Top 1200 Fashion Model Quotes & Sayings - Page 2

Even though I love fashion and would love to be a fashion designer, I don't live and breathe fashion every day of my entire life.

We don't have a business model for health care in this country, We just have a business model for care. The way doctors and hospitals get paid is something bad has got to happen. It's a pure reactive model.

The fact that fashion goes out of fashion and then comes back into fashion based solely on what a few people somewhere think they can sell, well to me, that’s insanity.

Partnering with Rent the Runway's innovative model, combined with their affinity amongst millennials, provides an exciting opportunity for us. Together, we're helping the next generation of luxury consumers discover and fall in love with designer fashion.

Actually, I never really thought I would be a model. I never knew a lot about fashion and magazines, and I never paid attention to it. I was a young girl, though.

I do not aspire to be in fashion. For what is in fashion, goes out of fashion If, on the contrary, your work is contested today, it doesn't matter. For when it is finally understood, it will be for eternity.

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.

Even though I love fashion, I prefer people to fashion. Fashion is to make the person comfortable in her body, it?s not something very serious, you get to play.

The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.

I was in middle school at a bat mitzvah, and a fashion photographer, Suzy Gorman, came up to me and asked me if I considered being a model. I did a shoot with her, and than I signed with an agency in Saint Louis.

My grandfather is my biggest fashion critic. He takes a keen interest in the millennial fashion, most of which he disapproves of, but he is a very practical fashion critic.

I've never wanted to be in fashion. Because if you're in fashion, you're going to be out of fashion.

I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.

No, I'm not the first or last model of my type in this industry. You can make up all the reasons you think I am where I am, but really, I'm a hard worker that's confident in myself - one that came at a time where the fashion industry was ready for a change.

I've been a fashion model for 15 years and designing is just an extension of my career. I still plan on modeling lingerie, but at the same time this is a business transition that I plan to have around for a long time.

The aim ... is to provide a clear and rigorous basis for determining when a causal ordering can be said to hold between two variables or groups of variables in a model . . . . The concepts refer to a model-a system of equations-and not to the 'real' world the model purports to describe.

I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.

My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.

I want to take this time to thank Daniel Cormier for being my biggest rival and motivator. He has absolutely no reason to hang his head. He has been a model champion, a model husband, a model father, a teammate, a leader, and I aspire to be a lot more like that man, because he's an amazing human being.

We each create a story - a narritive, a picture, an allegory, a model - for what's going on in the universe. And then we fight - sometimes to the death - to make others believe in that model, or to be able to keep believing in it ourselves. In other words, we try to erase contradictory evidence to that model.

I would never want to model as my career, but fashion is my hobby. When you love what you're wearing, you feel good. I also love the extravagance of John Galliano for a big occasion. But I'm very bad with following trends.

Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.

Are you in fashion? You look like you're in fashion." "No," [Magnus] said. "I am fashion.

It is an interesting fact about model selection that the evidence at hand can indicate that a model known to be false will be more predictively accurate than a model known to be true. This opens the door to a kind of instrumentalism.

I'm not a role model, nor have I ever tried to be a role model. The only thing about me as a role model is I've managed to stay here and be working and survive. For 40 years.

I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.

I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.

I stay away from the title of 'role model.' I want to be a more realistic role model - not a perfect Barbie role model.

Now that I work as a professional model, I advise people to stay away from any television shows. It's a waste of your time; it's just entertainment. It's not the fashion that we now know.

There is an actor's responsibility in presenting the emotional content of the lyrics to an audience. But whether you do that in a straightforward fashion or an ironic fashion or a blase fashion is all about opportunities, and singers are missing opportunities as artists if they don't pay attention to the lyric.

I first realized I wanted to model when my mum and I were at a local carnival, and she took me to a fashion show. I had never been to one before, and when I saw the girls on the catwalk, I fell in love with them.

Fashion is temporary; fashion is a race. What it's doing is giving you something that you say, "This is the outer wrapping of me." Style is something else. It's not quantifiable. Fashion is about selling. Fashion is about what's in. Style is independent of that; style is individual.

Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.

I do think that people outside the fashion industry imagine that being a model is what you might call quick, easy money, but it can be very lonely - you have to be quite tough. It's also very physically demanding.

I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.

I would never be so arrogant to think that someone should model their life after me. But the idea of possibility the idea that I get to live my dreams out in public, hopefully will show to other folks that it's possible. So I prefer the term 'possibility model' to 'role model.'

Fashion is not art. Fashion isnt even culture. Fashion is advertising, and advertising is money. And for every dollar you earn, someone has to pay.

I worked in fashion for ten years, and like anyone in the fashion industry, even if you leave, you never leave fashion behind.

Everybody should have their own thing, and if he don't want to be a role model, that should be up to him. In the right situations, I can try to help and be a role model, but I'm still gonna speak my mind, and if that affects the role-model deal, then too bad.

I was in the fashion shows in Milan; I was seventeen, I was doing like 100 shows. People were asking, 'How does it feel to be the model of the moment?' It was hard for me to answer as myself. I barely spoke English.

Ive been a fashion model for 15 years and designing is just an extension of my career. I still plan on modeling lingerie, but at the same time this is a business transition that I plan to have around for a long time.

Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.

For a lot of people looking at a 19-year-old model, there's a feeling that 'I can't pull that off.' But there's so much you can pull off if you can find the confidence to look at fashion in a different way and make it unique for yourself.

At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.

What distinguishes a mathematical model from, say, a poem, a song, a portrait or any other kind of "model," is that the mathematical model is an image or picture of reality painted with logical symbols instead of with words, sounds or watercolors.

I love, love, love fashion so much. That's why I became a model in the first place.

I've worn a lot of humdingers in my time, but as a model it's my duty - my responsibility - to bring life to any garment. That can be challenging when it comes to high fashion, where the creations can be very eccentric, but I've gained a reputation for being the go-to girl who can pull it off.

Most of us function under the model we have to get something in order to do something, in order to be something. If this happens, then I will be happy. And I'm suggesting to you that we live our entire lives based on that model, and that model is fundamentally flawed.

It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.

The fashion industry has an enormous amount to offer in what we do in industrial design because fashion is fast, fashion has its finger on the pulse. There are very few creative industries that work on that rhythm.

Intuition, if you are fashion designer is really the key to everything. I just really have a feeling it's the right moment in time to create a new business model. Obviously I have facts and figures that could back that up. It isn't a gamble; it's a calculated risk.

I have a great support network - my family, my model agency Storm, and people I work with in the fashion industry. And, of course, there are all my followers on Twitter who stop me from feeling lonely; I love them all. They keep me grounded.

I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.

After graduating, I began auditioning for films while continuing to model. I did a few fashion shows, ad shoots, and even got a few Bollywood offers, but nothing great.

I want people to know me for my singing. I've never been searching for a label of being a fashion plate or a top model. That's a thing that's very short-lived, and it's dealing with a superficial level of this which doesn't really appeal to me.

I think it's every girl's dream, a little bit, to be a model because it seems from the outside to be a glamorous industry and I was really into fashion, and I remember just being excited and wanting to be part of that.

The Gujarat model laced with the Godhra stink is a model of hatred that has taken 2,000 lives, while the Congress model has given 83 flagship programmes and scores of people living below the poverty line have been brought under the Food Security Act.

As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.

When evaluating a model, at least two broad standards are relevant. One is whether the model is consistent with the data. The other is whether the model is consistent with the 'real world.'

Everybody knows that, in general, a basketball player needs to be tall and a fashion model needs to be skinny, but how skinny is too skinny?