Top 1200 Everyone Has A Story Quotes & Sayings - Page 4

Explore popular Everyone Has A Story quotes.
Last updated on April 21, 2025.
When you are with everyone but me, you're with no one. When you are with no one but me, you're with everyone. Instead of being so bound up with everyone, be everyone. When you become that many, you're nothing. Empty.
Everyone has kind of done something that is bad and everyone has shades of good, but everyone has that darkness. There's always that little twinkle of darkness in everyone's eye.
Wakolda or The German Doctor is a very intimate story. It is the story of a teenage girl and the way she falls in love with a monster. It is the story of a hunt and of a seduction.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
The phenomenon of vampires has always appealed to me. Everyone kind of likes a vampire story because it almost could be true. — © Bill Nighy
The phenomenon of vampires has always appealed to me. Everyone kind of likes a vampire story because it almost could be true.
Everyone knows my story and lots of people have been disappointed in my deterioration as a man. But they can see I'm trying to get better.
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
I think you can't go into any story-breaking process thinking, 'What if they come off as unlikeable?' You just gotta break the story because if you know who your character is, the story will tell you. The story will dictate and say, "This feels off-kilter for this particular person."
The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.
If you can imagine the story of the world as a giant movie, to not have some understanding of the Bible - its story, its history, and its impact - would be like watching a great movie and removing part of the plot. It can't be done. The real truth is that everyone regardless of faith tradition benefits from knowing and understanding these aspects of the Bible. It enhances one's knowledge of literature, science, art etc. It's difficult to read any classic work of literature for instance and not see biblical allusions.
Lore is my favorite kind of story. Because it's not only historical, it's a lie everyone knows is a lie but tells anyway. I love that. Of course every story I tell is true. Completely true. Completely and utterly at least five-eighths of the way to being true, which is truer than any piece of lore and truer than most truths you'll hear.
Whether you work in news, sport, politics, whatever, it's exactly the same; a story is a story, is a story. I consider myself first and foremost a journalist.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
Because Lincoln is so closely identified with what it is to be American, everyone wants to claim him, to rewrite his story to satisfy their own particular needs.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
Whether it's as the hero of an adventure story, as teacher and friend, as icon on watch, shirt or hat - everyone knows Mickey Mouse. — © Warren Spector
Whether it's as the hero of an adventure story, as teacher and friend, as icon on watch, shirt or hat - everyone knows Mickey Mouse.
I think a family is the best way to open up the appeal of a show because everyone has a mother. Everyone has a father. Everyone has cousins or siblings. Everyone's trying to pursue their romantic ideals and their relationship ideals.
How many times do you read about 'the Cinderella story,' the story of the underdog, the story of the ordinary human being, often subjected to cruelty and ignorance and neglect, who somehow triumphs?
You don't pay any attention to anything anyone else says, no opinions. The important thing is to explode with a story, to emotionalize a story, not to think it. You start thinking - the story's going to die on its feet.
Professional cinema image-taking should integrate, serve, interest, and enhance the story. I judge cinematography not just for a story well told but for what the story is.
We, in America, love a story - we need a story to get involved in. But then everything becomes more about how the story protects a certain perception as we pick sides.
When you have your chance to make a film, don't focus on pleasing everyone. I think the goal is to live in that sweet spot where you focus on making a good film and you have fun with your collaborators, but you don't waste your energy chasing approval every which way. When you have a vision and a good story and you've managed to raise funding, it is your approval as a director that everyone should be seeking. It's very simple.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
I had always felt life first as a story: and if there is a story there is a story-teller
A story is a way to say something that can't be said any other way, and it takes every word in the story to say what the meaning is. You tell a story because a statement would be inadequate. When anybody asks what a story is about, the only proper thing is to tell them to read the story. The meaning of fiction is not abstract meaning but experienced meaning.
When everyone is determined to present someone as a monster, there are two possibilities: either he’s a saint or they themselves are not telling the whole story.
The story of my life is profoundly unclear. It is a rock-and-roll story and, at the same time, a story of my walk with Christ. The two are melded together in ways both unpredictable and unsure.
