Top 1200 Fashion World Quotes & Sayings - Page 17

Who was born first, you or the world? As long as you give first place to the world, you are bound by it; once you realize, beyond all trace of doubt, that the world is in you and not you in the world, you are out of it. Of course your body remains in the world and of the world, but you are not deluded by it.

Black males who refuse categorization are rare, for the price of visibility in the contemporary world of white supremacy is that black identity be defined in relation to the stereotype whether by embodying it or seeking to be other than it…Negative stereotypes about the nature of black masculinity continue to overdetermine the identities black males are allowed to fashion for themselves.

Marriage is not comfortable and harmonious. Rather it is a place of individuation where a person rubs up against oneself and against the partner, bumps up against the person in love and in rejection, and in this fashion learns to know oneself, the world, good and evil, the heights and the depths.

Let's face it, fashion was destroyed by HIV. People would just die like flies in the eighties. Then, my brother died of HIV, so I was shaken by it in a way that you cannot imagine. It has sadly been in my life ever since and affected it for such a long time. It won't let go. To me, it's a fight that's not finished. Of course, there are medicines that help, but half the world has no access to them.

Had the cub thought in man-fashion, he might have epitomized life as a voracious appetite, and the world as a place wherein ranged a multitude of appetites, pursuing and being pursued, hunting and being hunted, eating and being eaten, all in blindness and confusion, with violence and disorder, a chaos of gluttony and slaughter, ruled over by chance, merciless, planless, endless.

People like to say you're either born with style or you're not, and that's complete hooey. You've gotta develop your own and find your own.If you just put on whatever they're trying to sell you, you will always be out of fashion. Otherwise, they can't keep selling you. So, you will always be out of fashion. Get used to it. That's the game. Whatever they say is fashionable, chuck it.

If Providence had not guided us I would often never have found these dizzy paths. Thus, it is that we National Socialists have in the depths of our hearts our faith. No man can fashion world history or the history of peoples unless upon his purpose and his powers there rests the blessing of this Providence.

The Islamic world doesn't stop in the Arab world or Persia. There is the whole Turkic world, the Central Asian world, South Asian world, Southeast Asian world, and African world.

Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.

If I never explore my limits, my bodymind will gradually tighten and become unconscious. If I regularly explore my limits in a caring and adventuresome fashion, I will expand and grow in a vital fashion. But if I try to push myself past where I am honestly able to go, I will no longer be practicing yoga but instead will be practicing greed, and I will probably be met by pain and disease. Stated simply, it is the difference between ignoring your self, making love to yourself, and raping yourself.

I can't imagine my loved ones being in this world without anybody to turn to, without any support or encouragement, guidance in any shape, form or fashion. But there's such a large population of people and that's their plight. Through no fault of their own. Sometimes parents die, sometimes parents can't take care of them - all kinds of misfortunes.

In most cases I start off with a sketch. But I'm also thinking about real images: out of National Geographic, out of fashion magazines, out of The Economist, out of Time. I'm making a sketch, but I'm using the existing images that have been put out in the world.

The thing that makes makeup or clothing or fashion beautiful is the fact that the person wearing them loves themselves and loves being able to kind of use them as artistic tools. And so if I was to give one piece of advice, it would be to find beauty in your core first before you go out into the world and find it in other ways.

I just walk how I walk. But I am also really inspired by the physical drama in silent films from the beginning of the 20th century - it's ice cold and unreachable, like the stare of a sniper! I guess this look is something new that I brought into the world of fashion: a dark and dramatic, 19th century Russian literature and drama inspired look.

Everything I have is ready to wear, but I have the ability to have different options within the same brand. I have the Theyskens' Theory collection where it's a personal approach to how I build the collection where I fuse more fashion-y ideas and it has my name on it. So it's really something very research- and labor-intensive. And then I have the Theory brand where I infuse all points of view about fashion at large, and it's more global. It's really about making something succeed. You have an instant relationship with stores, and with sales teams, and people that are in the place.

People say: 'Models are so young, they're so skinny.' But Mr. Balenciaga used models at 16, and that will never change. People say they are skinny, but there is a difference between skinny and sick. If someone is sick, they're sick. It's not because of fashion. If I have flu, I have flu; it's not because I work in fashion.

We are devastated to learn of the death of Alexander McQueen, one of the greatest talents of his generation. He brought a uniquely British sense of daring and aesthetic fearlessness to the global stage of fashion. In such a short career, Alexander McQueen's influence was astonishing - from street style, to music culture and the world's museums. His passing marks an insurmountable loss.

We are one and the same. Our hearts beat as one. If we put our hearts into it - the fashion industry, any industry - our lives will be changed in the process, and the world will be changed as well.

