Top 622 Episodes Quotes & Sayings - Page 6

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Last updated on November 8, 2024.
'Spooks' was unique. It took up such a lot of your life - I think we did 10 episodes for the first few seasons. That's six months of your life.
I don't come from a wealthy family, so for me to have to struggle as long as I have in New York and Los Angeles and finally know that I have an income coming in for the next 10 episodes was a major, major life-altering moment.
The best episodes of 'The West Wing' that dealt with policy and stuff, in my opinion, were the ones where they were in the middle of a crisis, and they were trying to figure out how to solve problems.
Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.
I would watch the remaining 12 or so episodes of 'Breaking Bad' I haven't seen by noon tomorrow, but my wife would kill me. I watched all five seasons of 'The Wire' in a month, and she was not happy about it.
We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students. — © Patrick Stewart
We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.
I don't watch a lot of comedy. For relaxation and escape, I watch shows about how people survive bear attacks. Or old episodes of 'Law and Order,' the Benjamin Bratt/Jerry Orbach era.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
In my experience, 'SNL' has Lorne Michaels, who is, you know, the captain of the ship and gives the show direction and a singular focus, whereas 'MadTV' - even in my 13 episodes there - had maybe one too many cooks and was a bit more chaotic creatively.
I was a fan of 'Six Feet Under' and was very sad when it ended, so I was not ready to switch my allegiance to another show. So I was like, 'I'm not watching this 'True Blood.' Then a friend got a bootleg copy of the first four episodes, and by the third one, I was irrevocably hooked.
The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.
Doing a truncated series is like doing a long movie, which allows for a certain artistic freedom. After just 12 episodes, you can take a breather and do other things for your career.
I'm not really a science-fiction fan, I quite like the idea of getting away from the science-fiction side of it, for two episodes. It was lovely, it was a super story and great fun.
I think the people who probably have it the best are the people on cable like on Entourage, the Sopranos, etc. who have 13 episodes per season and breaks to do films and theatre. I think thats the most ideal life.
I was a fan of 'Six Feet Under' and was very sad when it ended, so I was not ready to switch my allegiance to another show. So I was like, 'I'm not watching this 'True Blood.'' Then a friend got a bootleg copy of the first four episodes, and by the third one, I was irrevocably hooked.
The way the British 'Office' got away with being so dark was that it only had 13 episodes. There are realistic elements that people obviously enjoy, but they don't necessarily want to relive the trials and tribulations of their average work day.
I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.
Christian literature makes reference to many episodes that parallel the experiences of those going a yogic way. Saint Anthony, one of the first desert mystics, frequently encountered strange and sometimes terrifying psychophysical forces while at prayer.
For most of my childhood, even through college, there was a lot of feeling very alone. I loved TV, so when those very special episodes of anything came, or when certain characters reflected the world I lived in, I felt connected.
You realize, this is not just a little studio we go to make these television episodes. This thing is reaching everybody in the world! Suddenly you realize the power of television.
Like any show, I think some episodes are going to be stronger than others, but I think it's a good show that people enjoy and I hear the reactions too.
Part of our goal, in the episodes moving forward, is to deepen and dimensionalize every other character, to get into their relationships with each other, expand that stuff and really sink our teeth in.
I did two episodes of 'The Walking Dead,' and it was enough to have time to get in there and really get the meat of it, but also then move on and take that experience and bring it into the next one. It was a great stepping stone.
Regis Philbin's back in primetime, hosting 11 new episodes of 'Who Wants To Be a Millionaire.' But because of Obama's tax plan, it's been re-titled 'Who Wants To Win Just Under $250,000.'
I've turned down a lot of proposed scripts for Scrubs episodes, mainly ones with AIDs patients. It sickens me, really. If you don't want AIDs, don't be a ice cream man. Or African. I'm neither and I'm fine.
That's the definition of a mini-series. A mini-series is a show that has no continuing story or narrative elements between one group of episodes and another, so no, I wasn't surprised.
It's amazing, the quality of good work that happened in the fifties when a series would have to turn out 30-some episodes a season - it's amazing that 'I Love Lucy' was as good as it was!
The general opinion of “Revenge of the Sith” seems to be that it marks a distinct improvement on the last two episodes, “The Phantom Menace” and “Attack of the Clones.” True, but only in the same way that dying from natural causes is preferable to crucifixion.
