Top 1200 Enough Movie Quotes & Sayings - Page 15

I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.

I had not grown up on theater - in Hughes, Ark., you went to see a movie on Saturday. So my acting heroes were movie stars. It was a natural thing for me to want to get into the movies.

No [movie is really worth watching] which does not either impart valuable knowledge; or set before us some ideal of beauty, strength, or nobility of character. There are enough [great movies] to occupy us during all our short and busy years. If we are wise, we will resolutely avoid all but the richest and the best.

The software is where the magic is. If you're going to have all this power be simple enough, appealing enough and cool enough, it's going to be because the software is right.

I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.

It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect... You know, I'm in.

I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.

Consider: for all the gobbledegook [film studio] executives spout about backstory, all that we, the audience, want to know is what happens next. That's the only thing that's going on. . . . Character is nothing other than action, and character-driven means The plot stinks, and you'd better hope the star is popular enough to open the movie in spite of it.

'The Graduate' must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn't ever get from a score.

'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.

If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.

I was so disappointed [with movie Forsaken], but maybe I hadn't talked enough with the director. I don't know. But, Kiefer worked it out. Kiefer took it and re-edited it. I don't know whether he talks about that. He's probably more discreet than I am because Jon is a friend of his. Now, it fulfills what I was hoping for, and what we were working on and doing.

Sometimes events happen in one Marvel movie that mean you have to adjust what you planned to happen in a different movie, because they're interconnected.

I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.

Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'

In the movie 'Wall Street' I play Gordon Gekko, a greedy corporate executive who cheated to profit while innocent investors lost their savings. The movie was fiction, but the problem is real.

When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it.

Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.

We can't make a giant sprawling movie. We're going to make a small movie. And what we got is what I could get, performance-wise.

A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime.

The English language needs a word for that feeling you get when you badly need help, but there is no one you can call because you're not popular enough to have friends, not rich enough to have employees, and not powerful enough to have lackeys. It is a very distinct cocktail of impotence, loneliness and a sudden stark assessment of your non-worth to society? Enturdment?

When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.

We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down.

Every opportunity that comes your way, you can't take lightly. You have to take it very, very seriously, because the opportunities are limited. If you want to keep working, you can't be such an elitist, to say no, that's not good enough, not big enough, not smart enough, whatever.

But the question is, do we care enough? Do we care enough to keep standing up for the country that we know is possible, even if it's hard, and even if it's politically uncomfortable? Do we care enough to sustain the passion and the pressure to make our communities safer and our country safer? Do we care enough to do everything we can to spare other families the pain that is felt here today?

I put myself in a position where I made wrestling an option for me. I don't have to wrestle. I don't have to take another shot for the rest of my life if I don't want to. I have good enough hands, good enough boxing, good enough timing to strike with anybody in our division.

I think that`s the obstacle, because once black people hear Bernie Sanders policy, it`s almost instantaneous they switch. Hillary is good enough, but the policy of enough is enough that we`re going to radically change thinks really seizes with people.

I first saw Dead Man in high school, and it changed everything. That movie was like a memory to me - I would get things that occurred in that movie confused with my actual life.

3D really altered the way I shot the movie completely, and it was exciting because, after 20 years of filmmaking, I felt like I was making my first movie, all over again.

My favorite movie is Lawrence Of Arabia. But that's a long, long movie. So although I've seen it several times, it's not as fun as Jaws.

There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.

In a daydream sort of way, I think it would be pretty cool to direct a movie. But I have been on movie and TV sets and know it is hard work. I like directing it in my mind. It is easier.

Every movie, I find myself adrift at the beginning of the movie, and then I find my way through the dark forest.

I've had tragedy in my life, and it doesn't stop comedy, so I think it's important to do both. Particularly in a superhero movie, but in any movie that accesses all people. Nobody wants to be abused for two hours.

I fall asleep to a movie every night! I don't have a go-to movie, but I like Netflix or whatever I can find. Usually, it's just noise in the background; I think it's damage from living in New York, where it's so noisy.

If you are dating someone in New York City, and they invite you over to watch a movie, they don't really want to watch a movie.

I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

For a movie's success, comedy must blend with the storyline. Else, comedy might click but the movie will die.

I like to try to do anything active when I'm not on a movie. When I'm shooting a movie, it's really hard for me to do anything besides work.

A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.

I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.

If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect . . . You know, I'm in.

Talk about it only enough to do it. Dream about it only enough to feel it. Think about it only enough to understand it. Contemplate it only enough to be it.

You must be true to yourself. Strong enough to be true to yourself. Brave enough to be strong enough to be true to yourself. Wise enough to be brave enough to be strong enough to shape yourself from what you actually are.

Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.

Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.

Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.

I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.

I’m prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'

I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.

When you shoot an independent movie you have a very limited amount of time, and you don't want to be that actor, when a poor director is trying to get through a movie, that you're asking at every second to discuss performance.

The unique idea of [The Darkest Time] movie is because in usual if you are in darkness, you are scared. But this movie is the opposite. In darkness, you are okay.

Why would any one make a biopic on me? I would have lived my life a certain way, had I known that a biopic will be made on it in future. I agree, every person's life has enough drama to be translated into a movie but I can't say the same about myself.

Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.

In other words, if you - the cost of promoting movies, the advertising and promotion of a movie, the budget is almost as large as the cost of the movie.

When you're watching a Hitchcock movie, you, for most of the movie, are playing the guessing game. What's the endgame? What's the plot? How are these people involved? It's the best way to tell the story, and as a viewer, that's what you want to experience.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.