Top 1200 Fate In The Iliad Quotes & Sayings - Page 3

There are indications because of new inventions, that 10, 15, or 20 nations will have a nuclear capacity, including Red China, by the end of the Presidential office in 1964. This is extremely serious. I think the fate not only of our own civilization, but I think the fate of world and the future of the human race, is involved in preventing a nuclear war.

Presumably there is indeed no purpose in the ultimate fate of the cosmos, but do any of us really tie our life's hopes to the ultimate fate of the cosmos anyway? Of course we don't; not if we are sane. Our lives are ruled by all sorts of closer, warmer, human ambitions and perceptions.

i fear no fate(for you are my fate,my sweet)i want no world(for beautiful you are my world,my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows

There are good people who are dealt a bad hand by fate, and bad people who live long, comfortable, privileged lives. A small twist of fate can save or end a life; random chance is a permanent, powerful player in each of our lives, and in human history as well.

My business is to succeed, and I’m good at it. I create my Iliad by my actions, create it day by day.

Without oblivion, there is no remembrance possible. When both oblivion and memory are wise, when the general soul of man is clear, melodious, true, there may come a modern Iliad as memorial of the Past.

Fate forces its way to the powerful and violent. With subservient obedience it will assume for years dependency on one individual:Caesar, Alexander, Napoleon, because it loves the elemental human being who grows to resemble it, the intangible element. Sometimes, and these are the most astonishing moments in world history, the thread of fate falls into the hands of a complete nobody but only for a twitching minute.

Some people say that you should not tempt fate and for them I cannot disagree, but I never learned anything from playing it safe. I say fate should not tempt me.

In the power and splendor of the universe, inspiration waits for the millions to come. Man has only to strive for it. Poems greater than the Iliad, plays greater than Macbeth, stories more engaging than Don Quixote await their seeker and finder.

What psycho-analysis reveals in the transference phenomena of neurotics can also be observed in the lives of some normal people. The impression they give is of being pursued by a malignant fate or possessed by some 'daemonic' power; but psycho-analysis has always taken the view that their fate is for the most part arranged by themselves and determined by early infantile influences.

So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.

He will find one English book and one only, where, as in the "Iliad" itself, perfect plainness of speech is allied with perfect nobleness; and that book is the Bible.

I do not believe in a fate that falls on men however they act; but I do believe in a fate that falls on them unless they act.

All things are in fate, yet all things are not decreed by fate.

The white worker who has been displaced at General Motors has more in common with the displaced black worker than those larger white CEO's, and those Wall Street people who are determining their fate... whose thievery and greed is determining their fate.

No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others

Fate often allows a future to take shape with no regard for our expectation, plan, or readiness. Fate's skillful editing of our life choices is like the careful grooming of lads on their first day of school: combed, polished, scrubbed, newly dressed, and glowing too. This is how we become ready for our life lessons.

King Diamond was always more satanic than Mercyful Fate. And I'm not saying anything bad about Mercyful Fate - I love that band but sometimes people forget that King Diamond is the satanic philosophy through and through.

Fate rules. You follow the steps and you plan and you work. Then fate slips in laughing and makes fools of us. Sometimes we can trick it or out guess it but most often its already written. For some its written in blood. That doesn't mean we stop, but it does mean we can't comfort ourselves with blame. It's easier to take the blame than to admit there was nothing you could do to stop whatever happened.

Among the humble and great alike, those who achieve success do so not because fate and circumstance are especially kind to them. Often the reverse is true. They succeed because they do not whine over their fate but take whatever has been given to them and go on to make the most of their best.

Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.

The way two people can end up in the same place, find each other in a crowd, and change their lives and the lives of the people around them forever... It makes you believe in fate. And fate gives love some authority. Like it's been stamped with approval from above, if you believe in above. A godly green light. Some destined significance.

Epic stories, especially 'quest narratives' like 'The Iliad' and 'The Odyssey,' are brilliant structures for storytelling. The quest lends itself to episodic storytelling.

Here halt, I pray you, make a little stay. O wayfarer, to read what I have writ, And know by my fate what thy fate shall be. What thou art now, so shall thou be. The world's delight I followed with a heart Unsatisfied: ashes am I, and dust.

I've never found it helpful to treat fate with a gentle hand. Everytime I've stroked, hopin' fer a favor, she's slapped me hand and laughed at me. If ye want something, take fate by the throat and shake it out o' her.

No ancient story, not even Homer's Iliad or Odyssey, has remained as popular through the course of time. The story of Rama appears as old as civilization and has a fresh appeal for every generation.

'The Iliad' is about a war 1,200 years ago that solved nothing and achieved nothing. Most of our wars achieve very little. But whatever agenda I have gets buried in a work this great. If you're being honest, you realize that, as an artist, you're not a policy maker.

Why so much grief for me? No man will hurl me down to Death, against my fate. And fate? No one alive has ever escaped it, neither brave man nor coward, I tell you - it’s born with us the day that we are born.

Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.

A man must know his destiny… if he does not recognize it, then he is lost. By this I mean, once, twice, or at the very most, three times, fate will reach out and tap a man on the shoulder… if he has the imagination, he will turn around and fate will point out to him what fork in the road he should take, if he has the guts, he will take it.

Ecology's implications for capitalism are too momentous for the capitalist to contemplate. The plutocrats are more wedded to their wealth than to the Earth upon which they live, more concerned with the fate of their fortunes than with the fate of humanity. The present ecological crisis has been created by the few at the expense of the many.

