Top 1200 Favorite Artist Quotes & Sayings - Page 17

Explore popular Favorite Artist quotes.
Last updated on December 22, 2024.
Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.
No artist is normal. Who happen to be normal cannot be an artist.
I think functioning as a business manager can be a hindrance to having a real dialogue with the artist. I do think that artists need good lawyers and accountants, because they're dealing with serious money. But an artist who stands behind a manager? That's a little different. I think that can be a bad buffer.
If I stop being on good behaviour for a moment, my dark little secret is that I don't actually believe many people in the art world have much feeling for art and simply cannot tell a good artist from a weak one, until the artist has enjoyed the validation of others - a received pronunciation.
I'm not an artist: I'm a businesswoman. Well, maybe an artist/businesswoman. — © Rei Kawakubo
I'm not an artist: I'm a businesswoman. Well, maybe an artist/businesswoman.
Although I still have a long way to go, I would like to become the pride of Asia. When another Asian artist enters the U.S. market, I would like him to think, 'There was an artist called Rain who succeeded in the U.S. market.' This is my dream.
I'm a huge advocate of all sciences. And my favorite - actually, not my favorite because I love all sciences - but my primary science that I study all the time is physics. It's the mother of all sciences because it's just how things move and how things react to the world around them. I feel like I would definitely go to college for physics.
I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
Even Michelangelo on his deathbed thought he'd done nothing to ennoble art. He wanted to destroy his work-the Pieta! And this from the greatest artist who ever lived. Of course I am not comparing my work to Michelangelo's. But this eternal dissatisfaction of the artist is what I was talking about.
I think you have to accept that an artist also has a relationship with his or her art and his or her fans: you are in an open relationship whether you like it or not. Give the artist room to go into the place they create (literally or metaphorically) . And love them when they can't remember where they put their keys.
Any work of art represents a series of conscious choices on the part of the artist - what color to paint, what note to play, what word to use - in that artist's attempt to share what is in his or her soul. The audience is free to accept or reject those choices; it is emphatically not free to substitute its own.
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.
Some favorite expressions of small children: "It's not my fault...They made me do it...I forgot." Some favorite expressions of adults: "It's not my job...No one told me...It couldn't be helped." True freedom begins and ends with personal accountability. -Dan Zadra It is easy to dodge our responsibilities, but we cannot dodge the consequences of dodging our responsibilities.
Every artist - even if they do Superman, they do Batman, and things like that - they are speaking about his life. Every person, every artist makes his life an artwork.
Once you're a Motown artist, you're always a Motown artist — © Smokey Robinson
Once you're a Motown artist, you're always a Motown artist
An artist is an artist only because of his exquisite sense of beauty, a sense which shows him intoxicating pleasures, but which at the same time implies and contains an equally exquisite sense of all deformities and all disproportion.
Painting expresses the depth and insight, the spiritual quality of the artist. If art is about life, then, while the depth to which the artist has drunk from the well of life may not guarantee success, it must surely improve the quality of his/her work.
If you are wealthy enough, use part or all of your Social Security proceeds to invest in a favorite cause or two. Invest 10 percent or 100 percent of your monthly Social Security check in your favorite charity, foundation, think tank, church or synagogue, or other good cause.
I'm not looking to be an artist to make money. I'm looking to be an artist.
The beginning of my love for football goes back to when I was seven years old. I was spending time with my grandmother, Caletha Vick. I never knew anything about the game until one Sunday afternoon when she turned on the television because the Redskins were playing. They were my Uncle Casey's favorite team-and my grandmother's favorite too. After watching the game with them, I was hooked.
As an artist it's exciting to know that you've made someone's life decision after them listening to your song. To get married or un-married, when you realize that people are listening it brings a feel of responsibility that can't be ignored or denied. There's someone watching us. Whether an artist wants to admit that or not.
I think historically there have always been new ways to find an artist. From seeing somebody in a club traditionally to running across them on YouTube, it's always shifting. But the age-old thing holds true: Is the artist unique? Are they talented? And can they communicate? Can they actually reach an audience and hold their attention?
...why is an artist an artist? Artists simply do feel and see things in a different way to other people. In a way it's a blessing, but it can also be a terrible curse. There's a great deal of satisfaction to be earned from it but often it's also a terrible burden.
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
As an artist, you have to work hard for things that you can't really hold in your hand. I work not for money but for my career, to expand myself as an artist. Every video I make, it's not making me any money; it's just because I want to expand.
