Top 1200 Fantasy Life Quotes & Sayings - Page 5

Audiences seem to have a limitless appetite for vampires and for fantasy in general. Unlike many other British actors, I haven't been building up my pension appearing in films like 'The Lord of the Rings' and 'Harry Potter,' but fantasy has now got a grip on me. I am also appearing in 'Game of Thrones' as the head of the House of Lannister.

What happens in a fantasy can be more involving than what happens in life, and thank goodness for that.

We are all the judges and the judged, victims of the casual malice and fantasy of others, and ready sources of fantasy and malice in our turn. And if we are sometimes accused of sins of which we are innocent, are there not also other sins of which we are guilty and of which the world knows nothing?

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

If you live in a family or have five roommates, there's some sort of reality check, but when you live alone, there's a lot more leeway for your fantasy life to be more and more a part of your everyday life.

For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.

I started reading fantasy and science fiction and writing fantasy and science fiction when I was - when I started junior high school.

I always wanted to grow up in a house full of books, English books, and I wanted the sort of fireplaces that worked, overstuffed chairs, that whole kind of fantasy of a bookish New England life. So the library gave me that; for the hours that I was there, I was surrounded by that atmosphere that I craved in my life.

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.

At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.

I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.

I really struggled with what I was going to do with fantasy suites, but I didn't really want to think too much about it until we got there. I had a lot of other things on my mind at that point... but really that was just a personal decision between me and whoever I decided to go into the fantasy suite with or decided not to.

Prolonged travel in the alternate world of books can also make a reader more prone to fantasy thinking and estranged from his or her “real” life.

I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.

When I compare life to a dream I do not mean to denigrate it as some sort of meaningless fantasy. Life is too wonderful to be called an "illusion" unless we whisper the word in amazement, as we might when witnessing the most astonishing magic trick. What could be more magnificent than this glorious universe, in all its multifarious extravagance? Its awesome vastness and delicate detail. Its impersonal precision and intimate intensity. Its harsh necessities and lush sensuality. This dream of life is truly marvelous.

Karl Marx predicted the eventual withering away of the state and the 'dictatorship of the proletariat,' when the people would rule, which was sheer fantasy because it was sheer fantasy because it was based on grossly erroneous assumptions about human nature, as history would repeatedly demonstrate.

Fashion is, perhaps by necessity, in a world of its own - one that only rarely overlaps with anything resembling real life. This fantasy and exoticism is part of its appeal, of course.

While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's ELANTRIS does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.

There are two novels that can transform a bookish 14-year-old's life: The Lord of the Rings and Atlas Shrugged. One is a childish daydream that can lead to an emotionally stunted, socially crippled adulthood ...in which large chunks of the day are spent inventing ways to make real life more like a fantasy novel. The other is a book about orcs.

Good sci-fi and fantasy use fantastical situations to represent real-life issues. It really is all a metaphor for what we all go through as humans.

If your entire conception of what's possible in fantasy only comes from other fantasy books, you're going to go on to create a copy of a copy of a copy. There's nothing original there, nothing dynamic. Which is fine if that's your goal, but I've always wanted to do something no one else was doing before.

I still like to live in a whimsical world that seems more romantic and fantasy-related because real life seems so hard

Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

Dealing with the impossible, fantasy can show us what may be really possible. If there is grief, there is the possibility of consolation; if hurt, the possibility of healing; and above all, the curative power of hope. If fantasy speaks to us as we are, it also speaks to us as we might be

As a child I used to watch clouds, and in them, see faces, castles, animals, dragons, and giants. It was a world of escape--fantasy; something to inject wonder and adventure into the mundane, regulated life of a middle-class boy leading a middle-class life.

The British boys really, really go nuts... to them, an older woman is sexy, and it's an incredible fantasy... I think the American fantasy is still about men wanting control. Maybe American men don't feel as in control of their lives.

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.

Positive self-direction is the action plan that all winners in life use to turn imagination into reality, fantasy into fact, and dreams into actual goals.

