Top 1200 Female Voice Quotes & Sayings - Page 20

As I looked more carefully at the listening matrix I saw that during the past twenty years we had taken a magnifying glass to the first of these four quadrants, the female experience of powerlessness. I saw I was subconsciously making a false assumption: The more deeply I understood women's experience of powerlessness, the more I assumed men had the power women did not have. In fact, what I was understanding was the female experience of male power.

A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms.

With all the hurts they've been through, they find a loving way and a way to put their mind on something greater. That's what makes a good artist, a good singer: because you can hear the hurt in their voice, and you can hear the love in their voice.

In India the mother is the center of the family and our highest ideal. She is to us the representative of God, as God is the mother of the universe. It was a female sage who first found the unity of God, and laid down this doctrine in one of the first hy mns of the Vedas. Our God is both personal and absolute, the absolute is male, the personal, female. And thus it comes that we now say: 'The first manifestation of God is the hand that rocks the cradle'.

When you listen to the voice in your head, listen to it impartially. That is to say, do not judge. You'll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.

My son is in a band, and he’s a singer, and his vocals … they’re screaming-growling stuff … and he’s got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I’m, like, “Hats off to you.”

Before I lost my voice, it was slurred, so only those close to me could understand, but with the computer voice, I found I could give popular lectures. I enjoy communicating science. It is important that the public understands basic science, if they are not to leave vital decisions to others.

On the question of women's sexual freedom or female independence, there are still issues that haven't been worked out. There's an aura of traditional gender roles that is not talked about that really permeates these conversations. There is this vacillation between a desire for independence and having the kinds of sexual freedom that men have and, on the other side, issues about female vulnerability and susceptibility to male aggression and violence. We need more honesty about the actual conditions in which sex is happening.

I can't listen to my own voice, I don't like it. You see all your mistakes when you hear your voice. You see all your imperfections.

Hearing God is not all that difficult. If we know the Lord, we have already heard His voice - after all it was the inner leading that brought us to Him in the first place. But we can hear His voice and still miss His best if we don't keep on listening. After the what of guidance comes the when and how.

The inner voice is something which cannot be described in words. But sometimes we have a positive feeling that something in us prompts us to do a certain thing. The time when I learnt to recognise this voice was, I may say, the time when I started praying regularly.

I think glamour is a female thing. I don't think that's a male fantasy. I think glamour's a female fantasy.

The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.

They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.

Sometimes I hear a voice - sometimes it's the voice of someone I know. And sometimes that leads to a character, which leads to a story.

...if we allow ourselves contemplative time in nature-whether it's gardening, going for a walk with the dog, or being in the heart of the southern Utah wilderness-then we can hear the voice of our conscience. If we listen to that voice, it asks us to be conscious. And if we become conscious we choose to live lives of consequence.

This book [the Bible] speaks both the voice of God and the voice of humanity, for there is told in it the most convincing of human experience that has ever been written...and those who heed that story will know their strength and happiness and success are all summed up in the exhortation, "Fear God and keep His commandments."

A person who has not completely lost the memory of paradise, even though it is a faint one, will suffer endlessly. He will feel the call of the essential world, will hear the voice that comes from so far away that one cannot find out where it comes from, a voice that cannot guide him.

I have visited the laid off factory workers and the communities crushed by our horrible and unfair trade deals. These are the forgotten men and women of our country and they are forgotten, but they're not gonna be forgotten long. These are people who work hard but no longer have a voice. I am your voice!

It's always fun to be able to have a voice, because it helps me to stay in tune with the project and the people that I am working with. Ther's nothing worse than being on a project and not being able to have a voice. I don't like that.

Dysphonia is not a singing problem. It's a voice box issue in the muscle on the voice, very different from having a nodule on the vocal cords, which I've never had. I'm lucky that I've never had that. It needs a long renewal time, and even today, I am still addressing it.

You can't just have a good voice. You need a great voice, song, performance and video. When people see you, it all has to match up. There's a lot of missing parts in R&B right now. That's why it's not selling right now. Things that are irresistible, people will pay for it.

The hearing aids are very helpful for speech reading. Without the hearing aids, my voice becomes very loud, and I cannot control the quality of my voice.

My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'

Lord God, I long to hear Your voice but not just secondhand through teachers, as wonderful and godly as they can be. I long to hear Your voice firsthand.

You will face boredom and frustration your entire career as artists. You will be very frustrated seeking a voice/style that collectors can connect with. Once you accomplish that voice/style people are clamoring for, you will become bored doing it.

I guess it was easier for me to find my voice in poetry than it was in fiction. I'm working on fiction again, and I find it a lot more difficult. It's a struggle. At a certain point, you have your voice and you go to it every time, so it's not like reinventing the wheel. That's the way I see it at least.

My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.

I think Don Henley is a brilliant contemporary rock writer. He would have been a fabulous poet if he weren't a musician. He was a literary major, and not only that - he's gifted with a brilliant voice. To me, Don could sing the New York City Yellow Pages and I'd buy it. I just love the sound of his voice.

