Top 1200 Eye Color Quotes & Sayings - Page 7

Explore popular Eye Color quotes.
Last updated on November 15, 2024.
The moon is bland in color. I call it shades of gray. You know, the only color we see is what we bring or the Earth, which is looking down upon us all the time. And to find orange soil on the moon was a surprise.
The most abundant hue in nature, the human eye sees more green than any other color in the spectrumas it has throughout history, multifaceted emerald continues to sparkle and fascinate. Symbolically, emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today's complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.
I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.
I believe a writer is an eye, a pervasive eye that sees the reality that surrounds us, as well as the impression it makes on our souls. It reacts — or does not react — by putting it on paper.
As our Father makes many a flower to bloom unseen in the lonely desert, [let us] do all that we can do, as under God's eye, though no other eye ever take note of it. — © Hudson Taylor
As our Father makes many a flower to bloom unseen in the lonely desert, [let us] do all that we can do, as under God's eye, though no other eye ever take note of it.
I don't believe any color in particular can bring good luck. I think it's just a coincidence that I was introduced in white costumes. That said, the color is very soothing. So, my house is all white.
The best way to protect young black, brown, men of color, women of color, is to actually stop profiling, stop the prejudice, and stop the judgment first.
As a makeup artist, I learned quickly that the color of your lips affects the way a lipstick looks. If you see your friend wearing a great color, don't assume it will be right for you.
Comedy historians take note: this Gottfried character doesn't have the best eye for detail - and, for a Jew, he doesn't have the best eye for retail, either.
Flirting all starts with eye contact! You can tell a girl is into you if she's across the room and still making eye contact with you.
I still gasp at the revealing lingo for weapons: erector launchers, thrust ratios; my teeth grind reflexively when Dubya sputters Eye-Rack and Eye-Ran have 'nookyular capabacity.
One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state. Much can be implied by suggestion, but statement demands certainty... absolute certainty.
I think 'tradition' is in the past - and how can someone really 'fear' a color? A man may prefer navy to turquoise, but a self assured man could wear any color and he knows that. It's a distinction of confidence.
Getting hit in the eye is scary thing, not like a tooth or finger. You get hit in the eye, you only got two of those.
With a creature, there's no voice, so the eyes become the voice. When you get eye-to-eye contact, a real connection, it's limitless - and incredibly thrilling.
I'm a fighter. I believe in the eye-for-an-eye business. I'm no cheek turner. I got no respect for a man who won't hit back. You kill my dog, you better hide your cat.
I think that sometimes we put undue pressure on stories featuring people of color, and I hope we get to a point where it's not such a rarity to see a person of color be the hero of a story, so that it can just be a story and not have to carry so much weight.
The healthy eye ought to see all visible things and not to say, I wish for green things; for this is the condition of a diseased eye. — © Marcus Aurelius
The healthy eye ought to see all visible things and not to say, I wish for green things; for this is the condition of a diseased eye.
Concentrate on a single feature - as, build all toward one eye - make all lines lead toward that eye.
By logic, it's a handicap. If I shut one eye, I can't see from the other eye. But it is one of those things which I don't think too much about. One needs to have the strength to move forward.
Anybody who's a mythology ... there's always a fear. That's why we don't like people whose skin color is different, whose eye slant is different, or whose worship is different. It makes them feel insecure. So we strike out. The thing that bothers me most about the Christian church today is that we spend our time confirming people in their own sense of wretchedness.
When there is no longer a cyclone, there is no longer an eye. So the storms, crises and sufferings of life are a way of finding the eye.
We stand for a use of color free from the imitation of things as colored objects. We stand for an aerial vision in which the material of color is expressed in all of the manifold possibilities our subjectivity can create.
I became a chameleon. My color didn't change. But I could change your perception of my color.
The older I get, the more I feel that color is what painting is. Painting is primarily color.
I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.
The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
There is nothing nobler or more admirable than when two people who see eye to eye keep house as man and wife, confounding their enemies and delighting their friends.
I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
You don't have to see eye-to-eye to walk hand-in-hand. You just have to want to go in the same direction.
We have had bird's-eye views seen by mind's eye imperfectly. Now we will have nothing less than the tracings of nature itself, reflected on the plate.
