Top 1200 Female Voice Quotes & Sayings - Page 14

Explore popular Female Voice quotes.
Last updated on November 20, 2024.
The fear of your own solitude, of its vast surface and its infinity… Remorse is the voice of solitude. And what does this whispering voice say? Everything in us that is not human anymore.
I knew how to be a voice for L.A., I knew how to be a voice for Detroit, I knew how to be a voice for London, I knew how to be a voice for Amsterdam.
Listening to the inner voice - trusting the inner voice - is one of the most important lessons of leadership. — © Warren G. Bennis
Listening to the inner voice - trusting the inner voice - is one of the most important lessons of leadership.
I still feel like I have a lot of growing up to do 'til I find the voice. You know, everybody has their own voice and their own thing they want to say to the world.
I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.
Whether that be starting conversations about environmental conservation or taking part in being a voice for people who don't have a voice, I just want to help people however I can.
Froi heard Zabat's voice echo over and over again throughout the gorge. Wonderful. The gods had found a way of multiplying the idiot's voice.
Being a minority voice is still brave - even if the minority voice is from the right wing.
I think getting something together to showcase your voice is important. You can also watch cartoons and play games and just kinda listen, and try to see how the design of the character matches to the voice.
A friend of mine, a poet, Rebecca Wolff recently said to me, "You know, your stories are really voice-driven," and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
What's great about [Guettel] is his very distinct voice as a composer. And that distinct voice is something worth cherishing and expressing so we just didn't want to screw that up.
Your voice is your tool and represents you. It's very important to have a good voice where you can be understood.
Rawn did her own thing in her own way. She cast the female gaze on a genre heavy with all-male quest fellowships, trophy females, and the occasional Smurfette. Her world was male-dominated and highly patriarchal, but she populated it with notable numbers of well-drawn female characters.
It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.
A lot people ask me, 'How do I become a voice actor?' and, well, first of all, drop the 'voice' because you don't know what mechanics you'll have to employ. If you can just focus on the acting, then the rest will come.
I came to New York after Bennington College and trained as a singer. I lived on the West Side and I went to my voice lessons. That was a wonderful part of my life and I really thought that I could go somewhere with my voice.
Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.
I think it depends on what agenda that female president brings. It's not good if that female president brings an agenda which is actually hostile to the cause of living wages. Women need equal wages to men, but not equal wages at poverty.
When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.
My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice. — © Wanda Sykes
My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.
My mentor made me say a poem over and over. 'Stop! That's not your voice. Start again.' I was sobbing by the end, but it drilled into my head that my voice is important.
My kids, they're always embarrassed when my voice shows up in something. I took them to Inside Out, and my voice comes in, and they were like, "Ugh, Dad, what are you doing? Get out of there."
I'm developing more stuff in my voice, more Nick Swardson. It's me as myself in a sense and kind of in my voice, no accent no affectation. I'm growing into my own persona.
I am not anxious to be the loudest voice or the most popular. But I would like to think that at a crucial moment, I was an effective voice of the voiceless, an effective hope of the hopeless.
The voice I use is a very old hardware speech synthesizer made in 1986. I keep it because I have not heard a voice I like better and because I have identified with it.
I still feel like I have a lot of growing up to do 'til I find the voice. Everybody has their own voice and their own thing they want to say to the world.
If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.
You have a lot of companies developing stuff that's just derivative. If 'The Voice' is the No. 1 show on TV, they say, 'Let's do 100 different versions of 'The Voice.' The problem is, by the time you get to market, it's already saturated, and everybody hates the format.
There are a lot of subtle things that are harder to stamp out of a culture in terms of male entrepreneurs being mentored more than female entrepreneurs... male entrepreneurs getting several strikes against them before they're kind of let go, whereas female entrepreneurs, it's kind of one strike and you're out.
A voice and an accent are two very different things. The voice of a man is how he speaks from his heart, right in the middle of him... And then you stick an accent on top of that.
My mission is to communicate, to wake people up, to give them my energy and accept theirs. We're all in it together, and I respond emotionally as a worker, a mother, an artist, and a human being with a voice. We all have a voice. We have the responsibility to exercise it, to use it.