My mother used to say that when I told her that I wanted to be an artist, her famous line was, 'The only artists I've ever heard of are dead.' It just wasn't in her experience... I don't think she had a sense that one could be an artist, because there wasn't anyone in my family who had done that.
The artist belongs to his work, not the work to the artist.
Once you're a Motown artist, you're always a Motown artist.
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.
The artist as businessman is uglier than the businessman as artist.
People always ask me if Im nervous about the intense sci-fi fans. To me that doesnt seem weird or scary. I get really intense about my favorite sci-fi shows, my favorite shows in general.
A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter.
I don't want to hear at all what the artist thinks about his art. And I'm not writing for the artist. I'm writing for the reader, and I want to tell the reader what I think.
When you have a chance to be an artist with an audience in your lifetime, you have to say thanks to your audience. That's a great thing. That's the best thing that can happen to an artist.
We think it's a blessing that we were able to bring our music to the world. That our music has not only inspired our communities but other communities. That's one of the greatest things an artist in any field could know: that you've touched the mind of another artist.
Well, this week's peeve might be... when art writers talk about an artist's 'efforts,' meaning their work. It always sounds patronizing to me, like 'I'll give you an E for effort.' How about the artist's 'effortlessnesses' instead? It's certainly something, or at least the appearance of something, that I aspire to myself.
The war between the artist and writer and government or orthodoxy is one of the tragedies of humankind. One chief enemy is stupidity and failure to understand anything about the creative mind. For a bureaucratic politician to presume to tell any artist or writer how to get his mind functioning is the ultimate in asininity.
Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist. — © Sammy Hagar
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
I decided that the whole idea of what it means to be an artist was that somehow you are ontologically oriented toward poverty : "As an artist, you don't make money." I had to figure out some kind of way to guarantee that I'd be able to continue doing the work that I wanted to do, whether I made money from the work I was doing or not.
I'm a natural born fighter, so this is what I do, and it's normal. It's natural. It's what I've always done as a martial artist, and as a martial artist, it's what I always wanted to do - test myself and always fighting. It's what I'm meant to do.
Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
No writer, painter, or actor - no artist - is ever handed a sharp knife (although a few people are handed almighty big ones; the name we give to the artist with the big knife is 'genius'), and we hone with varying degrees of zeal and aptitude.
The music began, and it was one of those life-changing moments. I saw an artist, Janis Joplin. She was exhilarating. She was vibrating. And she was like no other artist that I had ever seen before... It struck me that hard. Maybe the word is epiphany, when you get that special sensation.
I'm still an artist who's searching, trying to evolve, an artist who - nine times out of ten - is dissatisfied with her work, and beats herself, and goes out there and tries again and again, and falls on her face and looks for new challenges.
The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.
An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.
I am not a dancehall artist, and I am not a reggae artist.
Lots of ambitious work by young artists ends up in a dumpster after its warehouse debut. So an unknown artist's big glass vitrine holding a rotting cow's head covered by maggots and swarms of buzzing flies may be pretty unsellable. Until the artist becomes a star. Then he can sell anything he touches .
I love spin classes. I'm also very big on music, so I make a mix on my iPod that's 45 minutes to an hour long of music that pumps me up so I know how much time I've been at the gym without looking at the clock. Put your favorite songs towards the end of the mix, so this way you keep going until you hear your favorite song.
The artist has a duty to be calm. He has no right to show his emotion, his involvement, to go pouring it all out at the audience. Any excitement over a subject must be sublimated into an Olympian calm of form. That is the only way in which an artist can tell of the things that excite him.
The romantic artist expects people to ask, 'What has he got to say?' The classical artist expects them to ask, 'How does he say it? — © Robin G. Collingwood
The romantic artist expects people to ask, 'What has he got to say?' The classical artist expects them to ask, 'How does he say it?
People don't understand what music really is. I've been a musician since I was 6 years old. I got my first piano, was playing recitals at 8, 10 I picked up a guitar, 12 I picked up my first Pearl Master drum set. I was an artist before I was an 'artist.'
An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.
Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.
Acting is just another way to express myself as an artist. I realized if you're an artist, you're an artist and you can express that through music, through painting, through photography, through acting - this is just another way for me to express myself.
... an artist is a person first. He is an individual. If there is no person, there is no artist.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
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