Top 1200 English Writing Quotes & Sayings - Page 6

Explore popular English Writing quotes.
Last updated on December 19, 2024.
Sitting in an English Garden waiting for the sun If the sun don't come You get a tan from standing in the English rain.
I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.
One of the reasons we require immigrants to learn English before they naturalize is that a person who cannot understand English will not be able to participate in the political community in any but the most limited capacity.
[It was] the poverty caused by the bad influence of the English bankers on the Parliament which has caused in the colonies hatred of the English and . . . the Revolutionary War.
All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other peoples backgrounds and characters; Keats called it negative capability.
I will for ever, at all hazards, assert the dignity, independence, and integrity of the English bar; without which, impartial justice, the most valuable part of the English constitution, can have no existence.
The American language differs from the English in that it seeks the top of expression while English seeks its lowly valleys. — © Salvador de Madariaga
The American language differs from the English in that it seeks the top of expression while English seeks its lowly valleys.
Everyone tells me I have a funny accent. It's because I copy people. I learned English at school but have best friends who are French, Australian, English and American; a very weird mix.
This noble word [women], spirit-stirring as it passes over English ears, is in America banished, and 'ladies' and 'females' substituted: the one to English taste mawkish and vulgar; the other indistinctive and gross.
Growing up was very interesting for me. If you were Haitian, people just automatically assumed that English was a second language. So they had a special class for my brother and I, but we spoke proper English.
When I was 10 years old, we moved to Spain with my mother. I learned Spanish before I learned English. But the English language stayed with me.
As Governor of my country, I have been an enemy to its enemies; I have slain the English; I have mortally opposed the English King; I have stormed and taken the towns and castles which he unjustly claimed as his own.
People think of black English as ungrammatical, but it bears the same relationship to standard English as contemporary Hebrew does to ancient Hebrew.
I remember writing monologues and one-act plays and stuff in high school. I had a project in English that was just a short book of limericks. It was so weird. I enjoyed the challenge and rhyme of it. I was always putting on plays and stuff.
There is no myth relative to the manners and customs of the English that in my experience is more tenaciously held by the ordinary Frenchman than that the sale of a wife in the market-place is an habitual and an accepted fact in English life.
My freshman English professor at Kent State University in 1984 told me I was a good writer, and she loved all the silly pictures I drew in my notebook. She said I should try writing children's books, and so I did.
I'm English. I've never said the opposite. I'm 100 per cent English. In Portugal it happens that a lot of Brazilians play for Portugal and they're not Portuguese. — © Eric Dier
I'm English. I've never said the opposite. I'm 100 per cent English. In Portugal it happens that a lot of Brazilians play for Portugal and they're not Portuguese.
The English tradition offers the great tapestry novel, where you have the emotional aspect of a detective's personal life, the circumstances of the crime and, most important, the atmosphere of the English countryside that functions as another character.
Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble.
As Governor of my country, I have been an enemy to its enemies; I have slain the English; I have mortally opposed the English King; I have stormed and taken the towns and castles which he unjustly claimed as his own.
Somebody said to me that I speak English almost like somebody for whom English is not their first language.
Woman at Point Zero I wrote during the '70s in Arabic. It came in English in '82. So, almost ten years' difference between the Arabic and the English.
When I'm writing a novel or doing other serious writing work, I do it on a schedule that dictates writing either 2,000 words a day or writing until noon. After I hit whichever mark comes first, then I can give my attention to everything else I have to do.
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
The larger an English industry was, the more likely it was to go bankrupt, because the English were not naturally corporate people; they disliked working for others and they seemed to resent taking orders. On the whole, directors were treated absurdly well, and workers badly, and most industries were weakened by class suspicion and false economies and cynicism. But the same qualities that made English people seem stubborn and secretive made them, face to face, reliable and true to their word. I thought: The English do small things well and big things badly.
Visit any bookshop in Europe, and the shelves are filled with English novels and non-fiction books in translation - while British bookshops stock mainly English and American works.
My plea is for banishing the English language as a cultural usurper, as we successfully banished the political rule of the English usurper.
Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
"Stupid English." "English isn't stupid," I say. "Well, my English teacher is." He makes a face. "Mr. Franklin assigned an essay about our favorite subject, and I wanted to write about lunch, but he won't let me." "Why not?" "He says lunch isn't a subject." I glance at him. "It isn't." "Well," Jacob says, "it's not a predicate, either. Shouldn't he know that?"
I've never lived in an English-speaking country, ever, but I lived in Austria. So, my second language is German. And when I went to school, I had a lot of classes in English.
All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other people's backgrounds and characters; Keats called it negative capability.
My mother was a children's librarian, and I was raised on lots of English children's literature. It gave me this weird idea that I was English.
Britain is not homogenous; it was never a society without conflict. The English fought tooth and nail over everything we know of as English political virtues - rule of law, free speech, the franchise.
The leading princes are the most servile tools of English despotism. . . . The native princes are the stronghold of the present abominable English system.
I think my films are very English. That certain emotional distance, interest in the world, interest in irony. These are all deeply English propositions.
We, the English educated Indians, often unconsciously make the terrible mistake of thinking that the microscopic minority of the English-speaking Indians is the whole of India.
Radio in England is nonexistent. It's very bad English use of a media system, typically English use.
One thing about Indonesians is that a lot of them, even if they don't understand English, have absolutely no problem memorizing English songs. Even my dad.
The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.
English is a forgiving language. It's not like Classical Arabic and it's not like French. You can speak broken English and be expressive and no one will hold it against you.
Increase your word power. Words are the raw material of our craft. The greater your vocabulary the more ­effective your writing. We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.
'English Rose' - what does that actually mean? That I am pale? That I am English, maybe? They are going to say that about any actress from this country! — © Rachel Hurd-Wood
'English Rose' - what does that actually mean? That I am pale? That I am English, maybe? They are going to say that about any actress from this country!
When I speak in English, my expressions become different. My attitude, too. I'm not sure why, but there really is a difference. My hands move differently when I speak English.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
And I think because of the passion of every English player and every English supporter, and every English journalist for the game, most of the game is played with passion, love for football and instinct, but in football you also have to think.
I grew up listening to people speaking broken English. I probably picked that up. And I probably speak English almost as a second language.
I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English, but I do not believe they can be surpassed in that respect.
The Americans all love 'The Holy Grail', and the English all love 'Life Of Brian', and I'm afraid on this one, I side with the English.
As far as getting work, no one thought I spoke English. It was absolutely ridiculous. I'd show up at a meeting and they'd be like, 'Oh my God, you speak English! That's so cool.' They didn't really know what to do with me.
It was always said that the big distinction between the French and the English is that the English are intelligent and the French are intellectual.
Honestly, I can't understand English poetry. Because I am not an English speaker, when I read it I never know how to read it in the right rhythm. — © Jenova Chen
Honestly, I can't understand English poetry. Because I am not an English speaker, when I read it I never know how to read it in the right rhythm.
Before the Roman came to Rye or out to severn strode, / The rolling English drunkard made the rolling English road.
I write in English first, and then I translate to Spanish. I've always felt more comfortable with the English side of things first.
English, for me, is an acquired language. I started with English at the age of 10. At the time, it was my third language.
Apparently the Dutch now prided themselves on being better at queues than the English, which was absurd, because standing cheerfully in line was the English national sport.
Tis true among fields and woods I sing, Aloof from cities--that my poor strains Were born, like the simple flowers you bring, In English meadows and English lanes.
In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now.
You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: “I am ready to work.” You enter, grow quiet, and vanish into your writing.
I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.
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