour, remove it, and meaning will still emerge.

My grammar school caught on to the fact that the reason I was falling asleep in class was that I was doing working men's clubs till 10 or 11 at nights. My mother was told I shouldn't do it anymore. Of course, I was bringing in money to the family, so nobody liked hearing that.

Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.

A Heart So White is simply one of the best novels I know. I'm also thrilled by Javier Marías sentences, by how elegant they are while also being so permissive in relation to the niceties of grammar and so open to the prospect of surprise. He's a genius.

If one takes pleasure in calling the gold standard a "barbarous relic," one cannot object to the application of the same term to every historically determined institution. Then the fact that the British speak English - and not Danish, German, or French - is a barbarous relic too, and every Briton who opposes the substitution of Esperanto for English is no less dogmatic and orthodox than those who do not wax rapturous about the plans for a managed currency.

Just as a poet often has license from the rules of grammar and pronunciation, we should like to ask for 'physicists' license from the rules of mathematics in order to express what we wish to say in as simple a manner as possible.

Listen, boy, just ask the chef to make me a proper Full English Breakfast. You know, bacon, fried eggs, sausages, liver, grilled mushrooms and tomatoes, black pudding, kidneys, baked beans, fried bread, toast and served with strong English mustard, mind - none of this effete French muck - and a large mug of hot, strong Indian tea.

I wanted to sail when I was in grammar school and well remember memorizing the names of the sails from the Merriam-Webster's ponderous dictionary in the library. Now I am actually at sea - as a passenger, of course, but at sea nevertheless - and bound for Ecuador.

An important United Nations environmental conference went past 6:00 in the evening when the interpreters' contracted working conditions said they could leave. They left, abandoning the delegates unable to talk to each other in their native languages. The French head of the committee, who had insisted on speaking only in French throughout the week suddenly demonstrated the ability to speak excellent English with English-speaking delegates.

English Bohemianism is a curiously unluscious fruit. ... Inside this hothouse, huge lascivious orchids slide sensuously up the sweating windows, passion-flowers cross-pollinate in wild heliotrope abandon, lotuses writhe with poppies in the sweet warm beds, kumquats ripen, open and plop flatly to the floor-and outside, in a neat, trimly-hoed kitchen-garden, English bohemians sit in cold orderly rows, like carrots.

I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.

Our common language is English. And our common task is to ensure that our non-English-speaking children learn this common language.

English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.

I am spoken to not in words, which come to me quaint and veiled, but in signs, in conformations of face and hands, in postures of shoulders and feet, in nuances of tune and tone, in gaps and absences whose grammar has never been recorded.

It was once argued that 'Starring Sylvester Stallone' were the three scariest words in the English language but until I saw Adam Sandler I'd always thought the three scariest words in the English language were 'starring Dan Aykroyd.'

The public talk colloquially, the public's grammar's not perfect. They kid around and I don't think they overly mark me down for that. They just see me as a normal guy.

My elder brothers were all put apprentices to different trades. I was put to the grammar-school at eight years of age, my father intending to devote me, as the tithe of his sons, to the service of the Church.

We had probably our best ever Player of the Year Dance last week. You elected Dennis Wise as Player of the Year. Dennis accepted his award mimicking Vialli, whereupon Zola shouted 'Speak English', Dennis switched to his normal Cockney voice only for Zola to shout 'You're still not speaking English'.

I can hardly believe that I even know this, but I am aware that Noah Webster's original dictionary, apart from being the first truly American lexicography, was a kind of line in the sand. It claimed a very discrete, American form of the English language, explicitly to compare it to the English of our erstwhile colonial masters who had been operating under Dr. Johnson's dictionary rules for well over a century.

I want to say unequivocally that while I cherish every person who comes from anywhere, who comes here legally and seeks to pursue happiness, and I hope all of them decide to stay and become American citizens, but I want them to become American. And part of becoming American involved English. It is vital historically to assert and establish that English is the common language at the heart of our civilization.

I believe it is our values and our ideals that ultimately bind us together as a nation. But it is the English language which serves as the means by which we can communicate these values to those around us. Our common language, English, is that which unites us.

When I tweet in English, Spanish people get mad at me. When I tweet in Spanish, English people get mad at me. You never can be 100 percent for everybody, you know. I try to do both, at the same time; but it's hard.

In general, the philological movement opened up countless sources relevant to linguistic issues, treating them in quite a different spirit from traditional grammar; for instance, the study of inscriptions and their language. But not yet in the spirit of linguistics.

Any societal platform needs a bold steward, willing to hold the moral compass and risk failure. A system steward must persist as a positive catalyst that continuously creates opportunities and sustains the grammar of the intent.

