Top 1200 Enough Movie Quotes & Sayings - Page 13

I left my fingerprints somewhere - that's good enough. I am my own person - that's good enough. I stand my ground - that's good enough.

I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.

It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.

A good horror movie should have peaks and valleys, a good horror movie should move you emotionally; a good horror movie should be exciting to watch and energizing in a weird kind of way.

A movie that is unable to elicit emotion isn't a movie.

You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles.

As an actress, I was never thin enough, never pretty enough. My boobs weren't big enough.

I was 18 years old when I booked 'Youth in Revolt,' and it was my first movie, and I was starring in that movie - and even then, I didn't feel like I had made it.

I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.

You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.

When I first saw a Fellini movie, I came out of the movie theatre and decided to become a lawyer! I thought to myself, it's impossible to make something so beautiful!

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.

The difficulty of getting a movie made through a major studio is so extreme that when a movie comes out, everyone should give it four stars because it was accomplished.

I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.

My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.

I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.

My number one horror movie is the '60s British version of 'Ten Little Indians.' This movie scared me to death when I was a kid - I still dream about it.

I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.

Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

Leave a movie audience inspired, and they will want to ingrain that movie into their lives with the toys, branded food products, soundtracks, and clothing they buy.

Prior to being in 'Carousel,' I had only seen the movie. So, when I read the script, I felt like it was a lot deeper than the movie portrayed it to be.

The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.

For me, Glasgow is all about the people and the spirit of the place. You have enough Gregg's bakers, though, I'll say that. The opening of the 1977 'Star Wars' movie was possibly the only time I've seen a longer queue round the block than in Glasgow for sausage rolls. That was quite an eye-opener.

I'm very straightforward on immigration. The bus is full. We haven't got enough energy, we haven't got enough electricity, we haven't got enough of a health service.

Thinking good thoughts is not enough, doing good deeds is not enough, seeing others follow your good examples is enough.

Love, when it came and knocked on my door, was going to be enough. And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.

'The Avengers' was a great movie. I love that movie.

In the 40 years since 'The Amityville Horror', dramatizations of those supposedly-real events have gotten loose enough - special-effects laden enough, star-power re-packaged enough - that the audience no longer trusts the dramatization's loyalty to the core story.

I actually liked Rise of the Planet of the Apes. I remember just watching it and being pleasantly surprised with that movie. I didn't think it would be as good as it was, so I love that movie.

The crucial task of old age is balance: keeping just well enough, just brave enough, just gay and interested and starkly honest enough to remain a sentient human being.

I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.

[S]leep, and enough of it, is the prime necessity. Enough exercise, and good food and enough, are other necessities. But sleep—good sleep, and enough of it—this is a necessity without which you cannot have the exercise of use, nor the food.

I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.

The western will always be here. And it just depends on how good you make one. And one movie doesn't kill it. And one movie doesn't preserve it. It's storytelling. It's a very American thing. I'll continue to do it.

Reality' is a movie generated by our brains. Because we don't realize this, we are far too confident that the stuff appearing in the movie is actually 'out there' in the world when, in fact, it's not.

Rob Lowe, who I thought was really good in the movie [ Bad Influence], had his performance overshadowed by this sort of tabloid approach to him and the movie.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

The highest level of creativity consists in being, not doing. When the being is intense enough, when the words are spoken enough, when the thoughts are thought enough, the doing will automatically follow.

It strikes! one, two, Three, four, five, six. Enough, enough, dear watch, Thy pulse hath beat enough. Now sleep and rest; Would thou could'st make the time to do so too; I'll wind thee up no more.

I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.

I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.

You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.

If you're good enough, you're old enough: that's what everyone says. When a talented young player emerges, his age doesn't matter; people want to see him in the team. So why, when you become older, is the assumption that you are no longer good enough?

Making a movie about one group of people isolates the larger majority. That's what I require of the projects that I'm involved with. I would not ever make a movie strictly for Latinos.

In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.

If the Negro knows enough to pay taxes to support the government, he knows enough to vote; taxation and representation should go together. If he knows enough to shoulder a musket and fight for the flag, fight for the government, he knows enough to vote.

You don't put your personal viewpoints in a good movie. A movie should only be concerned with characters, not some big moral, although it's always underneath.

I'm trying to develop an approach to putting out a movie in wide release that makes some kind of economic sense for the filmmakers and the people that have a participation in the movie.

There is enough for everyone. People think that there isn't enough, so they get as much as they can, so many people don't have enough.

We are here to say that if you are evil enough to threaten the life of a child, if you are evil enough to interfere with their education, and if you are evil enough to place in danger the future of our communities, you ought to be punished in a very special way.

You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.

The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated.

As for the best '80s action movie, I'm going to be predictable here and say 'Die Hard.' I watch that movie at least twice a year. Perfect script.

I have met a lot of top chefs around the world during my travels. Each one of them has said 'Ratatouille' is their favorite movie and the only movie that truly captures what they do.

The interesting thing about a movie is the movie.

I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.