I did around 100 episodes as Ted without the band, but the 20 I did with The Blanks are the only ones anyone ever seems to remember.
I did 'The Commish' and an episode of 'Neon Rider,' and then I got the series called 'Street Justice,' which I ended up doing about 18 episodes of.
We did a reunion when TV One first launched episodes of 'Living Single'. Every time any of the gang comes through Atlanta, though, we always visit.
I did The Commish and an episode of Neon Rider, and then I got the series called Street Justice, which I ended up doing about 18 episodes of.
By all standards, except for 'Star Trek' standards, 98 episodes of any television show is a wildly successful run.
This final sprint of Breaking Bad is like nothing I've ever seen. It's TV as a crescendo, as a magnet, as a wave. These episodes aren't ending so much as they're gasping for breath.
In ten episodes, we were able to do our writers' room first. We did that all summer and wrote for 15 weeks and got everything in really good shape.
It was strange, I reflected.. that even in the weirdest circumstances, the most troubling episodes of one's life, the greatest divides from home and familiarity, there were these moments of undeniable joy.
We work the full year round to make 10 or 12 episodes, and 'The Good Wife' makes, like, 26 in that time or something, which I can't believe. I don't know how they do it.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
Watching the dailies and then watching the... episodes, it really hits you: 'Damn, I did that?' I must have been crazy to get into those situations.
I'll miss working with Mark, and all of the other Sharks. Each of them has been incredibly generous and warm to me, and I am proud of all the episodes we made together.
When I was a staff writer on 'NYPD Blue,' it was truly my job to hear David Milch's voice for that show and to deliver episodes that embodied that voice.
I was in two episodes playing Christopher Reeve's character's emissary. They wanted to have my character announce Dr Swan's death, which I thought was exploitative.
The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.
I really love the karate thing I did on CHIPs. I studied with a trainer because I knew we'd do episodes that had karate.
I had heard about Cheers, of course, but I never watched it. So I watched two episodes, and I was like, "Oh my God. This is really good."
As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.
If it is a fantasy fiction, and you want to portray a story of a vampire, you have to keep the essence of the story same. But if you have to have five episodes a week, where do we get so much content from?
But did I think it would last more than 13 episodes at the time? No, I didn't think that. I never know.
A lot of Christmas episodes feel like stories in quotation marks. Uh, a homeless guy comes to live with them and they all learn a lesson. That didn't come from an organic place.
I acted in 'Almost Famous.' My album 'Fingerprints' won a Grammy Award in 2007. Even more prestigious, as far as my kids were concerned, I appeared in episodes of 'The Simpsons' and 'Family Guy.'
I'm a huge 'Breaking Bad' fan; I would be really annoyed if anyone told me anything about what was going to happen in the last eight episodes.
I've always had this dream that if people could pay me to watch and review old episodes of 'The Golden Girls,' that would be something really special.
Except for a few episodes, I have not watched any of my shows. I don't think I like to watch myself on TV. I get very critical about what I am saying.
That is one thing I really hate about working in TV - you have to shape episodes to exact time-lengths, do like 22 minutes, and it is just so against what you are making.
So many pleasing episodes of one's life are spoiled by shouting. You never heard of an unhappy marriage unless the neighbors have heard it first.
The format of Netflix was the dream for us. It allowed us to make cinematic, longer episodes without interruption.
I think I did four 'Law & Order' episodes. I did two 'Criminal Intent,' one mothership, and one 'SVU.'
On 'Taxi,' I had the great fortune of directing many wonderful episodes, none more classic than Reverend Jim's driving test. It was maybe the funniest show I did.
The idea to put episodes out weekly in theory makes as much sense as putting them all out at once.
As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.
A lot of American shows don't last for as long as 12 episodes. They get cut after one. But certainly one of the great things about The Office in particular was that there was a beginning, a middle and an end.
I did five episodes of Townies as Jenna Elfman's boyfriend. I was a guest star, but it was the first time I really got to play laughs in front of a sitcom audience.
Sometimes there were certain things in 'Limmy's Show' where I'd be having to come up with six episodes and as a result there was stuff in there that wasn't my favourite and I'd think, 'ach I'll shove that in this episode.'
Each side tries to legitimize their aims by appealing to history, sometimes selectively choosing episodes and other times just by inventing history.
Certainly 'Survivors,' when we put that series out, the second series dipped below 5 million for one of the episodes - all of a sudden, there's no recommission, and I think that's dreadful.
By the time 'Dumbo's Circus' wrapped production of its 120 episodes, I had an agent, and I had scored my first feature film gig.
SRK is a gem of a person. He told me that he is a keen viewer of 'Comedy Nights with Kapil' and his family records those episodes which he misses during shooting schedules.
I think shows being sent out this way - pressing a button and 10 episodes can go out to the U.S.A., and the U.K. and Germany, it's very cool.
Stage work, that's all I have in my background. Wasteland was my first TV experience. Dawson's was my first long-term, I mean the entire season of 22 episodes.
Using supernatural beings to build the perfect weapon? Intriguing idea." "Not really," I said. "They did it on Buffy the Vampire Slayer. A sub-par season. I slept through half the episodes.
I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
In the actual condition of medical science, the physician mostly plays the part of simple spectator of the sad episodes which his profession furnishes him.
Book 4 is the end of the 'Korra' series. So we've got 52 episodes planned. When all is said and done it will have taken I think about five years to make.
When I went back and watched a couple of the older 'Doctor Who' episodes, I could see why some people felt the show had been quite sexist.
I don't really watch shows as a regular routine any more, but I loved 'Happy Valley'. Yes it was depressing, but at least I knew it would all be over in six episodes.
I knew early on after the first couple episodes were fully scored and animated that we had a real quality show here. But I always questioned whether or not it would work.
I was very moved by shows that combined things that were funny and sad. I remember liking 'Simpsons' episodes in which emotions were central.
Another show I really enjoyed working on was Raising The Bar. I did four or five episodes of that show.
That chemistry that we had [with Fred Savage] is very, very hard to find. We were lucky to have those 22 episodes [of The Grinder]. I'm unendingly proud of it.
The episodes all blend together for me, so I don't remember. I can't even remember what I had for breakfast this morning. I always feel I must be such a disappointment to them.
In retrospect, I think it's a plus, because now we've been able to go back and spend extra time on each of those episodes and make them better.
On 'Master of None,' the majority of the episodes were just one story, and that was by design because we really wanted to focus in on the character of Dev and get the audience in his head.
It feels as though, with all of these cable series or Internet shows or limited series events that are only 10 or 13 episodes... the quality is really rising.
As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.
Another show I really enjoyed working on was 'Raising The Bar.' I did four or five episodes of that show.
I used to host a show 'Ghuggi Express' on Zee Punjabi and it aired more than 130 episodes and I single handedly managed the show.
What makes me happy is just curling up in with my mom in her bed and watching a marathon of 'CSI' and 'Grey's Anatomy' episodes with pints of ice cream.
Well, I guess most people would only know me from The O.C. I did a few episodes of Gilmore Girls before that. I was also a client on a lot of lawyer shows.
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