The shows which have strong female characters are long overdue. I think there should be more and I am glad to see that there are more. There are fantastic female and diverse actors all around the world. I am glad to see that they are getting more recognition and being pushed into light more and more.
It's funny when I look at my life; my primary school was two-thirds male to one-third female. So I started my life that way. I have two brothers. And when I did Harry Potter, the ratio was more often than not, at the very least, one-third female, two-thirds male.
Not to be too doctrinaire, but we live in the patriarchy! And therefore anything explicitly associated with the female gender, including motherhood, needs to be defensively claimed, because it's either devalued or sentimentally idealized, but not supported. I so thoroughly believe that female human beings have worth that I don't feel the need to argue it, but I think that there's a part of me that very specifically wants to make space for those ideas to be centralized, if only for the moment.
When you look at biology, look at the natural world, the roles of a male and a female in society, and other animals, the male typically is the dominant role. The female, it’s not antithesis, or it’s not competing, it’s a complementary role. We as people in a smart society have lost the ability to have complementary relationships in nuclear families, and it’s tearing us apart.
To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.
My voice is for hire. My endorsement is not for hire. I will do a voice-over, but I cannot endorse without making a different kind of commitment. My politics are very personal and subjective.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
Magazines and opinions of you and stuff like that, those will change, but your opinion of yourself does not have to based on what other people say. So I just learned that my inner voice has to be louder than their outside voice.
I earn a lot of money in England doing voice-overs, especially in documentaries. Turn on the Discovery Channel here, and you'll hear my voice a lot. It subsidizes my vice of acting in the theater.
Children have very little voice, and the coroner's inquest is about Luke's voice, and making sure Luke is heard and respected and honoured. I don't want him to have died in vain.
I didn't want to fight a guy from England. What if I lose? Not that English guys aren't strong, but who wants to get beat up by a guy with that voice? That's not the most masculine voice to take a beating to.
Today, cultural and legal changes mean that individuals expect and demand a voice in decisions that affect their lives and often they have the power to undermine those decisions if they aren't allow their voice.
With the invention of the blog and all this Internet stuff, everybody has an opinion; everybody has a voice. In fact, there was a time when the average person didn't have a voice so you had to pick an artist to speak for you.
Those people should not be listened to who keep saying the voice of the people is the voice of God, since the riotousness of the crowd is always very close to madness. — © Alcuin
Those people should not be listened to who keep saying the voice of the people is the voice of God, since the riotousness of the crowd is always very close to madness.
There is a voice in the Universe urging us to remember our purpose for being on this great Earth. This is the voice of inspiration, which is within each and every one of us.
What originates everything are the emotions, the feelings, what we call soul. Then the brain commands these feelings to the voice. The voice is just the vehicle; it's the very last step in the chain.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where 'open form' or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term 'heightened speech.'
I think, as you move to the upper ranks of science - ranks being positions of influence and access - you see fewer female faces. And I think the basic reason is the same reason that you don't see a lot of female faces in Congress or on the Supreme Court or on the directing board of Fortune 500 companies.
So much of making movies is about discovery on the day, what you're figuring out. If you know everything going in, then it's not worth doing - it's already done. I'm interested in finding people who I think have a voice - and a very specific voice.
Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.
Joy is the sweet voice, joy the luminous cloud. We in ourselves rejoice! And thence flows all that charms or ear or sight, all melodies the echoes of that voice, all colours a suffusion from that light.
I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.
'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.
Sometimes, I record rough patches of tunes and take them to directors. They choose to retain my voice. Personally, I don't like my voice, and never want to record. — © Amit Trivedi
Sometimes, I record rough patches of tunes and take them to directors. They choose to retain my voice. Personally, I don't like my voice, and never want to record.
A woman with a voice is by definition a strong woman. But the search to find that voice can be remarkably difficult.
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".
The contentious issue of pay parity between male and female actors is easily resolvable if a number of big actresses decide to put their foot down. But we have to also consider the factors of time and labour. If a female actor has shot only for 40 days and the male actor for 200 days, she cannot expect to be paid the same amount.
The words given voice inside the mind are not always clear, however; they can be gentle and elliptical, what the prophets call the bat qol, the daughter of the voice of God, she who speaks in whispers and half-seen images.
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