Top 1200 Fashion Trends Quotes & Sayings - Page 3

Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.

Fashion is temporary; fashion is a race. What it's doing is giving you something that you say, "This is the outer wrapping of me." Style is something else. It's not quantifiable. Fashion is about selling. Fashion is about what's in. Style is independent of that; style is individual.

I think about the trends at the moment in the planet and how it looks for my grandchildren. I don't panic over it, even though rationally maybe I should. I have faith that these terrible trends will change, and they will not go to their logical conclusions of climate change, militarism, pollution, overpopulation.

My grandfather is my biggest fashion critic. He takes a keen interest in the millennial fashion, most of which he disapproves of, but he is a very practical fashion critic.

You always have to keep up with the trends. The biggest thing is making your own trend and making your own stamp in the fashion industry. Whatever is going to be your style, make that your style and go from there.

I want to achieve anti-fashion through fashion. That's why I'm always heading in my own direction, in parallel to fashion.

I'm always scared of trends. The runways are always so trend-oriented, but I always feel for the women. The real women that buy cosmetics want to see the trends, but they don't necessarily go for them. And I always encourage women to find what looks best on them.

When you're younger, it's all about conformity and being easily influenced - especially in terms of fashion. You just follow the trends. Whatever is hot at the moment, you want to get it. You basically just want to be doing what everyone else is doing. But as you get older, those things aren't as important.

My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.

I am trying change trends in movies, just as I am trying to change trends in politics.

The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.

I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.

Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.

If you are a reader of 'Harper's Bazaar,' to me, you are a woman who loves fashion, but not just fashion; you love fashion, you love travel, you love art, you love music.

We live in a society that has ever-changing values and ever-changing standards and ever-changing criteria to determine who is a superstar or not. If you want to be a superstar, if you want to main event, if you want to profit in the entertainment business, you have to go with those trends and spearhead new trends.

Even though I love fashion, I prefer people to fashion. Fashion is to make the person comfortable in her body, it?s not something very serious, you get to play.

There is an actor's responsibility in presenting the emotional content of the lyrics to an audience. But whether you do that in a straightforward fashion or an ironic fashion or a blase fashion is all about opportunities, and singers are missing opportunities as artists if they don't pay attention to the lyric.

We are building a dictatorship of relativism that does not recognize anything as definitive and whose ultimate goal consists solely of one's own ego and desires. We, however, have a different goal: the Son of God, the true man. He is the measure of true humanism. An "adult" faith is not a faith that follows the trends of fashion and the latest novelty; a mature adult faith is deeply rooted in friendship with Christ.

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

Trends come like a series of ocean waves, bringing the high tide when things are good and, as conditions recede, the low tide appears. These trends come unexpectedly, unpredictably, and they have to be weathered with temperance, poise, and patience- good or bad.

I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.

Fashion rests upon folly. Art rests upon law. Fashion is ephemeral. Art is eternal. Indeed what is a fashion really? A fashion is merely a form of ugliness so absolutely unbearable that we have to alter it every six months! It is quite clear that were it beautiful and rational we would not alter anything that combined those two rare qualities. And wherever dress has been so, it has remained unchanged in law and principle for many hundred years.

I do not aspire to be in fashion. For what is in fashion, goes out of fashion If, on the contrary, your work is contested today, it doesn't matter. For when it is finally understood, it will be for eternity.

My inspiration is European fashion. I'm really into Euro fashion, and I also love rock n' roll. That's the mentality that I like to have when I'm dealing with fashion.

Fashion is not beautiful, neither is it ugly. Why should it be either? Fashion is fashion.

Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.

I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.

The fact that fashion goes out of fashion and then comes back into fashion based solely on what a few people somewhere think they can sell, well to me, that’s insanity.

Are you in fashion? You look like you're in fashion." "No," [Magnus] said. "I am fashion.

Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.

More than anything, Play Cloths has taken risks in regards to the pieces of clothing that we're even creating. We started out as straight T-shirts. It was just T-shirts and a couple cool things. Now, it's leisure pants, it's all types of clothing. We're evolving even with fashion trends on a super high level.

