Top 1200 Female Voice Quotes & Sayings - Page 16

Explore popular Female Voice quotes.
Last updated on November 20, 2024.
I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college.
Goddess” he said. Her voice floated to us. Yes, Child.” Will I see you again?” Just her voice now, young and old at the same time. “In the face of every woman you meet
If you think how many female comics there are compared to how many male comics there are, I think there are quite a few female comics on the TV. — © Sarah Millican
If you think how many female comics there are compared to how many male comics there are, I think there are quite a few female comics on the TV.
We now know that sex is complicated enough that we have to admit nature doesn't draw the line for us between male and female, or between male and intersex and female and intersex; we actually draw that line on nature.
A voice in me said, You have to rise to the occasion or the best in you will die. We always have that voice; we just have to make a choice to listen to it. We all have it; that's God's given light. It's just whether you have the courage to step into your destiny.
Trying to give an individual a voice has always kind of been my mission in my life. As an actor, I've always seen that was something that needed to be done. You need to find that voice inside of you so that you can stand up and be who you really are.
I would very honestly just tell you that what I tried to do was simply respond to inquiries from people as they came in. Where I've thought I could say something useful, I've tried to add a voice that was, frankly, a dissident voice earlier on, but one that I think has become a more mainstream voice-and not because I've shifted. I think that the critique I had of what was going on in our financial system from six, eight years ago-after seeing some of what we've suffered through and even since the cataclysm itself-in terms of the structural changes.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
Don't be afraid to speak out about what you're passionate about because your voice matters and your voice can, at the end of the day, make a difference.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
If you are born a female and live as one, you can't deny your connection to feminism. I think if you are a female, you are a feminist. As far as my work goes, I don't want it to be interpreted solely from a feminist perspective, of course, but for a woman to have no interest in feminism or say that it doesn't concern her is self-denial. I know that sexism still exists within various societies and systems, whether blatantly or subtly. We are, however, much better off than previous generations.
It would be lovely to live in a world where trans-female models were treated as female models, and trans-male models were treated the same as male models rather than being a niche commodity.
They said my voice was terrible, nervous, and spotty and that I must go away and learn how to use it properly. I must admit I was rather agape, since I had never thought about making my voice better.
My voice is unadorned. I don't try for perfection. I try to be honest and truthful and soulful with the voice I have. If I make mistakes in notes, or there are cracks in notes, I don't fix them. That's the way it is.
The ego is not only the unobserved mind, the voice in the head which pretends to be you, but also the unobserved emotions that are the body's reaction to what the voice in the head is saying.
This is precisely why you choose to run for office and get elected. You're asking the people to let you be their voice. I don't think there is a more powerful and intense experience than the opportunity to be the voice of the 307 million people living in this country.
It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.
Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too!
Something as beautiful and natural as male-female relationships have been perhaps inalterably politicized, and politicized from the standpoint that men are the predators and that men are brutes and that men are uncaring, what have you, all to get the female vote. And I just sense people are getting fed up with it entirely. They may not even know specifically why. But it's just one of the seeming gazillion things that just are not right in America and out of whack.
I'm basic. If it's Sia, I'm gonna like it. Her voice is great. She's ruining her voice though, the way she sings. — © Bob the Drag Queen
I'm basic. If it's Sia, I'm gonna like it. Her voice is great. She's ruining her voice though, the way she sings.
I'm not a great lover of Madonna's voice. She's done very well with what she's got, and I'm sure my voice turns her right off, but she's not my favourite singer.
The song of the voice is sweet, but the song of the heart is the pure voice of heaven.
I don't think that I'm a lone voice. I'm not even interested in being a lone voice.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
I want to tell you,' the voice on the phone said. 'My head is filled with things to say.' ... 'I don't mind,' Hal said softly. 'I could wait forever.' 'That's what you think,' the voice said. The connection was cut.
Before getting on 'The Voice,' I was very critical and judgmental of people's vocals. After getting on the show, I was so nervous, I realized my low notes were gone, so nerves do take a big toll on your voice.
Everybody talks about finding your voice. Do your homework and your voice will find you.
In life, finding a voice is speaking and living the truth. Each of you is an original. Each of you has a distinctive voice. When you find it, your story will be told. You will be heard.
I hope my work is recognizable as being by a woman, though I certainly would never deliberately make it feminine in any way, in subject or treatment. But if I speak in a voice which is my own, it's bound to be the voice of a woman.
