Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I really didn't think this was going to be a success. We did the first three episodes and I said to Adam, 'I can't see this going anywhere. I've already used up all my urban legends.'
Oviya' as a story is intriguing and exciting to work for. The character I play as part of the show, even if it is just for five episodes, it is a crucial role that changes the course of the show.
Manchester is a city which has witnessed a great many stirring episodes, especially of a political character. Generally speaking, its citizens have been liberal in their sentiments, defenders of free speech and liberty of opinion.
I would never watch 'Lost' on TV; I'd just wait until I could get at least five or six episodes in a row. Saved myself a lot of anxiety that way.
With network, shows are pulled half the time after three episodes whether they're good or they're not good. It's a numbers game. With cable, they can take a lot more liberties.
I told myself a while back, 'Love what you do, but don't fall in love with what you do.' That way you won't be brokenhearted if ever it gets canceled five episodes in - which has happened to me.
So we're considering doing a new Christmas album, because there's been Christmas episodes since then, and maybe finally do the version of 'The Most Offensive Song Ever' with lyrics intact.
There were episodes where I would wear seven or eight outfits. It took a lot of time to get those together. What the character wears is very essential to how I create the character.
How can such episodes of such savage cruelty happen? The heart of man is an abyss out of which sometimes emerge plots of unspeakable ferocity capable of overturning in an instant the tranquil and productive life of a people.
With TV, you just have to finish the days and get the episodes out. And it's always going to be an impossible schedule. That's the funny thing with TV that not a lot of people realize.
If you were to ask me what the No. 1 lesson I learned from being on 'The Real World', and I challenge you to go back to the episodes and you will see that I'm right: I learned the myth of liberal tolerance.
I would love to be remembered for ridding the world of disease, but my knowledge of science comes from episodes of 'Nova' and shows on the Discovery Channel. I don't think a superficial understanding of shark behavior and black holes can help cure diseases.
I think the least stereotypical gay character on television is probably Matt LeBlanc on Episodes. He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
The milestone of 100 episodes is a reflection of the amazing work and dedication of the entire Clone Wars cast and crew. Being a part of this production has been an honor and privilege that has changed my life forever.
I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing.
I think the least stereotypical gay character on television is probably Matt LeBlanc on 'Episodes.' He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
Roughly 65% of American households owned a video recorder by 1989, when 'The Simpsons' was launched. This meant that fans could watch episodes several times and pause a scene when they had spotted something curious.
I am not afraid if people think Matt LeBlanc in 'Episodes' is who I am - my friends and family know who I am.
My favorite writer on 'The X-Files' is this guy Darin Morgan. He wrote my favorite episode and the top five favorite episodes that everyone loves.
Obviously, it's not cable, it's streaming, but it's the same format. It's the same 10 episodes. It feels like cable as opposed to network.
I was hoping for 13 episodes that my friends would like. It’s a good lesson, isn’t it? If you do something trying to make your friends laugh and that you can be proud of, you can also be successful.
We did 356 'Dallas' episodes between 1978 and 1991. The most memorable moment for me happened in 1980 when I got shot at the end of the third series. The rest is a blur.
I am required to shoot for 'Jaiyam' only for five days in a month. Being able to speak Tamil fluently, I complete 25 episodes each time I visit Chennai.
I don't like watching television too much; it tires me out for some reason. But I saw a fair bit of 'Game of Thrones' because it was so good. I mostly watched episodes that I wasn't in.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
My favorite day at '30 Rock' is Thursday when the show airs. At lunch, we screen the episodes. For everyone to watch together, to see the stuff we all worked on, to hear the crew laugh - it's great fun.
We record when I have a hole in the schedule. Sometimes night, sometimes afternoon, sometimes morning - we fit it in when we can. I prep for episodes all the time.
Yeah, I'd done a bunch of pilots. Some that had gone for a while. One that went for 13 episodes. But I had never been on a show that had lasted more than that.
You know, it takes a while to get used to - it's a whole group of people with all these ideas and after you sort of navigate your way through the first few episodes it becomes collaborative and creative.
