Top 1200 Evolution Of Language Quotes & Sayings - Page 15

When you are challenging the young, they can come back at you with language of tremendous power and they are no respecters of sacred cows, you know, the young. There's nothing politically correct about the average young Australian when it comes to use of language.

Language is a weapon of politicians, but language is a weapon in much of human affairs.

Edgar Sawtelle is a boy without a voice, but his world, populated by the dogs his family breeds, is anything but silent. This is a remarkable story about the language of friendship—a language that transcends words.

The beach has a language of its own, with its undulating ribbons of silt, the imponderable hieroglyphs of bird tracks. The receding waves catch on innumerable holes in the sand. Bubbles form and fade. A new language, with a new alphabet.

The language of God is not English or Latin; the language of God is cellular and molecular.

That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.

I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?

Rhetoric is rooted in an essential function of language itself, a function that is wholly realistic and continually born anew: the use of language as a symbolic means of inducing cooperation in beings that by nature respond to symbols.

Perl was designed to work more like a natural language. It's a little more complicated but there are more shortcuts, and once you learned the language, it's more expressive.

By a generative grammar I mean simply a system of rules that in some explicit and well-defined way assigns structural descriptions to sentences. Obviously, every speaker of a language has mastered and internalized a generative grammar that expresses his knowledge of his language. This is not to say that he is aware of the rules of the grammar or even that he can become aware of them, or that his statements about his intuitive knowledge of the language are necessarily accurate.

Evolution throws a wonderful light on all the struggles, eccentricities, tortuous developments of the human conscience in the past. It is the only theory of morals that does. And evolution throws just as much light on the ethical and social struggle today; and it is the only theory that does. What a strange age ours is from the religious point of view! What a hopeless age from the philosopher's point of view! Yet it is a very good age, the best that ever was. No evolutionist is a pessimist.

I do try to incorporate particular rhythmic and generally sonic motifs I discover in music as such, and if one thinks of language in a narrow sense, that, perhaps, suggests a possibility for a rhythmic sensibility that enters poetry from outside of language.

Syntax is the study of the principles and processes by which sentences are constructed in particular languages. Syntactic investigation of a given language has as its goal the construction of a grammar that can be viewed as a device of some sort for producing the sentences of the language under analysis.

I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.

The top 10 verbs in the English language are all irregular, even though irregular verbs make up only 3 per cent of the language.

Learning to read in one language helps us read a second language.

I was always aware of what the language I was using meant in terms of my bond with my parents - how it defined the lines of affection between us. When I spoke English, I felt I wasn't completely their child any more but the child of another language.

Language is always evolving. It's difficult to read Shakespeare now because language has shifted. Similarly, kids these days can get to the point really quick in about 140 characters or less because of these new tools.

There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.

My first language, the true language of the soul spoken only on our planet of origin, had no word for betrayal or traitor. Or even loyalty- because without the opposite, the concept had no meaning.

I think the most important work that is going on has to do with the search for very general and abstract features of what is sometimes called universal grammar: general properties of language that reflect a kind of biological necessity rather than logical necessity; that is, properties of language that are not logically necessary for such a system but which are essential invariant properties of human language and are known without learning. We know these properties but we don't learn them. We simply use our knowledge of these properties as the basis for learning.

The first song I remember listening to in a language other than German was 'Goldfinger,' by Shirley Bassey. I was seven years old at the time and I had no idea which language it was or who the lady was singing it, but it touched me and I realised that it was the sort of music I liked.

Understanding Scripture in a language other than the heart language in which we think and experience emotion is "like trying to eat soup with a fork. You can get a little taste, but you cannot get nourished.

The Pleiadians are very much part of our evolution right now, and I think one of the most common questions people ask, "What is in it for the Pleiadians? Why are they supporting us in this way?" The best answer is that they will benefit from our evolution, just as the whole universe will. As we evolve and come into a deeper understanding of our grandness, our sacred nature, then we become more connected into the universal community as a group, and we need to return to that whole God Consciousness state.

In general, I agree with Jacob Grimm and feel that we ought to permit changes and uncontrolled growth in language. Even though that also allows potentially threatening new words to develop, language needs the chance to constantly renew itself.

I sat staring, staring, staring - half lost, learning a new language or rather the same language in a different dialect.

Real novelists, those we admire, those we consider timeless in their language and character and scene, those who receive accolades for inventive language and form, have writing lives we imagine in specific ways.

Faith talks in the language of God. Doubt talks in the language of man.

Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.

There may be no more-radioactive term in the English language than what we now almost always refer to as the 'n-word' - itself a coy means of linguistic sidestepping that is a sign of how perilous it is to utter the thing in full, even in conversations about language.

