Top 1200 English Major Quotes & Sayings - Page 13

Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.

What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.

I'd like to to do a major pay-per-view match with Seth Rollins. I'd love do a major pay-per-view match with Stardust.

I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.

To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.

During the 1960s, and again in the 1970s, growth in manufacturing productivity in the United Kingdom was the lowest of all the seven major industrial countries in the world. During the 1980s, our annual rate of growth of output per head in manufacturing has been the highest of all the seven major industrial countries.

Shakespearean words, foreign words, slang and dialect and made-up phrases from kids on the street corner: English has room for them all. And writers - not just literary writers, but popular writers as well - breathe air into English and keep it lively by making it their own, not by adhering to some style manual that gets handed out to college Freshmen in a composition class.

The major value in life is not what you get. The major value in life is what you become.

When I turned 11, we had to leave East Germany overnight because of the political orientation of my father. Now I was going to school in West Germany, which was American-occupied at that time. There in school, all children were required to learn English and not Russian. To learn Russian had been difficult, but English was impossible for me.

I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.

Remember that in any major nuclear war, the first strike destroys the country that attacks; it's been known for years. The first strike of a major power is very likely to cause what's called nuclear winter, leads to global famine for years and everything's basically gone. Some survivors straggling around. Could [Donald Trump] do it? Who knows.

People in Russia learned English off the Beatles. People in Japan learned English off the Stone Roses. Noel Gallagher says music can't change the world, but the Roses made him want to start a group, so it changed his world.

During the time I was in office we have seen the beginning of the elimination of the fire season completely and are having fires all year round. I think we have seen the major problem of the destruction of land and property and lives that is a major problem because we don't have the resources for that many fires and we don't have the resources and the manpower to fight those fires throughout the year.

I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.

The Saga of Dharmapuri is one of the great works of modern Indian literature. (...) Set against Vijayan's heroic and scatological Candide -- originally written in Malayalam and finely translated into English by the author -- the timidity of our own English talent for political satire is embarrassingly laid bare. For this is dangerous stuff, and cut close to the bone. (...) Fiercest of all is Vijayan's Voltairean recoil from Indian cringing to power.

You know, students who major in elementary education - they're going to be grade school teachers - they have the highest rates of math anxiety of any college major. And they bring that into the classroom. So you find students being introduced to math concepts by teachers who may have not only a lack of training but also a lack of enthusiasm about math.

The greatest feeling in the world is to win a major league game. The second-greatest feeling is to lose a major league game.

One should not as a rule reveal one's secrets, since one does not know if and when one may need them again. The essential English leadership secret does not depend on particular intelligence. Rather, it depends on a remarkably stupid thick-headedness. The English follow the principle that when one lies, one should lie big, and stick to it. They keep up their lies, even at the risk of looking ridiculous.

Listen, boy, just ask the chef to make me a proper Full English Breakfast. You know, bacon, fried eggs, sausages, liver, grilled mushrooms and tomatoes, black pudding, kidneys, baked beans, fried bread, toast and served with strong English mustard, mind - none of this effete French muck - and a large mug of hot, strong Indian tea.

The biggest issue for me has been the language because I speak so much German now. I've had to focus on my English and find more words to describe what I want to say and also soften my tone. It was quite stiff from 20 years of speaking German, so when I started speaking more English, oh my god, my tongue was like: 'Argh'!

I acknowledge Mike Leigh and Ken Loach. They are prostlytizers of English socialism preaching to the converted and telling us what we already know. Cinema is best served away from documentary neo-realism. I come from a tradition of post-post-Italian neo-realism in England, where we've produced the best television in the world. But to paraphrase Truffaut, the English have no visual imagination.

When I tweet in English, Spanish people get mad at me. When I tweet in Spanish, English people get mad at me. You never can be 100 percent for everybody, you know. I try to do both, at the same time; but it's hard.

Not that Matador is a major label, but its major enough for me. On one level we're on Matador, but our amps still might explode on stage or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.

America is not a nation of separation. All our citizens are Americans. The common denominator is our language. Our language is English. The glue that binds generation after generation is both our Constitution and our English language.

I don't speak cockney and I don't pretend to come from that part of the world. For the longest time the English, like the Beatles and so on sounded American. "She loves you yeah yeah yeah!" All of the sudden you sound American. It doesn't work that way with Americans who try to sing English. It's not convincing. If I say "Footy" and "tele" and "Brissy" and "Sydney" and "Simmo" it's not convincing.

Informal relationships are not mere minor interstitial supplements to the major institutions of society. These informal relationships not only include important decision-making processes, such as the family, but also produce much of the background social capital without which the other major institutions of society could not function nearly as effectively as they do.

You will hear people say the C-word. Except, it's a regional language: in British English, c - t has much less of an inflammatory sense than it does in North American English. You can hear someone on British TV called "a c - ting monkey" or a man being called a c - t. The particular fascination of profanity is how culturally specific it is and how it evolves.

Modern education is competitive, nationalistic and separative. It has trained the child to regard material values as of major importance, to believe that his nation is also of major importance and superior to other nations and peoples. The general level of world information is high but usually biased, influenced by national prejudices, serving to make us citizens of our nation but not of the world.

You can always buy something in English, you can't always sell something in English.

I can hardly believe that I even know this, but I am aware that Noah Webster's original dictionary, apart from being the first truly American lexicography, was a kind of line in the sand. It claimed a very discrete, American form of the English language, explicitly to compare it to the English of our erstwhile colonial masters who had been operating under Dr. Johnson's dictionary rules for well over a century.