I think there's probably always been visions and voices, and these were variously ascribed to the divine or demonic or the muses. I think many poets still feel they depend on an inner voice, or a voice which tells them what to do.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
It's a little weird accepting your voice coming out of an animated character. You don't buy it at first because it's your voice and none of us like our voices when we hear them recorded back.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
I know my voice has a limited range of motion; I don't write dramatic monologues and pretend to be other people. But so far, my voice is broad enough to accommodate most of what I want to put into my poetry. I like my persona; I often wish I were him and not me.
Was it weird hearing from Jace?" asked Simon, his voice carefully neutral. "I mean, since you found out..." His voice trailed off. Yes?"said Clary, her voice sharply edged. "Since I found out what? That he's a killer transvestite who molests cats?" No wonder that cat of his hates everyone." Oh, shut up, Simon," Clary said crossly.
Growing up I wasn’t sure I was female. As I grew further I wanted to be a lesbian but I wasn’t sure I would meet even the most basic membership criteria (though eventually I created a ‘femme dyke’ persona that worked well for over fifteen years). It wasn’t until my early twenties that I was sure of at least one thing: I was an artist. Quite an accomplishment for anyone assigned female at birth in a culture that calls only male artists ‘great’.
If you're a voice for a community, then you're a voice for something more than yourself. I want to have an impact, because I don't want anybody to have to go through what I went through.
Because I'm moved in writing to be irrepressible. Writing to you seems like some holy cause, cause there's not enough female irrepressibility written down. I've fused my silence and repression with the entire female gender's silence and repression. I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructive but above all else public is the most revolutionary thing in the world.
When I was about forty-three years of age, I had a private secretary with a beautiful baritone voice. I told him I would give anything in the world if I could only carry a tune. He laughed and said, 'Anybody who has a voice and perseverance can sing.'
I'm hoping to have a huge future in voice-overs. For years, people have said, 'I recognized your voice before I recognized your face!' — © Jean Smart
I'm hoping to have a huge future in voice-overs. For years, people have said, 'I recognized your voice before I recognized your face!'
I have a feeling that about 90% of my life has been shaped by my voice, both as an embarrassment and as an advantage. There was always the terrible incongruity of this deep voice barreling out of this little body. Somewhere in the back of my mind I was aware that it was ludicrous, that it took on an importance that wasn't really there.
The center of life is female - we all come from our mothers. I've always drawn women or female spirits. I feel deeply about this - who gives a damn about some guy on a cross? My mother's creativity was smothered after she married and raised a family, but she was supportive of me - even my father expected me to carry on in her footsteps. I prefer to have no kids but lots of animals.
When they speak about 'We the people...,' we the people have to have a voice. It can't just be the establishment voice.
For singers, our singing voice is our natural voice, not the speaking.
The imagination says listen to me. I am your darkest voice. I am your 4 a.m. voice. I am the voice that wakes you up and says this is what I'm afraid of. Do not listen to me at your peril.... The imagination is not our escape. On the contrary, the imagination is the place we are all trying to get to.
My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it's capable of, what it's not capable of.
Gilmartins voice is angelic, but her lyrical subjects are often serious and slightly sad. The conflict of the beauty of her voice and the sadness of her lyrics makes for great music!
I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
There are so many male antiheroes but not nearly as many female antiheroes.There's a lot of pressure on female characters to be likable. That puts a lot of pressure on women to be likable.
I loved being a soprano. It was one of my very favorite things in life, and thus far, and losing that voice was a profound emotional moment for me in my life. I never became that interested in my adult male singing voice.
Live-action films are very much a director's medium, and that director is going to be a very strong voice, a stronger individual voice than you'd have in animation.
But no one except Lucy knew that as it circled the mast it had whispered to her, "Courage, dear heart," and the voice, she felt sure, was Aslan's, and with the voice a delicious smell breathed in her face.
You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.
My mother had a great voice. Not like mine, not like my sister's, not like my son's - a high soprano voice, but like a bird. I mean, really beautiful. — © Barbra Streisand
My mother had a great voice. Not like mine, not like my sister's, not like my son's - a high soprano voice, but like a bird. I mean, really beautiful.
Your voice is a very powerful weapon. When you are in tune with the cosmic breath of heaven and earth, your voice produces true sounds. Unify body, mind, and speech, and real techniques will emerge.
Real guts are nothing more than developing your inner voice to the point where it is louder and stronger than the voice of your fear.
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