The first time I ever saw people of any color was when D-Day left from my hometown in England, to go and free Europe from the war. And there was every color you could imagine, and I'd not seen that in England.
That old law about 'an eye for an eye' leaves everybody blind. The time is always right to do the right thing.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
I guess we speak pretty loosely, don't we, about looking forward to the Ashes and all that-and we are, but it's not with both eyes. We've got one eye on that and one eye on what we need to get in place to make sure we're the best team we can be for November.
Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.
I go in for the eye test, and I don't know about you, but I concentrate like crazy during the eye exam. You don't want to get no 'D' on that thing and end up with these big thick Coke bottle glasses.
One of the reasons I don't see eye to eye with Women's Lib is that women have it all on a plate if only they knew it. They don't have to be pretty either.
Red certainly is the family color. From my mother and my grandmother, I've learned a lot of little tricks - the significance of color and lipstick being one of them. I started skating when I was eight years old, and my mom did my makeup for me back then.
I feel it is the heart, not the eye, that should determine the content of the photograph. What the eye sees is its own. What the heart can perceive is a very different matter.
We here a blink of an eye, even if we make it 75, 80 years, you still here a blink of an eye. Enjoy it. — © Eddie Griffin
We here a blink of an eye, even if we make it 75, 80 years, you still here a blink of an eye. Enjoy it.
As a man, if you got a problem with somebody, you sit down face to face and you talk to them eye to eye. And you hash it out and move on.
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
I like light, color, luminosity. I like things full of color and vibrant.
Orange is an underrated color, it's the second most underrated color after yellow.
I love working with the actors eye-to-eye. I think something gets lost in translation, not only through a monitor, but when you leave the area where the actual scene is taking place.
I don’t believe in eye-for-an-eye. The most incredible, sustainable, beautiful movements have been non-violent movements of civil disobedience.
They say beauty is in the eye of the beholder, but us sheep know, true beauty is not in the eye: it lives in the mind.
Print is predictable and impersonal, conveying information in a mechanical transaction with the reader’s eye. Handwriting, by contrast, resists the eye, reveals its meaning slowly, and is as intimate as skin.
This is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye and spirit. To see the sun sink down, drowned in his pink and purple and golden floods, and overwhelm Florence with tides of color that make all the sharp lines dim and faint and turn the solid city to a city of dreams, is a sight to stir the coldest nature, and make a sympathetic one drunk with ecstasy.
My favorite shampoos and conditioners are from Pantene's Damage Repair line, but I also love the Color Preserve Shine collection. I get highlights here and there to brighten my look, so the Color Preserve shampoo and conditioner is great for protection.
Until justice is blind to color, until education is unaware of race, until opportunity is unconcerned with the color of men's skins, emancipation will be a proclamation but not a fact.
The university should color itself black and color itself mulatto — not just as regards students but also professors. Today the people stand at the door of the university, and it is the university that must be flexible. It must color itself black, mulatto, worker, peasant, or else be left without doors. And then the people will tear it apart and paint it with the colors they see fit.
Did he happen to select a color too?" "Blue." "Blue?" Victoria burst out, prepared to do physical battle for white. Madame nodded, her finger thoughtfully pressed to her lips, her own hand plunked upon her waist. "Yes, blue. Ice blue. He said you are glorious in that color-'a titian-haired angel,' he said" Victoria abruptly decided ice blue was a lovely color to be married in.
Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid. — © Jules Feiffer
Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid.
The system of white supremacy is intended to make folks of color doubt themselves, their intelligence, their abilities, their very sanity. And so it's important to remember that folks of color know their own realities.
Hand Grasps at hand, eye lights eye in good friendship, And great hearts expand And grow one in the sense of this world's life.
I love being brown, so I love using Guerlain Terracotta Bronzing Powder. I use it everywhere: my forehead, my cheekbones, a little bit by my chin. It gives me a golden balance that I really like. I also use the Becca Shimmering Skin Perfector for my highlighter right underneath my eye. It's a pretty color - it's not too much and not too little.
In Boston, I developed my eye from the drawing. In Paris, I was fascinated by what my eye saw in the way that Paris is built, its 'measure.'
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