Top 1200 Fashion Show Quotes & Sayings - Page 11

I spent a year storyboarding and writing on a show called 'The Marvelous Misadventures of Flapjack' for Cartoon Network, which really taught me how to run a show. Or at least the idea of running a show.

As actors, we want to show our acting prowess but one has to understand what to show and when to show. I learnt very early in my life that it is not required to be in the forefront all the time. There is a moment that belongs to you but when you are not needed, you need to disappear.

There is nothing "useful" about fashion, which is why it is fashion and not clothes. My personal opinion about the runway is that it should be used to whisk the audience off to a fantasy world that is possible, but not probably. It should delight and inspire.

I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.

I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.

Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.

When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.

Look at Kate Moss, she's such an amazing representation of that peak '90s fashion of a slinky shimmery dress and choker. Fashion was playful in the '90s, and that's why I love music festivals as well. They have that playful essence.

Although a life-long fashion dropout, I have absorbed enough by reading Harper's Bazaar while waiting at the dentist's to have grasped that the purpose of fashion is to make A Statement. My own modest Statement, discerned by true cognoscenti, is, "Woman Who Wears Clothes So She Won't Be Naked.

It is imperative to create luxury products that are also functional. My vision for fashion precludes frivolous, fantasy-only designs. That said, fashion does tend to move more quickly than interior design. One doesn't change their couch every season as one does their wardrobe.

I couldn't love fashion more, like I don't think it's possible to love fashion more. I will say, since I've had my son ... he has surpassed that love

I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion, and I love vintage.

It is a way to express yourself. Fashion has to be individual and I like to express my fashion the way I style myself.

Even at its height, 'The Daily Show' would do one great show a week, one pretty good show a week, and then two 'meh' ones. It was filler.

I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.

I think tights make a comeback out of necessity every season: you can only go so far with naked legs in the cold! You've got to protect yourself. I remember going to a fashion show and saying, 'And it's okay if I wear nude tights with this?' to the designer, who looked at me like I just killed his dog or something.

What is the difference between fashion and style? Fashion says, 'Me, too,' and style, 'Only me.'

I was the one who changed, it wasn't fashion. I was the one who was in fashion.

I was a rabid 'Seinfeld' fan. Then I did the show, and it ruined the show for me. Not that it ruined the quality of the show, but I had seen behind the curtain at Oz.

There are some designers who flash and burn - Courreges is an example of that. But he still marked fashion history. And I don't think that longevity is always a badge of honor. Modern brand management means that we are always celebrating birthdays, when what is exciting about fashion is innovation, not repetition.

I think London as a city is so diverse and multicultural, anything goes really. The fashion here reflects that - there are so many different styles of dressing throughout the city. In London, you can be very experimental with fashion; it's totally accepted, even if you stand out.

I worked in fashion forecasting and I think that helps in being an editor because I love to know what's next, and I like to predict. I like to predict the trends going into the shows and normally I've organized all of our stories before we go. Fashion is my second language.

Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.

Adolescents, for all their self-involvement, are emerging from the self-centeredness of childhood. Their perception of other people has more depth. They are better equipped at appreciating others' reasons for action, or the basis of others' emotions. But this maturity functions in a piecemeal fashion. They show more understanding of their friends, but not of their teachers.

Our fashion for us, it's an expression; first of all of life, I put all of myself in my fashion. Sometimes it's good, sometimes it's bad, but this is a mirror, an expression about Domenico and Stefano. It's not just a profession: it's a person with a lot of personality.

My mum was very conscious about fashion, and my dad was born into the tailoring tradition, so fashion has always been my life, although now, really, I wear the same thing - just in different weights - light and heavy cashmere in winter and cotton in summer. And jeans.

The Middle Eastern woman is sophisticated; she is modern. She knows fashion more than anyone else, and she is really sexy, and she does know how to live fashion, and I think we can all learn from each other.

For the last six or seven years the circus has no longer been in fashion. That is a pity. One should go to the circus, beyond any question of fashion, at least one or two times a year-I am not speaking here to the real enthusiasts, they know better than I what they have to do.