I don't do fashion, I'm fashion

I think fashion is fashion: Sometimes you dress people that you don't know, and sometimes you dress people that you actually know.

'Ms.' always flouted the rules of the ad world that say, especially for products directed at women, that the ad must be connected to the editorial. You don't have food ads unless you have recipes. You don't get clothing ads unless you have lavish fashion coverage. We never did that; every other women's magazine does.

The body of the woman is the overwhelming triumph of flesh. The woman is a concrete universal; she is a world, not an externalized world, but under the world, the warm interiority of the world, a compressed internalized world.

People often think that the world fashion is so full of a certain pretense that it can't just be about going for something because it suits you and looks great, and it's nicely cut and is made of beautiful fabric. You know, if it has a bit of lightness and playfulness to it, then I think people just respond to that really well.

I thought that the fashion world could be a bit fake sometimes, but it's nothing compared to Hollywood. These girls would walk over their grandmothers' graves to get a part, and the producers talk about actresses like they're dirt, picking over every part of them so that they end up paranoid and having surgery.

I notice fashion on other people, I always enjoy it when people try and look their best, I've always been taught to try and look my best and that's probably my main influence, I'm not looking to influence fashion anymore than the next guy, but I do try and look my best when I'm out and representing my movies.

I listened to a lot of The Stooges when I was writing "Oscillate," imagining our hero moving through his days naturally embodying the spirit of a real punk. I say real, because today's idea of 'punk as fashion accessory' doesn't even register with him, it's more about the way he engages with the world.

I think fashion is really opened me up as a person. All eyes are on you when you do the shows and when you do the photo shoots. You have to know how to act around people. I used to be a shy kid in school. I didn't know how to interact with people and now I find it so easy. Fashion has really done something great for me and it's really changed me as a person. I've changed my style as well.

Kendall is really satisfied on her role in 'Keeping Up With the Kardashians.' With her modeling career, she's so busy. If she's not walking a runway, she's shooting a campaign or traveling around the world with her fashion obligations. She's a pretty busy little girl.

I realized that the way I approached architecture was with a somewhat fashion brain. That didn't get me very good marks in school, because everyone thought fashion was lightweight. In architecture they say, "Well, why is the door pink? Where does it go? What does the pink mean? What does it symbolize? All the other doors are beige, why is that one pink?" I was like, "Well, it's pink because it's pretty."

You will find men like him in all of the world's religions. They know that we represent reason and science, and, however confident they may be in their beliefs, they fear that we will overthrow their gods. Not necessarily through any deliberate act, but in a subtler fashion. Science can destroy a religion by ignoring it as well as by disproving its tenets. No one ever demonstrated, so far as I am aware, the nonexistance of Zeus or Thor, but they have few followers now.

Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.

It's just weird that for some people, art is a luxury. My parents had no artistic outlet. Some people pass down music to their kids, but I couldn't tell you what my mom's or dad's favorite song is. So when I started going out into the world, I was drawn to people who knew about movies, art, even fashion.

In a world where concepts are so often deployed in an ad hoc fashion, half explored before being displaced by others, it is immensely refreshing to encounter such serious and sustained attention to the building blocks of inquiry—and to the responsibilities thereby incurred. Designs on the Contemporary is a work of profound importance to the philosophy of anthropology. In conjunction with Rabinow’s other works, it creates a nonpareil, a configuration of thought with no equal.

I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read. More people should read books. It's the most concentrated experience you can have. You know, all those incredible geniuses concentrated their lifetimes' experiences in books. It's much better than chattering away to somebody who's never read anything and knows nothing at all.

I believe what has kept us relevant over the years is not just the fashion which has sometimes been more timely than other times but has also been our messages, which have consistently reflected the context of the world we're living in and what was happening and that which was affecting what we were thinking and what was inspiring us.

You're taught that you need to please magazines, to please the fashion elite, and that if you do everything the right way, everyone is going to love you. But I decided not to follow some of the rules. My girls from the runway were not just models - they were soldiers. They helped me bring my ideas to life. I was talking about sexiness, about diversity, about different shapes of bodies. I was following my instincts and learning that it would not please the fashion elite. And I think this is the real luxury, to be free to express yourself. Freedom is luxury to me.

In our own hearts, we mold the whole world's hereafters; and in our own hearts we fashion our own gods.

Over the course of the years, I've learned [that] fashion is a fascinating business about selling magic. It is done on the backs of our optimism and our insecurity. It is as much psychology as commerce. But I've also learned that every day we make split second decisions about people based on their attire and those decisions can have powerful implications - see the story of Trayvon Martin and his hoodie. It's important for us to understand how fashion works and how we connect to it.