The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
One the reasons I talk about my story is I want other people who are in the circumstances I was in to understand they are just as good and as valuable as everyone else.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from.
My film is very simple: An Eastern European story full of black humor about things everyone can feel and understand.
When you hide another story in a story, that’s the story I am telling the children.
Story is the umbilical cord that connects us to the past, present, and future. Family. Story is a relationship between the teller and the listener, a responsibility. . . . Story is an affirmation of our ties to one another.
Every story teaches you how to write that story but not the next story.
The story of the Kelly system is a story of secrets - or if you prefer, a story of entropy.
Loneliness is the inability to share your story, your Unique Self story. For most people, the move beyond loneliness requires us to share our story with a significant other. For the spiritual elite, the receiving of our own story - and the knowing that it is an integral part of the larger story of All-That-Is - is enough. But for most human beings, loneliness is transcended through contact with another person.
I think the love-hate is fundamental. Everyone hates reality television, and everyone's watching it. Everyone hates Facebook, and everyone is on it.
I'm so happy that we're finally hearing the stories and voices of women who make America. We do what we see, not what we're told, so an incomplete story of this country damages everyone.
I'm reading George Saunders's story collection, "Tenth of December." He was my mentor at the University of Syracuse. The stories are mind-blowing like everyone says.
Everyone's always interested in a dark theme, especially when there's humor connected to it. It seems like that helps, if that's an integral and organic part of the whole story.
If only these walls could talk…the world would know just how hard it is to tell the truth in a story in which everyone’s a liar. — © Gregg Olsen
If only these walls could talk…the world would know just how hard it is to tell the truth in a story in which everyone’s a liar.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from
Everyone thinks my story should be marked by heroism, but there was no risk to myself. You see, no-one in Prague at that time thought they were going to be at war with England.
Francois Truffaut was my godfather on 'Sugar Cane Alley.' He believed in me and in that story, and told everyone that it should be made.
Everyone knows and loves Elton John's music, but the true story of his life is so incredible that it can only be described as a fantasy.
The mystery story is two stories in one: the story of what happened and the story of what appeared to happen.
Big Data is like teenage sex: everyone talks about it, nobody really knows how to do it, everyone thinks everyone else is doing it, so everyone claims they are doing it.
All these years I've had a story in my mind, the story about us that never really existed. And because of that story, I've kept you framed up on the wall in a little box of nostalgic moonlight.
Everyone was very deeply involved in the world of 'The Lord of the Rings'. From the wardrobe department to lighting, all were fascinated with the story. This is something that does not happen usually.
Everyone has a story that makes me stronger. I know that the work I do is important and I enjoy it, but it is nice to hear the feedback of what we do to inspire others.
One of the crucial things to the story of 'Harry Potter's' success is just how well everyone got on. There were never any problems with anybody. — © Matthew Lewis
One of the crucial things to the story of 'Harry Potter's' success is just how well everyone got on. There were never any problems with anybody.
Everyone is here on earth as an artist; to tell his particular story or sing her irreplaceable song; to leave a unique creative signature.
I treasure the Bible. I live in it and work on it all the time. But it is not the word of God. It's the tribal story of a particular people, and the best thing about that story is that the story keeps growing and evolving.
The Jewish story is the story of wandering. It is the story of extraordinary heterogeneous complication.
Without the story - in which everyone living, unborn and dead, participates - men are no more than bits of paper blown on the cold wind.
I wanted to write a story about a future where everyone has a secret identity, in part because the Internet no longer exists.
Foreign novels are less action-oriented. They have a different pace; they’re more reflective. They challenge us to look for the story, find the story within the story.
If there is anything interesting about my story it's the fact that it's not unique at all. I feel that I have been through what almost everyone I know has - a slow and gradual maturation process.
In Norway, everyone knows everyone, and everyone is very supportive of each other. If there is anyone new, or a new song is coming out, everyone will probably know about it.
When you mimic everyone, sometimes authority figures really don't appreciate it which is not an original story. And pretty much every comedian has some tale of that.
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