I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.

Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.

Even though I love fashion and would love to be a fashion designer, I don't live and breathe fashion every day of my entire life.

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.

Before I really became interested in fashion, all I would look at in a fashion magazine was the ads. It only dawned on me recently that just looking at the ads really doesn't teach you everything you need to know about the fashion world.

My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.

It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.

We, however, have a different goal: the Son of God, the true man. He is the measure of true humanism. An "adult" faith is not a faith that follows the trends of fashion and the latest novelty; a mature, adult faith is deeply rooted in friendship with Christ. It is this friendship that opens us up to all that is good and gives us a criterion by which to distinguish the true from the false, and deceit from truth.

Food trends have been around as long as people have had the ability to choose between different things to eat, but the modern, interconnected media has made food trends a viral phenomenon. Once upon a time, it was just a few newspapers and a few select gourmet magazines that were writing about food. Today, it's every single publication.

Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.

I am not a good professional of fashion. I am not an expert about how clothes are constructed or the history of fashion. I never start with fashion. I always think of the girl and her personality - because all that matters to me when you look at a page is, "Do you want to be that girl?"

I don't have very much interest in trends and fashions. I don't follow the fashion shows and stuff like that into my real life. But I'm very, very interested in how people put themselves together, how women and men announce themselves to the world, through what they put on their bodies. Whether we choose Birkenstocks or whether we choose Burberry - it all signifies something and it's really interesting to me.

I admire fashion and I respect it greatly, but I don't necessarily follow trends. I never really have. I just wear what I like to wear. I really like colors, and there are some things I wear and don't care what anybody says about it being in style or not. I wear it anyway.

I don't believe in fashion dictatorship, and I find that anybody who follows the dictates of fashion is a bit lost. I'm excited by style, not so much by fashion.

You can see the next big trends in fashion on the red carpet and see what colors, silhouettes are hot right now. You might see Taylor Swift wearing Gucci, and most of us can't afford that Gucci dress, but you can look at the beading and be inspired by it for, say, your prom or a friend's wedding.

Fashion is not art. Fashion isnt even culture. Fashion is advertising, and advertising is money. And for every dollar you earn, someone has to pay.

I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.

The Tipping Point is the biography of an idea, and the idea is very simple. It is that the best way to understand the emergence of fashion trends, the ebb and flow of crime waves, or, for that matter, the transformation of unknown books into bestsellers, or the rise of teenage smoking, or the phenomena of word of mouth, or any number of the other mysterious changes that mark everyday life is to think of them as epidemics. Ideas and products and messages and behaviors spread just like viruses do.

I've never wanted to be in fashion. Because if you're in fashion, you're going to be out of fashion.

Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.

Major Trends [is] the canonical modern work on the nature and history of Jewish mysticism. For a sophisticated understanding, not only of the dynamics of Jewish mysticism, but of the exquisite complexities of Jewish history and tradition, Major Trends is a major port of entry through which one must pass.

I worked in fashion for ten years, and like anyone in the fashion industry, even if you leave, you never leave fashion behind.

I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.

Fashion is a dream. It's difficult, and there are many aspects of fashion that are very difficult, but if you love it like I do, because I really have a passion, now, for fashion, it's not easy, but nothing is easy in life.

I have always loved fashion, trends, style, make-up and hair, but yes, some sort of a transformation truly happens when I play a 'bahu'. That's when I have to wear brown lenses to cover my green eyes, colour my hair dark, wear saris, and surprise myself that I can pull this off, too.

I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.

I think that a lot of our fashion history shows do touch on important issues. Fashion and Technology obviously does, because technology is impacting fashion in so many ways, from computer-assisted design to the way we actually purchase clothes online.

The fashion industry has an enormous amount to offer in what we do in industrial design because fashion is fast, fashion has its finger on the pulse. There are very few creative industries that work on that rhythm.

Fashion is not art. Fashion is a business that requires discipline and attention to detail and very organized systems of logistics and operations and processes. But even with the most smoothly oiled machine to manage the business, without creativity, fashion could not exist.