Top 1200 Everyone Has A Story Quotes & Sayings

There is an incredible film, 42. It's the incredible story of Jackie Robinson. I have extolled the virtues of this movie to everyone I meet. I've given quotes to everyone I talk to.

I think everyone is introduced to the Peter Pan story when they're very young. Everyone has read the book and watched the Disney film and all that.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Everyone has a story, and the story changes, and the more I can root into the truth of things - it's so hard - I don't think anyone ever really puts it all together. But somewhere along the way it all became fused.

Nietzsche said that everyone tells themselves the story of their life. That's true about countries, too. We're constantly telling ourselves the American story.

It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.

You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.

A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.

Film directing is really undermined if you attempt to do it by committee because there has to be a single vision as to how to tell a story. It's like if you were at a campfire, and everyone is taking turns to give one sentence in telling a horror story. It would be a mess - it's not going to make sense.

It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.

It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.

I think when we get to a place that this is not the story, that everyone's story is a part of the story, then we can say this has changed. Until then, these are steps to change if they're consistent.

Everyone in Hollywood wanted a role in this movie. Everyone wanted to have a part in it. I feel so lucky that I got one, but what I find so cool about 'Hunger Games' is that the real star is the story itself.

Everyone's got something that they've held onto from their childhood or from a past relationship, someone who's told you what you are, and it's leaving all that behind and living a happy life and realizing that a lot of that is inside you - really uncovering that. The story - those themes - are heavy themes that everyone can connect to.

Everyone wants to talk about terrible breakups. Breakups are horrible, they're relatable, and people do them badly. Everyone has a story of a terrible breakup.

Everyone has their story. Everyone has issues. You have to face your fears.

Everything I write is mostly relatable to everyone and since everyone cannot write, they feel like Sudha Murthy is writing their story. I am your writer next-door.

If a story is not about the hearer, he will not listen. And here I make a rule—a great and interesting story is about everyone or it will not last.

I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.

The Prodigal Son story is, I think, the greatest short-story ever written. It has such drama in it, such great characters, it's so clear and concise, and it's entertaining in the sense that everyone can relate to it. But you have no doubt what our Lord was trying to communicate in the heart of that story. So the truth was not sacrificed on the altar of entertainment in that case. And it can be.

With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.

When you look at a person, any person, everyone has a story. Everyone has gone through something that has changed their life. Anxiety, depression and panic attacks are not signs of weakness. They are signs of trying to remain strong for way too long.

This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.

It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.

It's not just that everyone has a story. It's that everyone has a thousand stories. Everyone is infinite.

Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.

Since I have been called up I think I have heard from everyone I have ever come into contact with in football, which is nice. Everyone has played their own part in my development and has a story to tell on my journey.

My life story is the story of everyone I've ever met.

This is one of the reasons I'm so interested in stories. Because everyone has a story in their life, and when their story doesn't make sense, that's when we get depressed, I think.

I'm very drawn to the story of Carla Bruni. Why is everyone talking about her? Specifically because everyone sees the first lady, but they know she was somewhere, topless, and had some Hollywood lover. There is some contrast in this person. I have these contrasts.

Everyone loves a love story, and everyone wants to know who's getting on with who, it's what makes the world go round.

Everyone goes through things; everyone has a story. That's why strangers are so interesting. I don't find a single human being boring, man.

There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.

Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.

There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.

You know when you tell a self-deprecating story at a dinner party, everyone's laughing along with you? But then when someone else repeats that same story at another dinner party you feel they're all laughing at you?

Literature offers us all, writers and readers, the best method of discovering and retelling the changing story of ourselves. The story is both journey and surprise. And as everyone knows, even the past is altered, depending on, not the facts, but the interpretation.

I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.

Everyone has their own story and that’s something I hope for everyone to learn at a young enough age. Just because something is right for someone else doesn’t make it right for you. It’s cooler to be yourself.

Trinkets' is based on a book, so sometimes to take one book and spread the story out so much doesn't really do the story justice. Everyone just decided that two seasons would be the perfect amount of time.

A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.

The incredible talent that has assembled at Hyperloop One is what is making it possible. I don't just think it's a technology story, I think it's a human story. It's those hearts and that passion of everyone and the commitment that is distorting reality and making this possible as fast as it is.

Everyone has a story.

You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.

Everyone has something that scares them. Everyone must make a choice at some point whether to be brave. Everyone has a story.

I mean, I think everyone at this level has a chip on their shoulder. Everyone's got a story. Everyone has had to go through some adversity to get to where they are at so, I guess, we all do.

A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.

It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story.

'The Story Of A Marriage' was initially a short story I wrote, and before that, it was a family story. It was a story that a relative of mine told me about herself in the '50s, and it was a story that no one else in my family believes, and it might not be true.

For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting.

I marvel at the many ways we, as black people, bend but do not break in order to survive. This astonishes me, and what excites me I write about. Everyone of us is a wonder. Everyone of us has a story.

The story of Google is just when everyone concluded that a search engine would never make any money, everyone backed out of it, and Google walked into that vacuum and dominated.

The "I've tried everything" story ensures failure. You must create an empowering story that recognizes that everyone has failed a lot but successful people have found a way to rebound until they succeed.

Everyone has a story; everyone hides his past as a means of self-preservation. Some just do it better, and more thoroughly, than others.

The Universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the Universe in the trees. Everything tells the story of the Universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.

Everyone is introduced to the Peter Pan story when they're very young. This story is part of everyone's life.

Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.

I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.

But many, many stories were told; from what could be gathered, all fifty of the mine's inhabitants had reacted on each other, two by two, as in combinatorial analysis, that is to say, everyone with all the others, and especially every man with all the women, old maids or married, and every woman with all the men. All I had to do was to select two names at random, better if different sex, and ask a third person, "What happened with those two?" and lo and behold, a splendid story was unfolded for me, since everyone knew the story of everyone else.

I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.