My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.

When there's no one else look inside yourself -- like your oldest friend -- just trust the voice within -- then you'll find the strength that will guide your way. You'll learn to begin to trust the voice within.

I think it's very important to use your voice and use your voice responsibly. But, having said that, I think you should have all the knowledge before you do that.

Certainly working with teens keeps me up to date with language and with certain kinds of thinking. I often feel like I have to go back to that 17-year-old Chris Crutcher, and that forms the core voice. I can draw on teens from 1964 to 2001 to find a part of the voice I need.

I am always nervous about doing voice-over work. I'm always clammy and I worry, "What if my voice squeaks? What if I don't deliver it right?" Until you start saying the lines, it's always nerve-wracking, for some reason, and I've never gotten over that.

In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.

From a comparative perspective, the United States is unusual if not unique in the lack of restraints on freedom of expression. It is also unusual in the range and effectiveness of methods employed to restrain freedom of thought... Where the voice of the people is heard, elite groups must insure their voice says the right things.

Rock and roll kind of screwed up my voice poetically. I found myself having this 'Beat' voice in my poems. It was like this self-fulfilled prophecy because everybody was calling me this rock poet, this Beat poet.

The thing that influenced me most was the way Tommy played his trombone. It was my idea to make my voice work in the same way as a trombone or violin-not sounding like them, but "playing" the voice like those instrumentalists.

Your voice is not your instrument. Your voice is the character that you build, your innermost feelings, the things that you want to say, and your instrument is the vehicle that you use to carry the message.

Male love circuits get an extra kick when stress levels are high. After an intense physical challenge, for instance, males will bond quickly and sexually with the first willing female they lay eyes on. Women, by contrast, will rebuff advances or expressions of affection and desire when under stress. The reason may be that the stress hormone cortisol blocks oxytocin's action in the female brain, abruptly shutting off a woman's desire for sex and physical touch.

Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice.

I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.

Been having a fight with your blankets, Septimus?" A familiar voice echoed down the chimney. "Looks like you lost," the voice continued with a chuckle. "Not wise to take on a pair of blankets, lad. One, maybe, but two blankets always gang up on you. Vicious things, blankets.

Using the passive voice is always very helpful. Mind you, a lot of that propaganda English emanates from here. The British establishment has always used the passive voice. It's been a weapon of discourse so those who committed terrible acts in the old empire could not be identified.

I have always had problems with my voice, and the piano helped me believe the song could be bigger than my voice, and I could play with new melodies and things that I couldn't on guitar. It was easier to make the sound fuller and easier to get away with not being as good.

After about three lessons [my] voice teacher said, "Don't take voice lessons. Do it your way. You're a song stylist. Always do it your way."

Your little Obama voice: 'Yes you can.' Listen to your inner Obama-voice.

Yes. The original argument is defective. Substitute the word 'male' for 'gay,' and you'll see the flaw: 'Male people cannot be normal. If everyone were male starting tomorrow, the human race would die out, so being male cannot be nature's intended way.' Or you could substitute the word 'female.' In either case, the argument makes no sense: Being male or female is perfectly normal.

In the 20s, you were a face. And that was enough. In the 30s, you also had to be a voice. And your voice had to match your face, if you can imagine that.

When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.

The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.

What is absolutely true is that any good [Television] series has a specific voice. And I think that voice is almost exclusively the domain of the executive producer. . . . As a staff writer you're not being called upon to be the great creative person. You're sort of called upon to understand the characters and their voices and put them through certain paces.

My idea with '4 Degrees' was to articulate, for a minute, not my ideal vision of how I wanted to perceive my relationship to nature but the reality. If I could give a voice to my behavior, what would that voice be? Taking planes, enjoying first-world fossil fuel, an addict of first-world comfort.

Your ego is your embodiment and your self is your potentiality and that's what you listen to when you listen for the voice of inspiration and the voice of 'What am I here for? What can I possibly make of myself?'

I didn't use a voice change to do Bilbo. I have a distinctive voice anyway. I did an attitude change, making Bilbo kind of fussy - fussy and proper - then gradually dropped the fussiness and properness as the madness of battle really affects him.

The technology has improved so much so quickly that voice is now an important mechanism in our lives. Artificial intelligence contributes to that, so not only can you now communicate with your devices by voice, but they're now responding more and more creatively and intelligently to what we need.

I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.

I love it and it is a blessing to be able to have seventy-five to eighty episodes to develop a character and find your voice. You have a similar through voice, and yet you are making different decisions, and so you act differently and you make different choices, as that is what your character would do.

The colored man is in the South to stay there. He will not leave it voluntarily and he cannot be driven out. He had no voice in being carried into the South, but he will have a very loud voice in any attempt to put him out.

You don’t read or overhear the voice in the poem, you are the voice in the poem.