When a woman is frozen of feeling, when she can no longer feel herself, when her blood, her passion, no longer reach the extremities of her psyche, when she is desperate; then a fantasy life is far more pleasurable than anything else she can set her sights upon. Her little match lights, because they have no wood to burn, instead burn up the psyche as though it were a big dry log. The psyche begins to play tricks on itself; it lives now in the fantasy fire of all yearning fulfilled. This kind of fantasizing is like a lie: If you tell it often enough, you begin to believe it.

I love fantasy. I grew up reading fantasy. But, I wanted to put a somewhat different spin on it. The whole trope of absolute good versus absolute evil, which was wonderful in the hands of J.R. Tolkien, became cliche and rote in the hands of the many Tolkien imitators that followed.

We need to feel that life is important; we need that fantasy so we can live a little better.

I'm not trying to make everything this fantasy world about how I'm living this lavish life that I'm not really living.

We live in a fantasy world, a world of illusion. The great task in life is to find reality.

I try to stay focused on my life and do try not to be brought into the Hollywood fantasy.

The standards of judgment must be rooted in the whys and wherefores of life as it is lived, the world as it is, not our wished-for fantasy of the world as it should be.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.

I have never indulged our society's misguided notion that my personal life is relevant to my work, so any reporting surrounding that is necessarily hearsay, speculation or fantasy.

I had a real strong fantasy life as a kid. But then you grow up and think about real jobs.

My real life’s not like the fantasy Tom Ford world – with naked girls pouring perfume everywhere. It’s more staying in and watching Friends on television.

Honestly, I think there's a cycle to the popularity of fantasy and fairytales that usually coincides with times of unrest or hardship in our own world. By retelling these legends or immersing ourselves in fantasy realms, we can safely explore the very real, very day-to-day darkness of our own lives.

Build your life brick upon brick, Live a life of truth, And you will look back on a life of truth. Live a life of fantasy, And you will look back on delusion.

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.

A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.

In a closed urban fantasy, the magical world is secret and no one knows about it. In an open urban fantasy, everyone knows about it. So with a closed fantasy, you have to figure out how the world keeps itself secret, and with an open one, you have to figure out how knowledge of magic has altered the world we know.

I really wanted Rachel [from the Girl on The Train] to be purely fixated on fantasy and on her ex-husband.I didn't want her to be embarking on romance, touching people; I wanted her purely in the realm of fantasy and frustration and dreaming and sadness.

The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.

People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.

The atheist, by merely being in touch with reality, appears shamefully out of touch with the fantasy life of his neighbors.

There's so much you can say about the ballroom scene. But, simply, it's just a way of life. It's a place you can live out a fantasy you never lived before.

There's a rule for what makes good fantasy work, and it's as strange as any riddle ever posed in a fairy tale: In fantasy, you can do anything; and therefore, the one thing you must not do is 'just anything.' Why? Because in a story where anything can happen and anything can be true, nothing matters. You have no reason to care what happens. It's all arbitrary, and arbitrary isn't interesting.

Young people don't have a fantasy life anymore, not the way we did. All they've got is Kojak and Dirty Harry. There's all these kids running around wanting to be killer cops.

Daily fantasy sports operators claim that they operate legally under Alabama law. However, paid daily fantasy sports contests are, in fact, illegal gambling under Alabama law.

Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.

In sleep, fantasy takes the form of dreams. But in waking life, too, we continue to dream beneath the threshold of consciousness, especially when under the influence of repressed or other unconscious complexes.

It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.

I did my homework and didn't go out much, and had a very highly developed kitsch fantasy life where I dreamed of being a dancing girl.

I'm not sure I'd have said, 'I'm a fantasy viewer.' Now I know I am, because I sat and watched 'Game of Thrones' and have never been more invested in a show in my life.

That word 'fantasy' - I hardly ever hear it in the world of design. And that's very strange. You should hear it a lot. I think fantasy is a very important value that designers and artists should bring to the world.

I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.