The hardest thing about doing a series and having it stick is that you've never performed with each other, and the pilot is kind of a dress rehearsal, and you don't know the tone until two or three episodes in.
Look, we can definitively agree that cable is far superior to network. That isn't to say that there can't be a great network drama or comedy that makes 20-plus episodes a year. We know that there are, and there have been.
Some of our best episodes of 'Buffy' were written over a weekend. You can really get in touch with your creative spirit when you're at your most desperate.
My favorite day at 30 Rock is Thursday, when the show airs. At lunch we screen the episodes. For everyone to watch together, to see the stuff we all worked on, to hear the crew laugh - it’s great fun.
In recurring episodes over the next couple of decades, the minority view gradually won. A profusion of factors differentiates each case from the others, including naked partisanship on both sides, but the trend has been clear.
The beauty of Netflix is that you can figure out a good part of the season before you get started. You're never in the hole of, "Oh, we've already released the first four episodes, and now we gotta make the finale, and we've already promised this."
In my mid-20s, I was directing episodes of 'Alfred Hitchcock' and 'Peter Gunn.' I was pretty much on course and - as I sometimes joke - was prepared to devote my life to become the second best film director in my family.
I'd had episodes before, but I swept them under the carpet. This time, I couldn't do that because everyone knew. I got on with the hard work of getting better and haven't had a blip in almost 10 years.
The two favorite episodes of 'Lost' that Adam and I wrote were 'Dave,' which was where Hurley has an imaginary friend, and 'Trisha Tanaka is Dead,' where Hurley finds a van and starts it.
The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
I like doing the comedic episodes because it's refreshing. I enjoy doing comedic things and physical comedy. It's fun.
We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes in sacred history. Yet, unless we make this effort of imagination, Medieval art is largely incomprehensible.
They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped.
To do six to 10 episodes of high-quality writing, and then be able to go direct my own things, and do a movie, if it comes along, sure. I just want to act and do good work.
I think a challenge with every sitcom is, how do you maintain things that people are attached to without becoming so reiterative that it just feels like you're sort of watching a reenactment of previous episodes?
While I filmed the 'Walker, Texas Ranger' series for eight and a half years, I had never had much time to read, except for screenplays of the episodes.
I think our goal and intention is to make sure that, when you watch each episode, you don't have to make that choice, but also that you can have stand-alone episodes, where a story can have a beginning, middle and end.
How that works is our first season was the year we had a threatened writers' strike, so what we did was that instead of doing 22 episodes, we did 30. We put 10 in the bank.
In some subsequent episodes, certain individuals have certain knowledge of certain events that they wouldn't have, if they didn't have access to the future.
Doesn't anybody ever want to talk about anything else besides 'Star Trek?' There were 79 episodes of the series; there were 55 different writers. I was only one of them.
When the show started out, it was like all of a sudden we had to do 35 episodes and we had just a month and a half to write them, and it took me a while to realize that I was in charge.
The 'River Monsters' episodes acted a bit like a whodunit - there was a crime scene, maybe someone had been pulled under, and we had to find out what happened.
I do 280 episodes of TV a year, write 15 recipes for the magazine, and publish an annual book. With all of that, we try to get one weekend a month with Isaboo at our home in the Adirondacks to relax and recharge.
Two days later I got a call that they wanted to try out the character for seven episodes. Eleven years and 22 Emmys later, Cliff was still sitting at that bar.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
I had adapted to the blonde. So when they told me I'm going back to do these five episodes of 'Arrow', I was clearly really excited, but when they said I couldn't be blonde, it stung a little.
They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
One of the striking features of the early episodes of AMC's hit television show 'Mad Men' is the similarities in the lifestyle enjoyed by the lowest paid members of Don Draper's advertising company and its wealthy partners.
I was trying so hard. I would memorize the entire script, then I'd be lipping everybody's lines while they were talking. When I watch those episodes, it's disgusting. My performances were horrible.
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