Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.
I think, for the most part, comics have devolved into fantasy for the sake of fantasy.
The standards of judgment must be rooted in the whys and wherefores of life as it is lived, the world as it is, not our wished-for fantasy of the world as it should be.
See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.
Fantasy is like an idealized reality, and the core of fantasy is the one person can make a difference.
I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.
A restaurant is a fantasy-a kind of living fantasy in which diners are the most important members of the cast.
Honestly, I think there's a cycle to the popularity of fantasy and fairytales that usually coincides with times of unrest or hardship in our own world. By retelling these legends or immersing ourselves in fantasy realms, we can safely explore the very real, very day-to-day darkness of our own lives.
My fantasy football team got mixed up in another fantasy and now they're stuck on a pirate ship with a chick in a Catwoman suit.
The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.
Realism isn't something most people associate with the fantasy genre, yet it's an essential element of great fantasy writing.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
I play fantasy basketball and fantasy football, soccer.
In Republican fantasy world, everything is always Obama's fault. Somehow, he's weak and he's ineffective, and yet he pulls the strings on everything in the world.
We talked [with Scott Derrickson] about making it kind of muscular and practical. Yeah it's a fantasy but what's the difference between fantasy and reality really?
Acting is not about anything romantic, not even fantasy, although you do create fantasy.
I love fantasy. I grew up reading fantasy.
It can be demonstrated that the child's contact with the real world is strengthened by his periodic excursions into fantasy. It becomes easier to tolerate the frustrations of the real world and to accede to the demands of reality if one can restore himself at intervals in a world where the deepest wishes can achieve imaginary gratification.
It's amazing to dwell in the world of fantasy and fear.
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
The thing about fantasy - there are certain things you just don't do in fantasy.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
I always needed that extra fantasy world. I had to have another world I could be in at the same time.
If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's ELANTRIS does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.
We are all the judges and the judged, victims of the casual malice and fantasy of others, and ready sources of fantasy and malice in our turn. And if we are sometimes accused of sins of which we are innocent, are there not also other sins of which we are guilty and of which the world knows nothing?
I definitely love fantasy and would want to be in a fantasy project.
Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.
I think it's really hard to draw a hard-and-fast line and say 'Grimm's Fairy Tales' doesn't count as science fiction or fantasy. Or at what point do we say mythology is not fantasy, so reading mythology when you're young does not count as an exposure to fantasy?
Ridding the world of poverty is, of course, a fantasy.
Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?
I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.
... fantasy is not practice for what is real—fantasy is the opiate of women.
The problem with fantasy is the greatest benefit of fantasy: it prevents us from living in the present moment.
I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.
Many readers simply can't stomach fantasy. They immediately picture elves with broadswords or mighty-thewed barbarians with battle axes, seeking the bejeweled Coronet of Obeisance ... (But) the best fantasies pull aside the velvet curtain of mere appearance. ... In most instances, fantasy ultimately returns us to our own now re-enchanted world, reminding us that it is neither prosaic nor meaningless, and that how we live and what we do truly matters.
I like certain subgenres within science fiction and fantasy, and one of those is urban fantasy, and another is steampunk.
Time may enhance what seems simply dogged or lacking in fantasy now because we are too close to it, because it resembles too closely our own everyday fantasies, the fantastic nature of which we don't perceive. We are better able to enjoy a fantasy as a fantasy when it is not our own.
A lot of our assumptions of the world are fairly cynical, fairly negative, and assume the worst. What our reading tastes show - in this rush to fantasy, romance, whatever - is that we actually still want to believe in a world of possibility, in a world of mystery.
It makes me realise that the fantasy of nature is much larger than my own fantasy. I still have things to learn.
I've always loved reading fantasy. I used to pick out all the books in the library that had the little unicorn sticker on the side to show that they were fantasy.
Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!
They say the first World Series is the one you remember most. No, no no. I guarantee you don't remember that one because the fantasy world you always dreamed about is suddenly real.
Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.
Guys are playing fantasy football; some guys I think even play fantasy baseball. I don't get involved with it. I have five kids; I just don't have time. Not that anything's wrong with the fantasy, but I just don't have time for it with my lifestyle.
We live in a fantasy world, a world of illusion. The great task in life is to find reality.
When people ask me why is 'Winter's Tale' a fantasy, I point out that it is not a fantasy.
So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like. So forget it. Just think about all the James Deans and what it means.
I'm always astonished by a forest. It makes me realise that the fantasy of nature is much larger than my own fantasy. I still have things to learn.
So many people think that if you're writing fantasy, it means you can just make everything up as you go. Want to add a dragon? Add a dragon! Want some magic? Throw it in. But the thing is, regardless of whether you're dealing with realism or fantasy, every world has rules. Make sure to establish a natural order.
I like fantasy, but I don't live and breathe fantasy.
I don’t know anybody who doesn’t have a fantasy. Everybody must have a fantasy.
Tonight, I've finally learned to tell fantasy from reality. And, knowing the difference, I choose fantasy.
There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write
A fantasy is a world where anyone fits in.
All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children.
Current cant equates fantasy with escapism, and current fashion would have it that fantasy is both easy to read and to write. It isn't. When it is done honestly, by a skillful writer, fantasy takes us far enough beyond our daily perceptions to open us to the essential realities beneath it. This is the true goal of all art.
I don't want to live in a fantasy world.
In fantasy, you have licence to pick whatever you like out of history and fantasy, and you don't have to be accurate.
True balm [of fantasy] takes away the painful irritation of life and simply heals, allowing one to begin anew. And that is what fantasy can do for us.
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