Top 95 Extras Quotes & Sayings - Page 2

I did a Coca-Cola commercial when I was about two and a half years old, and then me and my family were extras in a bunch of Westerns. I loved dressing up and stepping into this imaginary world, and it was fun to get outside of my tiny little town with a bunch of movie weirdos.

I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.

Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.

We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.

I found myself face to face with a long line of people resembling extras off the set of Night of the Living Dead: shuffling along, pale and twitching, empty cups in hand -- murderous. Miserable. No matter that the air was rich with vapors of fresh-ground beans and warm muffins; no matter that the soft piped-in Vivaldi poured over us like steamed milk. These angry zombies were rushing to work, and their eyes flashed fair warning: Don't mess with us. We haven't had our coffee.

When one does not have what one wants, one must want what one has”: “I have had, you see, to resort more and more to very small, almost invisible pleasures, little extras. You've no idea how great one becomes with these little details, it's incredible how one grows.

The first role as "Fashion Show Guy" should not be on my IMDb anymore. That's the sort of thing you put on your IMDb when you have no credits and you really just want to have a line on your résumé. I had just gotten to New York and there was a massive open call for extras for Sex and the City. One of my college roommates' buddies - there was some connection - she worked in the office and saw my name in the massive stack of randoms just trying to be on the show, which was a big hit. She's like, "I know this dude. Let's throw him in there."

This movie will actually increase the sex life of parents everywhere because they can put this on, with the 45 minutes of extras and they've got almost two hours to do whatever they've got to do while the kids watch the movie.

Everything has happened so fast for me that I sometimes can't take it all in. I'm a huge 'Friends' fan, and meeting Matthew Perry in L.A., where he was as keen to talk to me about 'Extras' as I was to him about 'Friends,' was amazing.

Things that go on at Happy Times are very funny this year, and if you were watching last year, some of the people you saw then as basically extras emerge as real characters in their own right this season, at least to some degree.

There is nothing in which deduction is so necessary as in religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its colour are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.

I remember my first taste of American big movies was 'Ghost Rider.' I'm in two little scenes. But for those two little scenes they had 400 extras, upside-down stunt cars, and a fire brigade.

The Russians were all really accommodating, and that made it really special. To be allowed in Catherine's Summer Palace...Lily [James] and I have this scene where we fall in love and we waltz up and down this enormous gold hall with thousands of candles and a live orchestra and 300 Russian extras. To do those scenes in situ really meant it was a once-in-a-lifetime job.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.

On "[Total] Recall" also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.

I never had any urge or desire to do like a big spectacular movie with thousands and thousands of extras. I'd rather watch paint drying. But put me in a room with three people having a hard time, like a character situation, and then you're into a really intense portraiture kind of concept.

Out of all the neighborhoods in Manhattan, Soho in particular had the charged atmosphere of a movie set, populated with passersby who looked like extras from Central Casting, so perfectly did they fit into this environment. There was the feeling of everything being not quite real, or too perfectly cliched to actually be true, and it began to rain in a fine, misty drizzle from a black patent leather sky.

I know what it’s like to be manipulated, Aya-la. And I know what it’s like to be in danger. While your city was building you mansions to live in, my friends and I have been protecting this planet. We’ve spilled more blood than you have flowing in your veins. So don’t try to make me feel guilty! -Tally Youngblood, Extras

Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.

'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.

Quentin wanted to create this special world in which everybody walks around with a samurai sword, extras in the airport, a special little place in the airplane to stick your samurai sword.

The best set was probably 'Bloody Sunday.' We had no money for extras and gambled on months of outreach to persuade the people of Derry to turn out and march for us on one single afternoon. And they did. In their tens of thousands. Seeing them march, their patience and their dignity and their commitment, I knew the movie would have a quality of truth.

I grew up doing theater when I was very young - always enjoyed it. Studied it in college, got my degree in it, and never really had the guts to do it professionally. But one summer, a friend of mine was with an extras agency and asked me if I wanted to be an extra with him in a movie, and I was, like, "Sure." At lunch, the writer came up to me and asked me to audition for a role. I got it, and it sort of snowballed from there.

I started making movies in my late 20s, that time in an artist's career that often sees artists just imitating things that he or she loves. I just wanted to be great like L'Age d'Or vintage Buñuel. I wanted to be Busby Berkeley, for crying out loud! I wanted to have chorus girls stomping their heels in my casting office. I wanted to be Erich Von Stroheim monogramming underwear for extras. So I started off my career doing that, and that was fun, but I realised I wasn't very good at it.

The arts are what makes life worth living. You've got food, you've got shelter, yeah. But the things that make you laugh, make you cry, make you connect - make you love are communicated through the arts. They aren't extras.

I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident that it was her album that ended up selling 27 million copies worldwide.

Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.

If it is a cocktail party, I think bringing your partner, husband or wife is fine. To a certain extent, when someone throws a party, they expect to have people over. If it's a seated dinner, though, you should check beforehand. Asking to bring your partner is fair. Asking to bring eight friends from college is not. A good hostess will always accommodate extras and stragglers, but she'll never forget who brought them.

Recently I stood in the desert, far out side of L. A., and watched the sun set on a circus tent from 1930. Every where stood animals: elephants, tigers that should be loaded into a steam train. 300 extras in costumes raced around, the modern world had disappeared totally. Although that was totally fake, it still happened directly before my eyes! That was my perfect day. I would be gladly experience that every day. It happens continually to me: It calls itself work. That is wonderful and more than enough.

If you play men, in a way it's easier. You can have a voicebox, you can have false hair, mustaches, wigs, you can have all kinds of stuff. But when you're playing women playing men, you only really have yourself to work with, plus tiny little extras.

I was on my way to law school when a friend of mine at an extras agency said, 'Do you want to come to this movie set and get paid $100 bucks a day to pretend you're at a party?' And I was like, 'Yeah, summer holiday, let's do it.' So I went, and on lunch, the writer asked me to audition for a role, and I got it.

I did study drama at Catholic U, but the undergraduates weren't put in productions, really, except as extras, and it wasn't a hands-on kind of thing at all. I couldn't afford to go to another college. And my grandparents lived in D.C., so I was able to live with them, and that's how I was able to afford it at all.

I did this movie called 'Their Eyes Were Watching God,' and I was an extra, and it was a movie that Oprah was producing. She had walked by, and I was making all the other extras laugh, and she said, 'You're a very funny young lady.' I was like, 'Eeeee!'

When I am dreaming at night, I see everything as a shot from a movie. I have cranes and extras in my dreams. I swear to you! It doesn't happen every day, but many nights my dreams are like a movie. I don't see normal movement - I see things in very complicated shots.

My mother was very passionate about life and she would do anything for us. And she had to fight alone to raise us. We never had a lot of money for extras or anything. She had to work six days a week, and then she would do breakfast, lunch and dinner. She was a super-woman! For me, I don't know how she did it with three kids.