Speak the language of high intelligence, and thus you speak the language of God.

The act of language or the act of denying language carries its own heaviness.

In some countries, of course, Spanish is the language spoken in public. But for many American children whose families speak Spanish at home, it becomes a private language. They use it to keep the English-speaking world at bay.

I haven't any language weak enough to depict the weakness of my spiritual life. If I weakened it enough it would cease to be language at all. As when you try to turn the gas-ring a little lower still, and it merely goes out.

The history of humanity is the history of human freedom...Freedom is not, as Engels thought, "the recognition of necessity." Freedom is the opposite of necessity. Freedom is necessity overcome. Progress is, in essence, the progress of human freedom. Yes, and after all, life itself is freedom. The evolution of life is the evolution of freedom.

If human language, with its logic, is the way God has given us to understand the world, then the Torah must be understood in that same language and with that same logic.

But all this language gotten, and augmented by Adam and his posterity, was again lost at the tower of Babel , when by the hand of God, every man was stricken for his rebellion, with an oblivion of his former language.

Creationists reject Darwin's theory of evolution on the grounds that it is "just a theory". This is a valid criticism: evolution is indeed merely "a theory", albeit one with ten billion times more credence than the theory of creationism - although, to be fair, the theory of creationism is more than just a theory. It's also a fairy story. And children love fairy stories, which is presumably why so many creationists are keen to have their whimsical gibberish taught in schools.

As a linguist, I don't think of Ada as a big language. Now, English and Japanese, those are big languages. Ada is just a medium-sized language.

I hate all that nonsense about not touching the colonialists' language. All that about it being corrupting and belonging to the master and making you Caliban. That thinking just denies you an outlet. You deny everything that is great from a language, whether it is Conrad or Shakespeare.

I try to connect to human emotion. I'm always looking for something primal, something really base that is beyond language, that people understand beyond language.

I make the case in the book that Standard English, that language we all aspire to live and move and have our being within, is actually based on a fiction. It's not anyone's native way of speaking or writing. That's why we have to take classes in it. Language is just really squishy.

It is still not enough for language to have clarity and content... it must also have a goal and an imperative. Otherwise from language we descend to chatter, from chatter to babble and from babble to confusion.

It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?

Learning astrology is like learning any foreign language. You already have the ideas, concepts, and experiences of your life within you; you are just learning a new language for what you are already experiencing.

The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.

At all periods of the [English] language it is difficult to assign a beginning date to most new words and meanings. They tend to slip into the language silently, and are placed in date order only when scholars subsequently get to work.

Ownership of thought depends on the thinker not subordinating himself to a 'ruling thought'. This is particularly difficult, argues Stirner, ... for language itself is a network of 'fixed ideas'. Truths emerge only when language is reworked and possessed individually.

Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss.

He always reminded us that every atom in our bodies was once part of a distant star that had exploded. He talked about how evolution moves from simplicity toward complexity, and how human intelligence is the highest known expression of evolution. I remember him telling me that a frog's brain is much more complex than a star. He saw human consciousness as the first neuron of the universe coming to life and awareness. A spark in the darkness, waiting to spread to fire.

I might move to Finland, at least for a while, to learn the language a bit better, 'cause you don't learn any language better than in the country itself.

Language is always evolving. It's difficult to read Shakespeare now because language has shifted. Similarly, kids these days can get to the point really quick in about 140 characters or less because of these new tools.

They're on their way to the foreign-language wing. That's no surprise. The foreign kids are always here, like they need to breathe air scented with their native language a couple times a day or they'll choke to death on too much American.

English was my fourth language. I arrived, I enrolled in public school, as a child, I believe I was about six years old when we finally landed in Michigan. And I was initially put in special education because I couldn't quite wrap my mind around the English language because I was listening to Hungarian and Albanian and German. My mind broke down like I couldn't quite wrap my mind around the fourth language.

Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.

There is behavioral ecology, which looks closely at the difference different ecologies make to behavior and other features of animals and humans. There's evolutionary individual psychology, there's evolutionary social psychology. In Darwin's terms, evolution couldn't exist without variation, and variation is important in behavioral genetics. And so on, and so on. There are so many instances in which evolution actually sharpens the precision, I think, with which one can find out the importance of differences. We're interested in differences as well as commonalities.

It's not only exciting to watch, but you can also speak a different language with each other. It's a music language that's unique, compared to what other parents do, especially in their professional lives. Not everybody can talk about being an accountant.

Speaking, writing, and signing are the three ways in which a language lives and breathes. They are the three mediums through which a language is passed on from one generation to the next.

The real problem in speech is not precise language. The problem is clear language.

In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.