I read the papers, I surf the Web. At the beginning of the year, I try to see at least two episodes of every show on our network. Am I surfing? All the time. I'm aware of the landscape. I'm a competitor, so I have to know whom I'm competing with.
When I sign on to a television show, I have to love that show and character so much, but this [Mistresses] was in and out, for seven episodes. And it was nice to be able to make some money again because I hadn't work in a year and a half. There were a lot of pluses.
When I was a kid there was a show called 'Holmes & Yo-Yo' about a robot cop. I LOVED that show and I think it only lasted like three episodes.
The stuff that I've been doing lately is political. It's not always about people who are super famous movie stars. The fact that people are still taking a chance and listening to the blacklist episodes is really exciting.
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
History, at its best, always tells us as much indirectly about ourselves as it does directly about our predecessors, and it is often most revealing when it deals with episodes and phenomena that we find repulsive.
I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
I love rewatching 'Real Housewives of Atlanta' episodes, 'Project Runway,' 'Making the Cut' and other fun shows. If there's fashion and/or drama involved, I'll give it a watch. And of course I've got to watch my show 'Dragnificent' on TLC!
Don't get me wrong, I love watching episodes of my favorite shows on Hulu and reading the daily trash on PageSix, but I also embrace the opportunity to settle down with a good book and let my mind travel to another place and time.
That show, The Sopranos put HBO on the map. So there I was - and then there I wasn't. Too bad. The same thing happened to me on Prison Break: I got the role of the governor on that, and then a handful of episodes later, I hanged myself.
What is a novel if not a conviction of our fellow men's existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history.
Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.
It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.
I watch the weirdest things. I watch old episodes of 'Golden Girls' because my mom watches it, so I grew up watching that. Sometimes I watch reruns of 'Futurama,' which is a cartoon and not based in the real world at all.
The intellectual power, honesty, lucidity, courage, and disinterested love of the truth of the most gifted thinkers of the eighteenth century remain to this day without parallel. Their age is one of the best and most hopeful episodes in the life of mankind.
I think that the episodes are like mini horror films really; the characters make bad decisions early on and these things just snowball for them and get worse and worse. And that's what I find funny.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that; I thought it was interesting. A lot of my favorite comedies play out as dramas.
I tend to write the episodes in the middle of the season, which can be a challenge because you've got to balance all these threads that have begun - and also make sure they will make sense with the overall plan going forward.
At best, I consider flying an unavoidable necessity, a time to resurrect forgotten prayers and contemplate the end of all joy in a twisted howling heap of machinery; at worst, I rank it right up there with psychotic episodes and torture at the hands of malevolent strangers.
The first episodes I actually read for 'Downton,' Sybil was really intimidated and hadn't come into her own. So it's only in Series Two that she's become so headstrong. In general, I find it exciting to play strong, female roles because they're shocking.
I love the feeling of having as close to a steady job as you can ever have as an actor. I'm not an extravagant spender, so when I work on a TV show for a season or do a bunch of episodes as a reoccurring, I try to spread the money that comes from that out so that I can do these movies that are important to me.
At the age of 19, I removed myself from society for almost four months, setting off years of manic episodes, including outrageous overspending. I bought several Mercedes because I thought I could. I had no money, but I rented a jet.
I'm a regular part of the TV audience world, and I know that I like shows that I would watch. And this is a series that I definitely would watch. And some episodes are better than others.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.
My dad doesn't watch 'Coronation Street.' But my mum is a massive fan. I'd like to think my dad will watch it for a few token episodes, as I'm in it. — © Rob James-Collier
My dad doesn't watch 'Coronation Street.' But my mum is a massive fan. I'd like to think my dad will watch it for a few token episodes, as I'm in it.
One of the last episodes was all about a flood. We were working in the rain till all hours, and it was muddy and it was cold and it was damp, and it was hours under the hoses. That was not pleasant. That was not pleasant.
You don't have a lot of time; you have to get it right. It's amazing how they create these episodes in such a short amount of time. They lavish a lot of care and money on each episode, and they just look terrific.
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
I was fortunate enough to do an HBO show, 'Rome,' in which my arc was built in by historical fact, and over the course of 22 episodes, we were able to tell the stories of these people. We had a beginning and middle and end, and as we went on, you changed every week.
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