The most abundant hue in nature, the human eye sees more green than any other color in the spectrumas it has throughout history, multifaceted emerald continues to sparkle and fascinate. Symbolically, emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today's complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.

There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?

If she replaces her eyebrows with a Machiavellian triangle, paints her fingernails blue, and dyes her hair some color you'd see in a comic book it's not too attractive to me-because it's too familiar. Extremes aren't necessary. Even 'high fashion' frightens most men. When I have to wait in the dentist's office, I sometimes look at fashion magazines. To me, most of the models look like they have rickets or scoliosis of the spine. They look less like woman than caricatures.

I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.

Shall you complain who feed the world? Who clothe the world? Who house the world? Shall you complain who are the world, Of what the world may do? As from this hour You use your power, The world must follow you!

I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.

The vast majority of Airmen we train are going to be somewhere in harm's way within the next year or two. It is up to us to impart to them the talent and skill they need to accomplish their mission in a world-class fashion and at the same time make sure we get them back safely to the families that love them.

Money values do not simply mirror the state of affairs in the real world; valuation is a positive act that makes an impact on the course of events. Monetary and real phenomena are connected in a reflexive fashion; that is, they influence each other mutually. The reflexive relationship manifests itself most clearly in the use and abuse of credit.

You are not in the world...the world is in you," what did he mean? [That is, you are not in the world," that is, there is no "you" that is real or in any world. "The world is in you" means that the world is in your "mind" and is nothing more than a figment of your programming-and-conditioning-induced imaginings.]

Five golden years, Heart of Mine, have we walked the way of life together, and there is not an hour I would have changed; there is no moment when I would have you other than you have been. It is the fashion these days, I know, to say that love ends at the altar, but it is not so. You and I have found the old dream of the world divinely true. It is neither a poet's fancy nor a trick of the imagination, but a thing of fadeless and unending beauty.

We do not live in several different, or even two different, worlds, a mental world and a physical world, a scientific world and a world of common sense. Rather, there is just one world; it is the world we all live in, and we need to account for how we exist as part of it.

One would truly need a great and spacious makeup kit to compete with beauty as portrayed in media all around us. Yet at the end of the day there would still be those "in the attitude of mocking and point their fingers" as Lehi saw (1 Nephi 8:27) because however much one tries in the world of glamour and fashion, it will never be glamorous enough.

The world is not something separate from you and me; the world, society, is the relationship that we establish or seek to establish between each other. So you and I are the problem, and not the world, because the world is the projection of ourselves, and to understand the world we must understand ourselves. That world is not separate from us; we are the world, and our problems are the world's problems.

Within the fashion industry, being on shoots and working with agencies and other models, it's never been an issue being anything other than straight. It's so accepted within this industry. Out of every community that I'm a part of, or have been in, the fashion industry has been the most accepting. To the point where it was celebrated. I'd be on set talking about my girlfriend and someone would say "Oh, you're a lesbian! That's amazing." It's such a warm, welcoming community in that sense.

Fashion really does change the world. It changes how people feel about themselves. It changes what people are comfortable with sexuality-wise. It changes how people accept themselves.

?What color is a chameleon placed on a mirror? ... The chameleon responding to its own shifting image is an apt analog of the human world of fashion. Taken as a whole, what are fads but the response of a hive mind to its own reflection? In a 21st-century society wired into instantaneous networks, marketing is the mirror; the collective consumer is the chameleon.

I can't stand when girls come to me and say they want to be a model, but they can't tell me who the top three photographers are in the world. They can't tell me who the top five biggest models are or name three cosmetics companies. They can't even name the top fashion magazines! You have to get it together and know your stuff.

The English and Japanese are the most inventive dressers in the world, but French girls are the most beautiful. I am still always amazed by the style of French girls, and the only reason is that they dress according to themselves and not according to fashion. They know what suits them.

I know I am old-fashioned, but I don't want to bring out a fashion line, I don't want to bring out an album. I just want to do the work as best as I can, and if that effects change for somebody, then that is great. I don't want to change the world.

When he tries to extend his power over objects, those objects gain control of him. He who is controlled by objects loses possession of his inner self... Prisoners in the world of object, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces: fashion, the market, events, public opinion. Never in a whole lifetime do they recover their right mind!... What a pity!

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

Spook smiled. "Elend is a forgetful scholar - twice as bad as Sazed ever was. He gets lost in his books and forgets about meeting he himself called. He only dresses with any sense of fashion because a Terriswoman bought him a new wardrobe. War has change him some, but on the inside, I think he's still just a dreamer caught in a world with too much violence.