Top 1200 Familiar Places Quotes & Sayings - Page 2

From the point of view of basic physics, the most interesting phenomena are, of course, in the new places, the places where the rules do not work - not the places where they do work! That is the way in which we discover new rules.

Everything I write doesn't appear to be biography until later. I often say that I've never written about anything I've experienced. Of course, that's not true. But it doesn't appear familiar to me at all. And maybe that's because I have to be in a kind of coma in order to write. If it appeared familiar, I wouldn't.

The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.

Though it's marvelously entertaining, and I had fantastic fun writing the book, it's not terribly easily, the material, and it's not all that familiar...although we think it is familiar. The processes of the wonderful narratives are very intricate. It's about the charm - the spellbinding charm - of ingenuity, and it's not so easy to remember the plots or the structure or even the names.

I was not familiar with the Internet thing. Honestly, you know with all kinds of Internet media, I was not that familiar. I was not that kind of guy. Accidentally, 'Gangnam Style' happened, and you have YouTube and all other sorts of stuff like Facebook and Twitter and so on. So after that, I learned and learned.

There are also places of power that reference the fourth and fifth chakras, which are places of balance, and places of power that reference the sixth and seventh chakras, which are places of wisdom.

Most people who live at the border or are familiar with the border know that a Berlin-like wall stretching from San Diego to Brownsville is not necessary. And the costs would be prohibitive. And there are places on the border, such as the Arizona desert or the open terrain around the Big Bend in South Texas, where Mother Nature has created her own barrier that is not easily passable. Or if you do pass through it, you are easily detected.

One recurring dream, many others have also: you go into a familiar house, discover a door or hallway, and find the house continues into hidden rooms. Sometimes a whole second house is there, a larger and unknown extension of the familiar dwelling.

People who have gone, are still here, in us. Places we came from, are carried to the places we go.

We know that the most dangerous places in the world are more often than not the most dangerous places for women, where women are denied their rights and oppressed. These are the places that are unstable and where extremism often takes hold.

I don't have time to celebrate accomplishments. When good things happen, it's great, and obviously I get excited inside. But soon I gotta do something else; I gotta keep doing more stuff. The whole world will never be familiar, so I'm constantly going to be on a quest to get familiar.

A lot of individuals I've met that I've done a song or two with. But to be honest I'm not incredibly familiar with the scene. I mean, I'm more familiar with people coming from other countries like Latin-American MCs and African rappers... that type of stuff I'm really starting to get a hold on.

The journey to sacred places is the most common way that people travel in India. They are always going on pilgrimages to sacred places. They are always undertaking spiritual journeys to visit the great shrines in the Himalayan tier of pilgrimage places; these places are called tirthas, a word that means "crossing place," a place where you can cross the river to the far shore but also cross over into another dimension of life. Cross over to heaven, in one sense it's used.

I like to write about beautiful places, interesting places to me.

All places are places of worship to a Christian. Wherever he is, he ought to be in a worshiping frame of mind.

A lot of people aren't familiar with me, but it's not my job to make people familiar with me. There's millions of artists out there. I'm just gonna do what I wanna do, and if people feel the stuff that I'm doing, then great.

Home is a place in the mind. When it is empty, it frets. It is fretful with memory, faces and places and times gone by. Beloved images rise up in disobedience and make a mirror for emptiness. Then what resentful wonder, and what half-aimless seeking. It is a silly state of affairs. It is a silly creature that tries to get a smile from even the most familiar and loving shadow. Comical and hopeless, the long gaze back is always turned inward.

When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.

My starting point was the search for my identity in foreign places, in places where I am estranged from myself.

The two most engaging powers of an author are to make new things familiar, familiar things new.

My working habit is to separate my aims as a painting from my aims as a poet. They come from very different places and ultimately lead me to very different places... I'll leave what I mean by 'places' ambiguous.

If you are seeking power and knowledge, you need to go to places that are healthy and happy and radiant. Avoid places that aren't.

I believe in a set of values I cannot live by. I set high goals for myself, I seek perfection, dream of exotic faraway places. But ultimately, what I long for isn't far away at all. It's in my own backyard. Imperfection charms me, familiar things move me... a celebration of what we have, instead of what we long for. That for me, is glamor.

If you're familiar enough with my body of work, my voice is a familiar totem, in a sense. I guess I have something characteristic in the way that I sing, although I'm not very personally self-conscious about it, so I don't think about it that much. But when I hear the record I can tell it's me.

the sudden violent dispossession accompanying a refugee flight is much more than the loss of a permanent home and a traditional occupation, or than the parting from close friends and familiar places. It is also the death of the person one has become in a particular context, and every refugee must be his or her own midwife at the painful process of rebirth.

It is a curious emotion, this certain homesickness I have in mind. With Americans, it is a national trait, as native to us as the roller-coaster or the jukebox. It is no simple longing for the home town or country of our birth. The emotion is Janus-faced: we are torn between a nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.