When we start making distinctions between soul and spirit, we're in very, very murky waters. There is the whole issue of the English language, which has a rather limited vocabulary when it comes to psychological descriptions, not to speak of spiritual descriptions. We're good mythically - the English language is superb for myth. But we're not very good for psychology or spirituality.

I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.

If somebody asks me whether I'd rather sink the winning putt in the Ryder Cup or win a major, it's the major every day. World championship or Ryder Cup? Win a world championship. At the end of the day you're going to be remembered for what you achieve in an individual sport.

I try to find a style that matches the book. In the Baroque Cycle, I got infected with the prose style of the late 17th and early 18th centuries, which is my favorite era. It's recent enough that it is easy to read - easier than Elizabethan English - but it's pre-Victorian and so doesn't have the pomposity that is often a problem with 19th-century English prose. It is earthy and direct and frequently hilarious.

Although I write in English, and despite the fact that I'm from America, I consider myself an Armenian writer. The words I use are in English, the surroundings I write about are American, but the soul, which makes me write, is Armenian. This means I am an Armenian writer and deeply love the honor of being a part of the family of Armenian wrtiters.

I want to say unequivocally that while I cherish every person who comes from anywhere, who comes here legally and seeks to pursue happiness, and I hope all of them decide to stay and become American citizens, but I want them to become American. And part of becoming American involved English. It is vital historically to assert and establish that English is the common language at the heart of our civilization.

From the Latin word "imponere", base of the obsolete English "impone" and translated as "impress" in modern English, Nordic hackers have coined the terms "imponator" (a device that does nothing but impress bystanders, referred to as the "imponator effect") and "imponade" (that "goo" that fills you as you get impressed with something - from "marmelade", often referred as "full of imponade", always ironic).

When we support or vote for candidates outside the two major political parties we are immediately lectured about wasting our vote or making it easier for the less desirable of the two major candidates to claim victory. These lies are repeated every election and they must be ignored. You never waste your vote if you vote your conscience.

If when we are taught English we are just taught the rules of grammar, it would take all our love of our language away from us. What makes us love a subject like English is when we learn all these fantastic stories. Feeding the imagination is what makes a subject come alive.

Being someone who had had a very difficult childhood, a very difficult adolescence - it had to do with not quite poverty, but close. It had to do with being brought up in a family where no one spoke English, no one could read or write English. It had to do with death and disease and lots of other things. I was a little prone to depression.

By being so long in the lowest form [at Harrow] I gained an immense advantage over the cleverer boys. . . . I got into my bones the essential structure of the ordinary British sentence - which is a noble thing. Naturally I am biased in favor of boys learning English; I would make them all learn English: and then I would let the clever ones learn Latin as an honor, and Greek as a treat.

Major League Baseball has the best idea of all. Three years before they'll take a kid out of college, then they have a minor league system that they put the kids in. I'm sure that if the NBA followed the same thing, there would be a lot of kids in a minor league system that still were not good enough to play in the major NBA.

I've sometimes thought . . . that the difference between us and the English is that the Scotch are hard in all other respects but soft with women, and the English are hard with women but soft in all other respects.

I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.

I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.

More than 80 per cent of the British casualties of the Great War were English. More than 80 per cent of the taxation is paid by the English taxpayers. We are entitled to mention these facts, and to draw authority and courage from them.

There is parallels these two great men John McCain and Ted Kennedy of great impact in the Senate, you don`t agree with everything they did but certainly they had major impacts as senators. Their one major political failure not to be elected president but that didn`t stop them from having enormous impact and at roughly the same age, exactly the same disease. It`s kind of a poignant sad parallel.

I have written 5 books that address major figures in our culture: books on Malcolm X, Martin Luther King Jr., Tupac Shakur, Marvin Gaye and Bill Cosby. But even in the books that take up major figures, I hope to provoke conversation, insight and understanding about these personalities by providing new, fresh and vital information and analysis about them.

I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.

I feel Scottish when with English people, and when I'm with Scottish people, I realise I'm English.

I was organizing a fringe meeting at the Conservative Party conference in October 1994 and I got a message that the Prime Minister would like a meeting. I went to the meeting. It was just me and John Major.What Major said to me was this: "If you were in my shoes, what would you do?". He wasn't asking me what a unionist should do, but what he should do. And I knew that I had to give him a sensible answer.

I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was the first book I read in English where I had an 'Aha!' moment, namely in the famed turtle chapter.

The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.

English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.

It was once argued that 'Starring Sylvester Stallone' were the three scariest words in the English language but until I saw Adam Sandler I'd always thought the three scariest words in the English language were 'starring Dan Aykroyd.'

I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.

My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.

I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.

The sign was spray-painted in Arabic and English, probably from some attempt by the farmer to sell his wares in the market. The English read: Dates-best price. Cold Bebsi. "Bebsi?" I asked. "Pepsi," Walt said. "I read about it on the Internet. There's no 'p' in Arabic. Everyone here calls the soda Bebsi." "So you have to have Bebsi with your bizza?" "Brobably.

If in fact, the US story is correct, if it is true that Syria used chemical weapons, then it wouldn't be a major crime to send a kind of shot across the bow saying you can't do this anymore. Not the best thing in the world, but not a major crime, either. So, I think at the very least there should have been an inquiry into what happened. But just joining the bandwagon about how we're finally standing up to crimes in Syria, that's ridiculous.