I love the standard fantasy setting of Medieval England and Medieval Europe, but I wanted to go somewhere different.
Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth.
Of course you are. Then you're going to give me multiple orgasms and pay off my mortgage too. I saw this movie, pal. It was in the fantasy section. (Isa)
I have never indulged our society's misguided notion that my personal life is relevant to my work, so any reporting surrounding that is necessarily hearsay, speculation or fantasy.
Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of 'Star Wars.'
Writing is a cop-out. An excuse to live perpetually in fantasy land, where you can create, direct and watch the products of your own head. Very selfish.
My brand of fantasy is completely devoid of the traditional notions of magic as ritual. Instead I see the fantastic as a meta-layer of existence beyond the real world.
Prolonged travel in the alternate world of books can also make a reader more prone to fantasy thinking and estranged from his or her “real” life.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
That was the action figure I was playing with. I grew up having this fantasy of being a superhero, being Princess Power.
Young people don't have a fantasy life anymore, not the way we did. All they've got is Kojak and Dirty Harry. There's all these kids running around wanting to be killer cops.
My feeling is that writing Fantasy should be harder - not easier - than writing any other kind of fiction.
There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration.
My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.
Growing up in the '70s and '80s, science fiction and especially fantasy had such a stigma attached to them. I felt so punished and exiled for being devoted to these things.
When you see something from afar, you develop a fantasy. But when you see it up close, 9 times out of 10, you wish you hadn't.
Most people think of Las Vegas, and they think of extravagance. But it's really a mix between fantasy and laziness.
Perhaps because technology so dominates our existence, more and more it seems that the young reader is captivated by fantasy.
I was really sheltered growing up, with six brothers and sisters. We played together all the time, and I was living in a fantasy world, like most creative people.
Growing up, I was always super into fantasy and 'The Lord of the Rings' and 'Game of Thrones' and all of that, but I could never find black characters whom I really liked.
About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.
The reality is that 'Westworld' is designed so that guests can indulge with impunity their every fantasy - be it light or dark. So the hosts experience the extremes in human behavior, good and bad.
Artificial Intelligence leaves no doubt that it wants its audiences to enter a realm of pure fantasy when it identifies one of the last remaining islands of civilization as New Jersey.
It shouldn't come as any surprise that those who choose acting as a profession are phonies who live in a fantasy world. What is surprising is how many of them are blissfully unaware of it.
I've always been a sci-fi/fantasy guy. My book reports in school, whenever you didn't have to do it on Shakespeare, I did it on, like, Piers Anthony and Raymond Feist.
In the publishing sense, 'urban fantasy' does not mean 'black,' and that's pretty ironic, considering that it's a euphemism everywhere else. It would be great to get that back.
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive knowledge.
Often a cold shudder has run through me, and I have asked myself whether I may have not devoted myself to a fantasy.
I've tried many times to set out the case against the wicked fantasy of 'ADHD,' which usually earns me nothing but ignorant rage in return.
Jeb climbed the ladder Fang had just lowered and I indulged in a moments fantasy about someone slamming the trapdoor on his head.”-max
I'm not trying to make everything this fantasy world about how I'm living this lavish life that I'm not really living.
Fashion is, perhaps by necessity, in a world of its own - one that only rarely overlaps with anything resembling real life. This fantasy and exoticism is part of its appeal, of course.
My real life’s not like the fantasy Tom Ford world – with naked girls pouring perfume everywhere. It’s more staying in and watching Friends on television.
I had a real strong fantasy life as a kid. But then you grow up and think about real jobs.
And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.
My biggest fantasy as an actor is to be in situations that make me uncomfortable and force me out of my comfort zone.
To me, the explanation of life seems to be its melody, its pattern. And I feel in life such an infinite, truly inconceivable fantasy.
Fantasy is my genre and my home in the writing world. I consider it the biggest writing room in all literature, where there are literally no boundaries at all.
Just because I've walked into this crazy fantasy doesn't mean I can just abandon my other plans, much as I might want to.
I like fantasy. I like worlds where sometimes you need the special effects to make it come alive, but it's not so fun acting it.
When I turned to writing fantasy, and writing for young people, it was joyous. It was like discovering an underground lake of ideas that went on forever.
The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.
The best fantasy does not offer an answer to our lives, it is an offering that acknowledges enough of the truth to resonate and add to the understanding about the human condition.
Heaven knows, I've exposed myself in my novels through the use of fantasy and imagination... now my new book is about what really happened to me... not my heroines.
One of the things I've always loved about genre, comic books, science fiction and fantasy is that there's a certain level of playfulness to them, and pure imagination and creativity.
There's never been a fantasy movie of the epic battle of good versus evil that ended with evil winning.
Fantasy, at its best, is balm for the soul. But it is faulty logic to assume that balm is necessarily mind-numbing anesthesia.
We don't make glamorous movies today. Everything now is very realistic, artistic - and depressing. When is the last time you you saw a wonderful musical or a fabulous fantasy?
The goal of all your hard work should be to make your reality everyone else's fantasy land.
I do usually stay in the fantasy/sci-fi range, I suppose, but it has many, many subgenres that I'd love to continue exploring.
Everyone has a fantasy of what they want their band to sound like. However, because I knew nothing about making music, I was unable to describe what I wanted properly.
I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.
My fantasy would be to adopt a bulldog from bulldog rescue and a big old mutt from North Shore Animal Shelter.
When people ask me to define science fiction and fantasy I say they are the literatures that explore the fact that we are toolmakers and users, and are always changing our environment.
The context for music is varied and profound. If their fantasy is to be awakened-so that their sounds may be incisive or ravishing-then the menagerie of saints and dragons must be faithfully recalled.
When I write I simply follow my heart. And my flights of fantasy. It is not done with a conscious effort. I'm continually inspired and write reflexively.
Every age has its peculiar folly: Some scheme, project, or fantasy into which it plunges, spurred on by the love of gain, the necessity of excitement, or the force of imitation.
The idea of a post-religious society is a fantasy, ultimately. Human beings are, by nature, religious in various ways.
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