Top 1200 Fashion Show Quotes & Sayings - Page 2

Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.

My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.

I worked in fashion for ten years, and like anyone in the fashion industry, even if you leave, you never leave fashion behind.

Part of the role of photography is to exaggerate. Most of the photographs in your paper, unless they are hard news, are lies. Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality... Most of the pictures we consume are propaganda.

I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.

When you see an Alexander McQueen fashion show, you are taken on a journey. It's surreal.

It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.

My grandfather is my biggest fashion critic. He takes a keen interest in the millennial fashion, most of which he disapproves of, but he is a very practical fashion critic.

I think that a lot of our fashion history shows do touch on important issues. Fashion and Technology obviously does, because technology is impacting fashion in so many ways, from computer-assisted design to the way we actually purchase clothes online.

I was on the train from London to Paris, and all of a sudden it just popped into my head: I'm going to do the Don Loper fashion show from 'I Love Lucy.'

My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.

Even though I love fashion and would love to be a fashion designer, I don't live and breathe fashion every day of my entire life.

Fashion is not art. Fashion is a business that requires discipline and attention to detail and very organized systems of logistics and operations and processes. But even with the most smoothly oiled machine to manage the business, without creativity, fashion could not exist.

Before I really became interested in fashion, all I would look at in a fashion magazine was the ads. It only dawned on me recently that just looking at the ads really doesn't teach you everything you need to know about the fashion world.

If you are a reader of 'Harper's Bazaar,' to me, you are a woman who loves fashion, but not just fashion; you love fashion, you love travel, you love art, you love music.

I became interested in fashion when my mother did a runway show for Thierry Mugler.

Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.

Carrie Bradshaw made it okay for New York women to take fashion chances and show that they are fabulous and strong.

I've always wanted to do a sketch show. And they've sort of gone out of fashion for a bit, or they've just stopped doing them for whatever reason.

You see, you just don't know I'm here to give you my heart And you want some fashion show

There is an actor's responsibility in presenting the emotional content of the lyrics to an audience. But whether you do that in a straightforward fashion or an ironic fashion or a blase fashion is all about opportunities, and singers are missing opportunities as artists if they don't pay attention to the lyric.

Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.

Fashion is not art. Fashion isnt even culture. Fashion is advertising, and advertising is money. And for every dollar you earn, someone has to pay.

I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.

I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.

The first fashion show I ever attended was for Ritu Beri in 1997 or 1998. I think that was the first time Ritu had designed for one of my movies 'Yeh Raastein Hain Pyaar Ke.' She had done a show in Paris, and she had done the same show in Delhi. It was very eclectic, and I love the way she combines colours and makes them flamboyant.

Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.

Fashion is an extension of expressing who you are. I love to entertain and put on a show. And that's definitely a part of that.

I love fashion. I think it's so important, because it's how you show yourself to the world.

'Fashion Star' has been an incredible platform to show America the amount of work and discussion that goes into each garment you see in a store.

I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.

The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.

Fashion is a dream. It's difficult, and there are many aspects of fashion that are very difficult, but if you love it like I do, because I really have a passion, now, for fashion, it's not easy, but nothing is easy in life.

When I started modeling, I didn't know anything about fashion, but I'd watched the Victoria's Secret show.

I did a school fashion show, and I got scouted there, but I wasn't very interested in modeling at that point.

The entire spring and summer line from Marc Jacobs was stolen on the way to the fashion show in Paris. The thief is considered armed and fabulous.

I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.

You'll never see me in the front row of a fashion show. I'm uninterested in it; I find it trivial and banal and boring.

Hopping around time in a non-linear storytelling fashion (on 'Lost') allows you to bring back characters who are dead and, in some cases, buried. Now that time travel is the story itself, it opens up even more doors. So when an actor reads that they're getting killed off on the show, they're basically, like, 'Okay, but should I still bother to show up next week?'

I very rarely watch my own fashion shows, but the makeup for my Fall 2011 show was just brilliant.

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

I am not a good professional of fashion. I am not an expert about how clothes are constructed or the history of fashion. I never start with fashion. I always think of the girl and her personality - because all that matters to me when you look at a page is, "Do you want to be that girl?"

I love very much the night after every fashion show when I have all those invitations to parties and I stay quiet at home by myself.

You can limit the number of invitations to an in-person fashion show, but you can't police the Internet.

I hate fashion. I don't have any fun doing it. A show terrifies me.

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.

I want to show people that tailoring has value, which I don't see anymore in men's fashion.

Fashion has a huge responsibility - in what we show on the runway, what we do in editorial, who we dress - to make sure it represents differences. If we don't, we're giving in to the discrimination.

Oftentimes you'll see pictures from fashion shows and all the models outside the show in their real clothes are wearing brands like Supreme.

I don't have some sort of moral dilemma with coming as a guest to an event or a fashion show.

Never in a million years would I imagine Calvin Klein flying me out to my first men's fashion show.

I feel like there's not enough clothing out there to show our personality and just to be comfortable and to be fashion-forward and to be a trendsetter. There are a lot of clothes out there for the straight-size woman to be able to show that, but in the plus-size industry, I don't feel like it's there just yet.

When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.

During a fashion show, I want the clothes to speak. The effort I put into my work must be respected.

What makes clothing so potent is that people incorporate the fashion that they're wearing into their identity. It becomes part of you and how you show yourself to the world.

Fashion is temporary; fashion is a race. What it's doing is giving you something that you say, "This is the outer wrapping of me." Style is something else. It's not quantifiable. Fashion is about selling. Fashion is about what's in. Style is independent of that; style is individual.

If you try to have a fashion show with Bach fugues and John Coltrane, it doesn't really work.

Note to self: never eat garlic before a fashion show because everyone greets you with a kiss on both cheeks.

Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.

Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.