Top 553 Etch A Sketch Quotes & Sayings - Page 3

Moral activity? There is scarcely such a thing possible! Everything is sketchy. The world does nothing but sketch.

If you can learn to convey what you express in the first rough sketch, you're really saying what you need to say in that.

One of my favorite things about sketch comedy is doing parodies and music videos.

If you want to be an actor, you need to learn how to act first, even in sketch comedy.

I love drawing. It's a passion of mine, and I'm a creative person. I always have my sketch book with me.

You can't do sketches enough. Sketch everything and keep your curiosity fresh.

I've started running three or four times a week, which prompts millions of sketch ideas.

A fine suggestion, a sketch with great feeling, can be as expressive as the most finished product.

It's what I've trained for, from the first sketch to the fabric. Making dresses that are different from the usual style, and a lot of fun to wear.

If you want toget the most outof a sketch, youneed to leave bigenough holes forthe imaginationto fit in.

Pawns not only create the sketch for the whole painting, they are also the soil, the foundation, of any position

If you're a good improviser, you improvise well enough that people think that you're doing a sketch.

It's kind of hard coming from 'Saturday Night Live,' which is a sketch-driven show, to a movie.

I normally keep a series of draft in a catalogue type of book in which I scribble, sketch and draw ideas.

No one will ever be as good as Phil Hartman. He was such an amazing genius, and may be the best sketch performer of all time.

I'm only seeing tennis balls these days. And maybe the occasional fashion sketch.

By the time I got to uni sketch comedy was much more fashionable than stand-up.

I love modeling because I get to see everything that inspires me. Then I go home and sketch.

It's a big deal to have Peppermint and Jiggly, two trans women, be on a pre-taped sketch for Saturday Night Live.'

With a sketch show, it's "a bunch of people and they're being funny." In a way that you can't really explain it.

'Mad TV' is one of my most favorite shows of all time and is a huge part of my obsession with sketch comedy.

Tracy Morgan apologizes for his homophobic rant, still no apologies for the sketch about the guy living under the street.

The thing I love about sketch is sometimes it leads you as opposed to you leading it.

When a sketch comes into this three-dimensional form and everybody contributes, it's really fantastic.

My first sketch-writing class was with Kevin Allison from 'The State.' It was so cool.

Though we explore in a culturally-conditioned way, the reality we sketch is universal.

I feel passionately that we need more space on TV for sketch shows for character actors to experiment.

I'm partial to a Muji recycled-paper sketch book and a Sharpie ultrafine marker.

Every time I wrote a sketch that was in my voice, Ferrell would just do it better.

Saturday Night Live was a show that I never thought I would be on, because I didn't do sketch comedy and I didn't do impressions. I was a stand-up.

'Weekend Update' can be presented as a full 20-minute sketch, and there's a lot of room there.

There's sketch, improv, writing, acting, music, and badminton. Those are the seven forms of comedy.

Put your soul in the palm of my hand for me to look at, like a crystal jewel. I'll sketch it in words.

I paint or sketch for two, three hours every day. It keeps me sane.

With Red Skelton, you could fall flat on your face and he'd do his sketch around it.

I've always drawn a lot. I like the idea of turning a 2-D sketch into a 3-D thing very quickly. And clothing is really good for that.

I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.

I sketch while I'm on set, and it's a way for me to record all of the locations I've been to. I don't keep a diary but a sketchbook.

There have been times where I have said, even in a sketch that I'm not in, 'I don't think you should be making that joke at the expense of Asian people.'

I can sketch up a storm, and I'm very involved in how clothes are constructed, but I have a short attention span.

It is this language of values which I hope to bring to my books. . . . I want to bring values to those who have not been valued, and I want to etch those values in terms of the ideal. Young people need ideals which identify them, and their lives, as central . . . guideposts which tell them what they can be, should be, and indeed are.

A sketch book freezes time. It is an instantaneous form of meditation focusing us on the worth of every passing moment.

Before I ever begin writing a new story, I have to sketch my characters out on paper. It's part of my process of understanding who they are.

We pencil-sketch our previous life so we can contrast it to the technicolor of the moment.

We criticize a man or a book most sharply when we sketch out their ideal.

Without a doubt in sketch comedy there are fewer women than men.

As an artiste, I made sure that the character sketch and look of each mother I played was different.

The best sketch shows are from a group of tight-knit people who've worked together for a really long time.

Animation is very similar to sketch comedy: you have a short amount of time to do something big and ridiculous and funny.

In sketch comedy, wear your character like a hat, not a suit of armor.

Rejection process is not fun. It's the red pen on the page, the discarded sketch, sometimes is the only way forward.

There's a common misconception with sketch comedy that you just go up there and wing it, but it's written, and there really is order.

From my sketch files I'll find a pose that shows the emotion behind a particular character's story.

Graphic novels are such a visually creative world - it's really interesting what they can do in one sketch. Now I'm hooked.

I did a lot of standup from ages 19 to 24 but then stopped to focus on sketch with Broken Lizard.

To tell you the truth, I always wanted to be a sketch comedian and a comedy actor.

Working off one genius sketch is not the way great architecture should be made.

It's certainly strange to do sketch comedy with cue cards at midnight in a skyscraper as opposed to in a basement with your friends.

I would go to sketch groups and draw. I really enjoyed the subject matter, but I wasn't good at it.

When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.