We either have wild places or we don't. We admit the spiritual-emotional validity of wild, beautiful places or we don't. We have a philosophy of simplicity of experience in these wild places or we don't. We admit an almost religious devotion to the clean exposition of the wild, natural earth or we don't.

I was a supporting character in other people's lives, which seemed right and familiar to me. I was also an outsider: English in the U.S., American in England, dogged yet comforted by that familiar feeling of alien-ness, which occupied that space where my sense of self should have been.

When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.

I have written much about many good places. But the best places of all, I have never mentioned.

The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.

Little soul, gentle and drifting, guest and companion of my body, now you will dwell below in pallid places, stark and bare; there you will abandon your play of yore. But one moment still, let us gaze together on these familiar shores, on these objects which doubtless we shall not see again....Let us try, if we can, to enter into death with open eyes.

A fine artist is one who makes familiar things new and new things familiar.

In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new.

It is the first changes among familiar things that make such a mystery of time to the young; afterwards we lose the sense of the mysterious. I take changes in all I see as a matter of course. The instability of all human things is familiar to me, to you it is new and oppressive." (Mr. Bell)

I'm very familiar with the importance of dairy farming in Wisconsin. I've spent the night on a dairy farm here in Wisconsin. If I'm entrusted with the presidency, you'll have someone who is very familiar with what the Wisconsin dairy industry is all about.

People say, 'Well, you've been sent to different places.' To be sent to different places it means you're wanted in different places at the same time.

I think that 'Station to Station' is a nomadic project not only in a literal sense, as it's traveling by train from place to place. Some of these places are New York City or Los Angeles, but some of these places are rather off-the-grid places.

The truth is, terrorism flourishes in places of injustice rather than in places of poverty.

There are places that I've always wanted to go. First I went to Africa, and when I was there I realized there were places in Africa I really to wanted to visit: The Congo, West Africa, Mombassa. I wanted to see the deep, dark, outlandish places.

If you look at the new places opening, they're quite gutsy, earthy places.

I'm most fascinated by remote places and lonely islands, which are also the hardest places to reach.

Beauty can come from the strangest of places, even the most disgusting of places.

Film is such a bizarre vehicle for acting. It's such a bizarre experience. I don't think you ever really get familiar with it. If you do get familiar with it, you're probably not that good anymore.

Each of us carries around those growing up places, the institutions, a sort of backdrop, a stage set. So often we act out the present against the backdrop of the past, within a frame of perception that is so familiar, so safe that is is terrifying to risk changing it even when we know our perceptions are distorted, limited, constricted by that old view.

My goal--and this is kind of my own little secret--but when I get married, just to head out and finish football and, and, and be a missionary around the world. Places where Steve Young--not that it's big really that many places--but places where they have no idea about football.

We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.

I remember Geauga Lake. I remember Six Flags. I remember going to the mall. I hung out there. These big, grand places that served as pinnacles of the community were not only institutions or places of commerce. They were communal spaces where a lot of people went and shared good memories. These are very nostalgic places.

There are places that are very draining. There are places where there is another dimensional crossover but to a dimension that is not powerful at all.

I find there are a few places where I like to meditate more than in other places. There's a little Catholic church that I go to, and there's another temple I go to - there are certain places where I just feel more comfortable.

If we are going to use places of worship as polling places, we should not discriminate.

The challenges should be familiar. They should have some relationship to the feelings - like, if a movie's about being demoralized at work, it should feel familiar to people, whether you're a roofer or a lifeguard. But there's a million different ways to be demoralized, especially at work.

The mind, conditioned as it is by the past, always seeks to re-create what it knows and is familiar with. Even if it is painful, at least it is familiar. The mind always adheres to the known. The unknown is dangerous because it has no control over it. That's why the mind dislikes and ignores the present moment.

I am drawn to cold, desolate places rather than Hawaii. I actually love Hawaii too, but I tend to go to Iceland or Norway or Northern Japan - northern places for whatever reason. Which aren't necessarily the best places to tour.

They are universal places, like churches, hallowed meeting places of all mankind.

Even though my face has gotten more familiar with doing 'China Beach' and 'The Wonder Years,' I'm the kind of actor that people thought, 'Gee, that guy looks familiar. He must have put my storm windows in. He works at my bank or something.'

The sentiments attributed to Christ are in the Old Testament. They were familiar in the Jewish schools and to all the Pharisees, long before the time of Christ, as they were familiar in all the civilizations of the earth - Egyptian, Babylonian, and Persian, Greek, and Hindu.

I enjoy traveling and seeing new places - especially places where I can go hiking.

Ah walk doon Hammersmith Broadway, London seeming strange and alien, after only a three-month absence, as familiar places do when you’ve been away. It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the wey things are in a dream. They say you have to live in a place to know it, but you have to come fresh tae really see it.

There are places where it is easy to see, places of illumination, where one moves into illumined states of attention.