Ethical fashion is the future of fashion. Gucci's decision to ban fur is a smart step in the right direction - for the environment, for animal rights, and for its massive base of young brand fans who will soon represent the largest consumer base in history.

The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion. I like more streetwear and baggier stuff.

When I got into high school, that's when I stated dabbling in fashion design. I got involved in the theater department's costume design and started to think that maybe I'd major in fashion design.

I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.

Things are moving quicker and quicker. The internet age has made everything so immediate that what you're doing can start to feel outdated. That's probably the single thing that will most affect the fashion system in the near future. Time is the biggest subject matter in fashion today.

For anyone of a rational disposition, fashion is often nearly impossible to fathom. Throughout many periods of history – perhaps most – it can seem as if the whole impulse of fashion has been to look maximally ridiculous. If one could be maximally uncomfortable as well, the triumph was all the greater.

My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?

Salman Khan's association with 'Bigg Boss' has taken the show to another level. Because of his presence, the show has gained immense popularity and the reach of the show is tremendous. It has become a household name.

There's this one photograph of guy I know named Simon. The way he's standing, the background, the way his tie's flipping in the wind-it looks good in the small version, but in the big version, he looks like some kind of Italian fashion superhero or something. Like if the fashion police couldn't handle it, they'd call Simon, wearing a big S on his chest for some kind of fashion superhero.

The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.

I finished college by July 15th, 1985, and by October 1985, I had a little stand during the trade show which was London Fashion week at the time. My stand was tiny - just 6 square meters in total - and I had my 12 shoes that I designed while in college.

Let us, like merchants, show our foulest wares, And think perchance they'll sell; if not, The lustre of the better yet to show Shall show the better.

Calvin Klein is such an iconic brand in fashion, so I feel like working with them means you're definitely doing something right. They bring validation to someone, not only in the fashion community but in someone's career, which is why it was such an honor to work with them.

If you get a show named after you, and then play another character, that's fine. But if you do a show that's an ensemble show like... MASH, then you're in trouble.

Fashions pass quickly, and nothing is more pathetic than those puppets of fashion outrageously made up one day, pale the next, pleated or ironed stiff, libertine or ascetic. Playing with fashion is an art. The first rule is don't burn your wings.

History can show you that it was one pile of bad stuff after another. It can also show you that there's been tremendous progress in knowledge, behaviour, laws, civilisation. It cannot show you that there was a meaning behind it.

They don't show Olympic boxing on TV in prime time. They haven't done that since 1988. In 1992, they showed one: Oscar De La Hoya. In 1996, they didn't show it. In 2000, they didn't show it. In 2004, they didn't show it. In 2008, they did not even mention boxing at all. You would think the United States didn't have a boxing team in 2008.

My goal was to tell a dialogue between high fashion and streetwear. So, the name Off-White, in my mind, is between black and white. So, that middle ground is a mixture between both genres of fashion.

I don't do fashion, I AM fashion.

I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.

The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. Whats thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole experience energizing and uplifting.

And it was a whole lot of fun, and in many ways, what we've done with the show is just taken that part of my early memories of visiting my dad, shooting with the Muppets, and taking that and making a show that's really an expansion of that and presenting a show that's all that.

In fashion, we have a reputation for being such a façade, fake people, but none of the fashion people who I know are fake.

Let's take fashion seriously, but not ourselves so seriously. Or reverse that, maybe don't take fashion so seriously, but take yourself seriously. Actually, don't take yourself seriously, that's for sure. So, yeah, take fashion seriously, just not yourself.

Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.

I wanna thank MTV and the VMAs for choosing me to be a part of the show because, on this show, if you not an icon or upcomin' icon, you're not on the show, you know?

It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.

People still cheat on their wives, that hasn't fallen out of fashion. We all speak of it badly, but it has not fallen out of fashion.

I think there will be times where I need to be more serious, and I'll show that. I'll show an intensity that I think a lot of people can't really show or portray.

You show me a polluter, I'll show you a subsidy. I'll show you a fat cat using political clout to escape the discipline of the free market and force the public to pay his production costs.

The reason I quit fashion was that I had had enough of spending time always being on my knees, making other people look amazing and fabulous. I used fashion to express myself as much as I could. But at some point it was not enough