Stripped of its plot, the 'Iliad' is a scattering of names and biographies of ordinary soldiers: men who trip over their shields, lose their courage or miss their wives. In addition to these, there is a cast of anonymous people: the farmers, walkers, mothers, neighbours who inhabit its similes.

No particular music makes me feel nostalgic. If it's great, it just keeps me in the present moment. That level of music is like a classic story, like the Iliad-something so perfect it can never be old.

In those days, when my hands were much employed, I read but little, but the least scraps of paper which lay on the ground, my holder, or tablecloth, afforded me as much entertainment, in fact answered the same purpose as the Iliad.

I had been thinking about how greatness always has a hand from luck or fate. That no one ever achieves anything with their will alone. The luck or fate that helped us, amongst many others, was that my sister happened to know these two heavy metal kids David Navarro and Stephen Perkins.

It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides.

If by fate anyone means the will or power of God, let him keep his meaning but mend his language; for fate commonly means a necessary process which will have its way apart from the will of God and men.

A knowledge of history as detailed as possible is essential if we are to comprehend the present and be prepared for the future. Fate...is not the blind superstition or helplessness that waits stupidly for what may happen. Fate is unalterable only in the sense that given a cause, a certain result must follow, but no cause is inevitable in itself, and man can shape his world if he does not resign himself to ignorance.

What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed.

Make room, Roman writers, make room for Greek writers; something greater than the Iliad is born.

Creative writing teachers should be purged until every last instructor who has uttered the words 'Write what you know' is confined to a labor camp. Please, talented scribblers, write what you don't. The blind guy with the funny little harp who composed The Iliad, how much combat do you think he saw?

I have a confession to make. The love affair of my life has been with the Greek language. I have now reached the age when it has occurred to me that I may have read some books for the last time. I suddenly thought that there are books I cannot bear not to read again before I die. One that stands out a mile is Homer's Iliad.

All of us have a God in us, and that God is the spirit that unites all life, everything that is on this planet. It must be this voice that is telling me to do something, and I am sure it's the same voice that is speaking to everybody on this planet - at least everybody who seems to be concerned about the fate of the world, the fate of this planet.

All human lives are so profoundly and intricately entwined-those dead, those living, those generations yet to come-that the fate of all is the fate of each, and the hope of humanity rests in every heart and in every pair of hands.

Chiromancy is a stupidity! No man's fate is ever written on nowhere! In this universe, all the roads are our fate; all the stones and all the flowers are waiting for us! All the pages and all the days of the future are empty! On the roads to future, no one has footprints; we create them through walking!

Let man only approach his own self with a deep respect, even reverence for all that the creative soul, the God-mystery within us, puts forth. Then we shall all be sound and free. Lewdness is hateful because it impairs our integrity and our proud being. The creative, spontaneous soul sends forth its promptings of desire and aspiration in us. These promptings are our true fate, which is our business to fulfill. A fate dictated from outside, from theory or from circumstance, is a false fate.

Returning to the source is stillness. It is returning to one's fate. Returning to one's fate is eternal.

My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.

Fate and free will are equally powerful forces but I consider free will to be more important as it is your free will that determines your fate.

When I was nine, I started reading Homer. I would get up at four o'clock in the morning, before I had to go to school, in third or fourth grade, and, for several hours, I would read 'The Iliad' or 'The Odyssey.'

This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, 'love of fate,' love of the fate that is inevitably death, constitutes the experience of the tragic art.

In discourse more sweet; For eloquence the soul, song charms the sense. Others apart sat on a hill retir'd, In thoughts more elevate, and reason'd high Of providence, foreknowledge, will, and fate, Fix'd fate, free-will, foreknowledge absolute; And found no end, in wand'ring mazes lost.

I've always felt, with 'The Iliad,' a real frustration that it's read wrong. That it's turned into this public school poem, which I don't think it is. That glamorising of war, and white-limbed, flowing-haired Greek heroes - it's become a cliched, British empire part of our culture.

One of the rules of Greek lament poetry is that it mustn't mention the dead by name in case of invoking a ghost. Maybe the 'Iliad,' crowded with names, is more than a poem. Maybe it's a dangerous piece of the brightness of both this world and the next.

In Homer and Chaucer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they still have moments of unbaptized and uncommitted life, which give them an appetite for more.

'The Odyssey' is the great tale, and I was really taken by 'The Iliad,' so I dig into those things, and when I was a kid I didn't. You've gotta have a certain level of understanding yourself before that stuff really starts to resonate.

No nation can say, 'We will capitulate to tyranny rather than accept a speculative fate - to accept an absolute fate in alternative to a speculative one' - no nation can do that.

But to deny fate is arrogance, to declare that we are the sole shapers of our existence is madness;if you deny fate life becomes the series of missed opportunities, a regret for what never was and could have been, a remorse of what was not done and could have been done, and the present is wasted, twisted into another missed oppurtunity.

The fate of the singers who, like my songs, went up in flame was also the fate of the books which I later wrote. All of them went up in flame to Heaven in a fire which broke out one night at my home in Bad Homburg as I lay ill in a hospital.

There is but one art, to omit! Oh, if I knew how to omit I would ask no other knowledge. A man who knows how to omit would make an Iliad of a daily paper.