Top 1200 Fairytale Ending Quotes & Sayings - Page 3

In his eyes I saw all the other possibilities. The dream-world possibilities. The fairytale possibilities. The seemingly impossible possibilities.

I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.

Schools of science and physics replacing each other at a faster and faster rate. Just the nature of our world is constant revision, constant...negation of previous beliefs, and so...the whole world is a twist ending. Every week is a twist ending.

I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.

Every single morning I wake with a bang,' he said. 'It's as though the fact that I am alive is injected into me; I am a character in a fairytale, bursting with life.

I had this really great amazing thing happen where I almost finished the book and I really needed to come up with an ending and I decided to go back and re-read the book and see if I could come up with an ending.

As a reader, coming to my reading as a writer immersed in fairytales, I can't help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so I'm very excited when I notice that.

The more truly we can see life as a fairytale, the more clearly the tale resolves itself into war with the dragon who is wasting fairyland.

Edinburgh is a sort of gothic fairytale city, and it can be a gothic horror city as well.

Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.

You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.

Giraffes are fairytale animals, almost heraldic - as if from the land of fables. They have extremely beautiful faces, huge eyes, very sensitive nostrils and oh, blue tongues!

As a reader, coming to my reading as a writer immersed in fairytales, I cant help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so Im very excited when I notice that.

I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.

Women want the fairytale. Not all women, of course, but most women grow up dreaming about the kind of man who would risk everything for them, even knowing they might get hurt.

Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.

Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.

I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.

When I was little, the idea of waking up as a girl was like a fairytale. I had this idea that I'd meet a witch who would transform me. From the moment I found out that it was actually possible, I went to bed each night feeling that when it happens, it will be the best day of my life. And it was!

The fun and imaginative world of Disney is always full of fairytale fantasies. A Disney damsel is creative and resourceful - especially when it comes to beauty tips and tricks!

I'm a hopeless romantic and I believe that you can find love in many different places and be very conflicted. I've discovered as I've grown up that life is far more complicated than you think it is when you're a kid. It isn't just a straightforward fairytale.

Each of us may think we know exactly what we need to make us happy, what will be good for us, what will ensure we have our happy ending, but life rarely works out in the way we expect, and our happy ending may have all sorts of unexpected twists and turns, be shaped in all sorts of unexpected ways

I found it all very scary. This fairytale gets built around you - as if you've been walking through the streets and then Sydney Pollack sees you and goes, 'I'll put you in something!'

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.

We feel like "Lost" deserved a real resolution, not a "snow globe, waking up in bed, it's all been a dream, cut to black" kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.

True love never has a happy ending, because there is no ending to true love.

While it is true that commercial art is always in danger of ending up as a prostitute, it is equally true that noncommercial art is always in danger of ending up as an old maid.

I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.

A lot of people think that being skinny is the happy ending, and it's not. Being happy is the happy ending.

I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.

One thing that makes me very happy is to have a complicated idea and to feel that I've expressed myself clearly. I remember writing the ending to 'Happier at Home.' I wrote the entire book to build to that ending 'now is now,' and what I had to say was very abstract, and yet I felt satisfied that I managed to say what I wanted to say.

The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.

For me, I sort of felt like it was kind of a fairytale... but an interesting one. I don't know of anybody who has had a romance quite like this, but I certainly know people who have stuck it out.

Even in merely reading a fairytale, we must let go our daylight convictions and trust ourselves to be guided by dark figures, in silence; and when we come back, it may be very hard to describe where we have been.

The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.

With empathy you know in your heart that it's not a sign of weakness to attempt to understand that the people we call terrorists have placed the same label on us, and that the use of force will create a counter force, a never-ending saga of killing and hate. Ending war involves cultivating empathy in our policies and the love of God in our hearts. As the Native Americans reminded us: No tree has branches so foolish as to fight among themselves.

Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.

To the children of yesterday, who have grown up and become parents, and to the children of today, who perhaps shout 'Tottigol,' I'd like to think that, for you, my career has become a fairytale for you to pass on.

We grow up believing that love is like a fairytale that comes with all things good. What no one points out is how hard it is to live up to love or the tests along the way, small or big.

When I was little, I watched a lot of Disney movies - so I always imagined a big fairytale wedding as a kid. But when marriage became real, I felt an intimate wedding with close family and friends would be better.

There are two different categories of love. The first category is called a fairytale. The second category of love is called just another lesson

I had a different perception of what a relationship or love is like. I was all giddy-headed and fairytale about it in my head, but it's so different. There's a lot of restraint that you've got to have, compromising in certain situations - and you've got to have a lot of respect.

If I’d chosen never to the foot inside the great fairytale, I’d never have known what I’ve lost. Do you see what I’m getting at? Sometimes it’s worse for us human beings to lose something dear to us than never to have had it at all.

My first record was about childhood. There were a lot of nursery rhyme and fairytale references; it was all about being naive.

You can understand a lot about yourself by working out which fairytale you use to present your world to yourself in.

We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.

The Brady Bunch is a live action modern fairytale of family. In this context it's less odd that it's lasted for over thirty years; and why it may last in some respects as long as Mother Goose!

I planned for my first film 'Crook' - that it would be a smash hit and I would be an overnight sensation. You know how newcomers are, they live in this whole fairytale, like, 'Oh my God, everything's going to be so good and perfect.'

But all fairytales have rules, and perhaps it’s their rules that actually distinguish one fairytale from the other. These rules never need to be understood. They only need to be followed. If not, what they promise won’t come true.

I think there is a lot of pressure on people to be perfect all the time, and so there is this fairytale image of everything, but at the end of the day we are just like other people.

My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.

Well, you know, 'Spaceballs' is a weird combination, because it's a simple, sweet little fairytale, and it's crazy and out-there and making fun of and taking apart sci-fi, 'Star Wars', and 'Star Trek'.

I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.

The world is always ending for someone. It’s a good line. I give it to the father of the child. He says it to his wife. ‘The world is always ending for someone,’ he says. She is trying to quieten the baby, and does not hear him. I doubt that it would matter if she did.

There is a huge set of consequences that start stacking up as you approach the end-game. And even in terms of the ending itself, it continues to break down to some very large decisions. So it's not like a ****c game ending where everything is linear and you make a choice between a few things - it really does layer in many, many different choices, up to the final moments, where it's going to be different for everyone who plays it.

I am not trying to give an image of a fairytale, perfect, everything else, I am just being myself.

I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.

I think one is naturally impressed by anything having a beginning a middle and an ending when one is beginning writing and that it is a natural thing because when one is emerging from adolescence, which is really when one first begins writing one feels that one would not have been one emerging from adolescence if there had not been a beginning and a middle and an ending to anything.

In the forest of primeval A school for Good and Evil Twin towers like two heads One for the pure And one for the wicked Try to escape you'll always fail, The only way out is Through a fairytale.

… it wasn’t pretend, I wasn’t in a fairytale or a fable. I shut my eyes and absorbed the silent whoomp that always accompanies this revelation. It’s the sound of the real world, gigantic and impossible, replacing the smaller version of reality that I wear like a bonnet, clutched tightly under my chin.