Top 1200 Female Voice Quotes & Sayings - Page 17

Our voice is an independent voice to represent the dignity and the search for peace and the reformulation of the international system; to denounce persecution and aggression of hegemonistic forces on the planet. This is how Venezuela has presented itself. Bolivar's home has sought a nonpermanent seat on the Security Council.

A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.

I'm aware of what I am, but I focus so much on myself as a musician and as an artist that I don't even notice that I'm the only female on a festival bill. I'm just like "oh I'm playing this festival."I haven't been very deeply involved in this greater outreach because my approach to equality is integration. I'm not into separatism, or an all-female festival. It's good and empowering but it doesn't allow for the bigger picture to get accomplished. We all need to be at the same festival - that's always been my approach.

My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.

Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.

It's not misogynistic to criticize a legendary female pop singer; it's misogynistic to think a legendary female pop singer can't handle it.

Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.

My voice is very distinct. People hear Tracy Morgan's voice, and they know Tracy Morgan right off the bat because I've been in their homes for so many years.

So many people are campaigning, fighting, and even dying to make a statement in the name of humanity. These people have no voice that can be heard by many. I wish more celebrities would take the initiative to be that voice.

I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.

The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.

Everyone has a voice. I mean, that's the good side to the Internet Age and social media. Obviously, there's negatives to it, but I think that the fact that everyone has a voice now is a tool that we can use for good.

What is a barrier to one person to creativity is a springboard for another. And the thing that makes the difference from one person or another is how they deal with and are affected by their inner voice of blame and criticism, so-called the VOJ or Voice of Judgment.

[Miles Davis] learned from everyone. He was incredible. He took the best from everyone and threw away the rest. He was brilliant. One of the things he told me he loved about my voice was how I used space-both in music and between my voice and the mike.

I know that composers know my voice type and what songs will suit me. I have been able to mould my voice according to the nature of the song given to me, be it rock, pop or jazz.

It's important to raise your voice in things you feel passionate about and things that you know about. Don't raise your voice just to raise your voice if you have nothing behind it and don't know what you're talking about.

TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.

I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.

Ella knows her way around her voice as very few people today. But there are times when she seems to be unaware there are things the human voice just doesn't do. She does them.

When a male vole repeatedly mates with a female, a hormone called vasopressin is released in his brain. The vasopressin binds to receptors in a part of the brain called the nucleus accumbens, and the binding mediates a pleasurable feeling that becomes associated with that female. This locks in the monogamy, which is known as pair-bonding. If you block this hormone, the pair-bonding goes away.

I must have read every issue of 'Punch' published in the 20th century, and I think in the process I picked up the true voice of English humour - that amiable, fairly liberal, laconic voice which you find in something like 'Three Men in a Boat.'

I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.

The voice in your head is like a wild horse taking you wherever it wants to go...When the voice in your head finally stops talking, you experience inner peace.

What I have found is that when we get to that still, small voice inside and begin to live by it, we see that that still, small voice doesn't judge us the way we are being judged by others all the time.

The NBA has a voice that's why they have a lockout. The NFL has a voice that's why they had a lockout. Boxing is the only sport that's individually represented the individual people - Managers, Promoters and Boxers.

Heroism works in contradiction to the voice of mankind and in contradiction, for a time, to the voice of the great and good. Heroism is an obedience to a secret impulse of an individual

Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.

If it sounds good to me and I hate my voice, so if I'm willing to listen to my voice over and over again, it's a hit. Guaranteed it'll be a hit.

Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.

Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.

If I give a little hint or clue as to where my voice could be going, that would [be] read. Because people can listen closely, you know, you can sit with headphones or you just concentrate on music, you can just hear, sometimes, the desires of the voice itself.

I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.

The voice of the people has been said to be the voice of God; and, however generally this maxim has been quoted and believed, it is not true to fact. The people are turbulent and changing, they seldom judge or determine right.

Better to be miserable with her than happy without her. Let our hearts break provided they break together. If the voice within us does not say this it is not the voice of Eros.

When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.

Every modulated sound is not a song, and every voice that executes a beautiful air does not sing. Singing should enchant. But to produce this effect there must be a quality of soul and voice which is by no means common even with great singers.

Even in areas like the most depressed region of India in terms of female education, namely Rajasthan, which has [one of] the lowest female literacy [rates] in India. Even there, 80 to 90 percent of the parents would like their girls to go to school. And indeed, about 80 percent would like them to be made compulsory.

At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]

Each time we deny our female functions, each time we deviate from our bodies' natural path, we move father away from out feminine roots. Our female bodies need us now more than ever, and we too need the wisdom, the wildness, the passion, the joy, the vitality and the authenticity that we can gain through this most intimate of reconciliations.

I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.

What intrigues me most about the human voice, is its ability to make all things transparent through its power of transformation. The voice is not just a conduit for words. For me it is like an abstract dream in which everything makes perfect sense.

There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.

The things, good Lord, that we pray for, give us the grace to labour for', as Sir Thomas More expressed it. The inner voice of prayer expresses itself naturally in action, just as the inner voice of my brain guides all my bodily actions.

The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.

I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.

Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.

Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.

When you write, it's just a much more crystalline, compressed version of the voice you think with - though not the one you speak with. I think your writing voice is your laser-guided missile. It's the poetry part of you.

As you get older, your voice changes, as well. Your voice should be able to last as long as you last.

Women are always murdered and maimed, and they’re never given their rightful place as lead characters! And I think [creator Michael Hirst] has just written what should have been written a long time ago. There shouldn’t be anything that different about Vikings, but there is, because there’ve just been so many shows that have not stepped up to the plate and given female actors and female characters equal footing.

The song and the drumming were like this: Behold, a sacred voice is calling you; All over the sky a sacred voice is calling.

What I like about modelling is that it has given me that opportunity to travel and experience different cultures, work with creative people, and now it's given me a voice, and with that voice hopefully I can do good things with it.

I've been singing since I was a kid, but I take my voice a lot more personally than my acting. I feel a lot more personal criticism when somebody tells you that you don't have a good voice.

All of us have a 'voice' inside where all inspired thoughts come from. When I talk to children and aspiring writers, I always ask them to turn off the TV and listen to that voice inside them.

Books are really fun because your 'voice' is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.

On a Terrence Malick set, your thoughts are his voice. You think you're thinking, but actually he's thinking for you. He speaks to you, and he's the voice in your mind.

Anyway, this huge Lena Dunham interview in Playboy. It felt like a shifting, of some kind. This new female archetype - this new, powerful, honest, non-pandering kind of female is becoming more powerful than whatever else has been rocking it for the past 10 years. I heard that Hugh Hefner's daughter is taking over. Which, if a woman is running Playboy, something is right.

I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.

There are a couple of things that are, in the present, floating in front of my face, and once one of them gets enough energy to become a voice that I cannot not hear, then I will become a steamroller. When you've made your film, you stop hearing the voice.

I think the best thing is having a voice and being able to give people a different perspective and a different opinion and voice my emotions and how I feel. To be heard by people, it feels good.