Of all the mediums that influence language, I think film is the one that has the most effect. Not so much from the point of view of pronunciation and grammar. I don't think we pick up very many sounds and grammatical instructions from the films we see - but the catchphrases.

Now jamming - which is about collaborative improvisation - has to do with getting people together to be creative musically. But it is a very powerful metaphor for understanding the grammar of the creative process. It applies to business and to other pursuits as well.

I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.

My goal was to reach this literary crowd, but I didn't want to alienate my core fan base. I grew up speaking that language, this isn't put on. I can go back and forth; it's almost like being bilingual. But I'm not college educated; I don't know rules of grammar.

I remember I was very taken with a book called DreamTigers by [Jorge Luis] Borges. He was at the University of Texas, Austin, and they collected some of his writings and put them in a little collection. It's called DreamTigers in English, but it doesn't exist in Spanish. It's a little sampler. But that collection in English is what struck me, because in there he has his poems, and I was a poet as well as a fiction writer.

Ladies, if you want to know the way to my heart... good spelling and good grammar, good punctuation, capitalize only where you are supposed to capitalize, it's done.

There is one thing about Englishmen, they won't fix anything till it's just about totally ruined. You couldn't get the English to fix anything at the start. No! They like to sit and watch it grow worse. Then, when it just looks like the whole thing has gone up Salt Creek, why, the English jump in and rescue it.

Arguments over grammar and style are often as fierce as those over IBM versus Mac, and as fruitless as Coke versus Pepsi and boxers versus briefs.

Margaret Thatcher was in my year, and our first-year college photograph shows us standing side by side in the back row. We were both grammar school girls on state scholarships.

I grew up an only child, and I always felt as if I didn't fit in. In middle school, in grammar school, and even high school, I just didn't feel like I fit in.

The Saga of Dharmapuri is one of the great works of modern Indian literature. (...) Set against Vijayan's heroic and scatological Candide -- originally written in Malayalam and finely translated into English by the author -- the timidity of our own English talent for political satire is embarrassingly laid bare. For this is dangerous stuff, and cut close to the bone. (...) Fiercest of all is Vijayan's Voltairean recoil from Indian cringing to power.

I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.

Ill-fitting grammar are like ill-fitting shoes. You can get used to it for a bit, but then one day your toes fall off and you can't walk to the bathroom.

Grammar is to a writer what anatomy is to a sculptor, or the scales to a musician. You may loathe it, it may bore you, but nothing will replace it, and once mastered it will support you like a rock.

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing.

I've sometimes thought . . . that the difference between us and the English is that the Scotch are hard in all other respects but soft with women, and the English are hard with women but soft in all other respects.

I got sent off to my grandmother's for five months and watched a lot of TV and had a lot of grilled cheese with butter on it - because she was English and put lots of butter on everything - and yogurt. The English are big on dairy products, you know? I'd have an earache, and she'd be like, "Here, have some milk." Wonderful woman, but she had kind of screwed-up nutrition ideas.

Our biggest technology that we ever, ever invented was articulated language with built-out grammar. It is that that allows us to imagine things far in the future and things way back in the past.

English character and English freedom depend comparatively little on the form which the Constitution assumes at Westminster. A centralised democracy may be as tyrannical as an absolute monarch; and if the vigour of the nation is to continue unimpaired, each individual, each family, each district, must preserve as far as possible its independence, its self-completeness, its powers and its privilege to manage its own affairs and think its own thoughts.

I am of the firm belief that everybody could write books and I never understand why they don't. After all, everybody speaks. Once the grammar has been learnt it is simply talking on paper and in time learning what not to say.

Literary gentlemen, editors, and critics think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them.

We have a Conservative leader that believes in green taxes, that won't bring back grammar schools, that believes in continuing with total open-door migration from eastern Europe and refuses to give us a referendum on the EU.

By being so long in the lowest form [at Harrow] I gained an immense advantage over the cleverer boys. . . . I got into my bones the essential structure of the ordinary British sentence - which is a noble thing. Naturally I am biased in favor of boys learning English; I would make them all learn English: and then I would let the clever ones learn Latin as an honor, and Greek as a treat.

Climate helps to shape the character of peoples, certainly no people more than the English. The uncertainty of their climate has helped to make the English, a long-suffering, phlegmatic, patient people rather insensitive to surprise, stoical against storms,. slightly incredulous at every appearance of the sun, touched by the lyrical gratitude of someone who expects nothing and suddenly receives more than he dreamed.

Conservatives have always embraced the idea of grammar schools - that giving a top tier education to bright children from working class backgrounds provides them with the opportunities their middle class counterparts take for granted.

Like most kids, I grew up singing 'This Land Is Your Land' in grammar school, but with the most radical verses neatly removed. This was before I knew it was a Woody Guthrie song.